Harmonia Sacra Handbook

53 TUNE: Old Hundred
METRE: L.M. 8,8,8,8.

DOREMI: DDTLSDRM MMMRDFMR

FIRSTLINE: To God the great the ever bless'd

ALT. NAME: Old Hundredth

COMPOSER: Bourgeois, Louis

DATE: c. 1541

NOTES: Bourgeois (c.1510-c.1561); in Pseaumes octante trois, Geneva, 1551.

AUTHOR: Watts, Isaac

DATE: 1719

NOTES: Watts (1674-1748); in his Psalms of David, 1719.


54a TUNE: Newry
METRE: L.M. 8,8,8,8.

DOREMI: DMFSLTDTLS SSSLSFMR

FIRSTLINE: Now let our souls on wings sublime

ALT. NAME: Duke Street; St. Helens; Windle

COMPOSER: Hatton, John C.

DATE: 1790

NOTES: in Henry Boyd's A Select Collection of Psalm & Hymn Tunes, 1793; attrib. to John Hatton (d.1793) in William Dixon's Euphonia, 1805.

AUTHOR: Gibbons, Thomas

DATE: 1762

NOTES: Gibbons (1720-1785); Sermons


54b TUNE: Windham
METRE: L.M. 8,8,8,8.

DOREMI: LDRMMDTL LDTDMRDT

FIRSTLINE: Broad is the road that leads to death

ALT. NAME:

COMPOSER: Folk Hymn

DATE: 1785 (s)

NOTES: attrib. to Daniel Read (1757-1836); in his The American Singing Book, New Haven Conn, 1785.

AUTHOR: Watts, Isaac

DATE: 1707

NOTES: Watts (1674-1748); in his Hymns and Spiritual Songs, 1707.


55a TUNE: Uxbridge
METRE: L.M. 8,8,8,8.

DOREMI: DMRMRDTD MSSLTDLS

FIRSTLINE: Afflicted saint to Christ draw near

ALT. NAME:

COMPOSER: Mason, Lowell

DATE: 1828 (s)

NOTES: Mason (1792-1872); in The Boston Handel and Haydn Society Collection of Church Music, 6th ed., 1828.

AUTHOR: Fawcett, John

DATE: 1782

NOTES: Fawcett (c. 1740-1817); in John Rippon's Selection of Hymns, 1787.


55b TUNE: Luton
METRE: L.M. 8,8,8,8.

DOREMI: SSLSFMRD DDTLSFMFMRDS

FIRSTLINE: Bright as the sun's meridian blaze

ALT. NAME:

COMPOSER: Burder, George

DATE: 1780

NOTES: Burder (1752-1832).

AUTHOR: Shrubsole, William Jr.

DATE: 1795

NOTES: Shrubsole (1760-1806).


56a TUNE: Salem
METRE: L.M. 8,8,8,8.

DOREMI: LSFMLDTTL LTMRDLSLT

FIRSTLINE: He dies the Friend of sinners dies

ALT. NAME:

COMPOSER: Folk Hymn

DATE: 1817

NOTES: attrib. to Bovelle by Ananias Davisson in his The Kentucky Harmony, 4th ed., 1821; in Allen Carden's The Missouri Harmony, 1820; The Harmonia Sacra, legacy ed. attrib. tune to Aaron Williams, The New Universal Psalmodist, 1770.

AUTHOR: Watts, Isaac

DATE: 1709

NOTES: Watts (1674-1748); in his Horae Lyricae, 1709


56b TUNE: Berlin
METRE: L.M. 8,8,8,8.

DOREMI: SDDRRMFMRD MRSMDTLS

FIRSTLINE: I send the joys of earth away

ALT. NAME:

COMPOSER:

DATE: 1832 (s)

NOTES: in Joseph Funk's A Compilation of Genuine Church Music, 1832.

AUTHOR: Watts, Isaac

DATE: 1707

NOTES: Watts (1674-1748); in his Hymns and Spiritual Songs, 1707.


57a TUNE: Heavenly Flight
METRE: L.M. 8,8,8,8.

DOREMI: DMSSMRDTD MSFMRDSF#S

FIRSTLINE: While on the verge of life I stand

ALT. NAME: Piles Grove; Pilesgrove

COMPOSER: Mitchell, Nahum

DATE: 1816

NOTES: in Bridgewater Collection, 4th ed., edited by Mitchell, Benjamin Holt, and Bartholomew Brown, 1816.

AUTHOR: Doddridge, Phillip

DATE: 1755 (s)

NOTES: Doddridge (1702-1751); from his Hymns, 1755


57b TUNE: Solemnity
METRE: L.M. 8,8,8,8.

DOREMI: LSMLLTLS#LT TDTLLDRM

FIRSTLINE: Twas on that dark that doleful night

ALT. NAME: Marysville

COMPOSER:

DATE: 1820 (s)

NOTES: in Allen Carden's The Missouri Harmony, 1820; atrib. to Ananias Davisson (1780-1857) in his The Kentucky Harmony, 4th ed., 1821.

AUTHOR: Watts, Isaac

DATE: 1707

NOTES: Watts (1674-1748); in his Hymns and Spiritual Songs, 1707.


58a TUNE: Gravity
METRE: L.M. 8,8,8,8.

DOREMI: DTDRMSMR MRDLSDRD

FIRSTLINE: O happy day that fixed my choice

ALT. NAME: Rockingham New; Rockingham

COMPOSER: Mason, Lowell

DATE: 1830

NOTES: Mason (1792-1872); in The Choir or Union Collection of Church Music, 1832.

AUTHOR: Doddridge, Phillip

DATE: 1755 (s)

NOTES: Doddridge (1702-1751); from his Hymns, 1755


58b TUNE: Alfreton
METRE: L.M. 8,8,8,8.

DOREMI: DSFMLSLMRD MSLSDTDTLS

FIRSTLINE: O thou to whose all-searching sight

ALT. NAME:

COMPOSER: Beastall, William

DATE: 1818 (s)

NOTES: in New York Selection of Sacred Music, 1818.

AUTHOR: Zinzendorf, Nicholas Ludwig von

DATE: 1721

NOTES: von Zinzendorf (1700-1760); tr. by John Wesley (1703-1791), 1738.


59a TUNE: Retirement
METRE: L.M. 8,8,8,8.

DOREMI: TSLTRMSMMRTL TSLTRMRSMSL

FIRSTLINE: When I survey the wondrous cross

ALT. NAME: Davisson's Retirement; Harington

COMPOSER: Harington, Henry

DATE: c. 1775

NOTES: Harington's (1727-1816) "Beneath the silent rural call," c. 1775, was converted to "Retirement" by Thomas Williams; in Ananias Davisson's Supplement to the Kentucky Harmony, 1820.

AUTHOR: Watts, Isaac

DATE: 1707

NOTES: Watts (1674-1748); in his Hymns and Spiritual Songs, 1707.


59b TUNE: Tavoy
METRE: L.M. 8,8,8,8.

DOREMI: DDDDDDTD DRRMSSF#S

FIRSTLINE: Lo round the throne at God's right hand

ALT. NAME:

COMPOSER:

DATE: 1851 (s)

NOTES: in Joseph Funk's Harmonia Sacra, 5th ed., 1851.

AUTHOR: Hill, Rowland

DATE: 1783

NOTES: alt. in Thomas Cotterill's Selection of Psalms and Hymns for Public and Private Use, 1st ed., 1810.


60a TUNE: Wells
METRE: L.M. 8,8,8,8.

DOREMI: DMSDTDLS SSSSMFRD

FIRSTLINE: Ye nations round the earth rejoice

ALT. NAME:

COMPOSER: Holdroyd, Israel

DATE: 1716

NOTES: appears anon. in Holdroyd's Spiritual-Man's Companion, c.1724; attrib to Holdroyd by Ananias Davisson (1780-1857) in his The Kentucky Harmony, 1816.

AUTHOR: Watts, Isaac

DATE: 1719

NOTES: Watts (1674-1748); in his Psalms of David, 1719.


60b TUNE: Bourbon
METRE: L.M. 8,8,8,8.

DOREMI: MLLSDRDLS#L LDLDLDRM

FIRSTLINE: From deep distress and troubled thoughts

ALT. NAME:

COMPOSER: Lewis, Freeman

DATE: 1820

NOTES: Lewis (1780-1859); in Allen Carden's The Missouri Harmony, 1820.

AUTHOR: Watts, Isaac

DATE: 1719

NOTES: Watts (1674-1748); in his Psalms of David, 1719.


61a TUNE: Healing Balm
METRE: L.M. 8,8,8,8.

DOREMI: SSDTDSLS SSSSDDRMRDR

FIRSTLINE: Jesus dear name how sweet it sounds

ALT. NAME: Ward

COMPOSER: Mason, Lowell (arr.)

DATE: 1830

NOTES: "Scotch Tune," arranged by Lowell Mason (1792-1872), 1830.

AUTHOR: Watts, Isaac

DATE:

NOTES: Watts (1674-1748).


61b TUNE: Magdeburg
METRE: L.M. 8,8,8,8.

DOREMI: DRDTDRMRD DRMFMRDRM

FIRSTLINE: Bless O my soul the living God

ALT. NAME: Rhau; Rhaw; Nun Lasst uns den Leib

COMPOSER:

DATE: 1544 (s)

NOTES: in Geistliches Gesänge, Wittenberg, 1544.

AUTHOR: Watts, Isaac

DATE: 1719

NOTES: Watts (1674-1748), Psalms of David, 1719.


62a TUNE: Kedron
METRE: L.M. 8,8,8,8.

DOREMI: DTLLMMDTL DTLMLTLSFM

FIRSTLINE: Ye that pass by behold the Man

ALT. NAME:

COMPOSER: Folk Hymn

DATE: 1799 (s)

NOTES: attrib. to Elkanah Kelsay Dare (1782-1826); in Amos Pilsbury's United States Sacred Harmony, 1799.

AUTHOR: Wesley, Charles

DATE: 1742

NOTES: Wesley (1707-1788); in his Hymns and Sacred Poems, 1742.


62b TUNE: Hebron
METRE: L.M. 8,8,8,8.

DOREMI: SMSLSLTD DTRMDTLS

FIRSTLINE: Stand up my soul shake off thy fears

ALT. NAME:

COMPOSER: Mason, Lowell

DATE: 1823

NOTES: Mason (1792-1872).

AUTHOR: Watts, Isaac

DATE: 1707

NOTES: Watts (1674-1748); in his Hymns and Spiritual Songs, 1707.


63a TUNE: Sterling
METRE: L.M. 8,8,8,8.

DOREMI: DDDDDRDRM MMMFMRRD

FIRSTLINE: Give to our God immortal praise

ALT. NAME:

COMPOSER: Harrison, Ralph

DATE: 1847 (s)

NOTES: Ralph Harrison (1748-1810); in Joseph Funk's A Compilation of Genuine Church Music, 4th ed., 1847.

AUTHOR: Watts, Isaac

DATE: 1719

NOTES: Watts (1674-1748); in his Psalms of David, 1719.


63b TUNE: Tender Thought
METRE: L.M. 8,8,8,8.

DOREMI: LTLSMSLTRTL LTLSMSLTDRM

FIRSTLINE: Arise my tend'rest thoughts arise

ALT. NAME:

COMPOSER: Folk Hymn

DATE: 1816 (s)

NOTES: attrib. to Ananias Davisson (1780-1857) in his The Kentucky Harmony, 1816.

AUTHOR: Doddridge, Phillip

DATE: 1739

NOTES: Doddridge (1702-1751); in Hymns, 1755.


64a TUNE: Providence
METRE: L.M. 8,8,8,8.

DOREMI: DTDSDTDR DMDLRDRTD

FIRSTLINE: High in the heav'ns eternal God

ALT. NAME: Mendon

COMPOSER: German Traditional

DATE: 1814

NOTES: arr. by Samuel Dyer in 1814; in Selections of Sacred Music, 1825.

AUTHOR: Watts, Isaac

DATE: 1719

NOTES: Watts (1674-1748); in his Psalms of David, 1719.


64b TUNE: Brewer
METRE: L.M. 8,8,8,8.

DOREMI: DMDSMLSLTD SLSFMRDTLS

FIRSTLINE: What happy men or angels these

ALT. NAME:

COMPOSER:

DATE: 1813 (s)

NOTES: in Wyeth's Repository of Sacred Music, Part Second, by John Wyeth (1770-1858), 1813.

AUTHOR: Watts, Isaac

DATE: 1707

NOTES: Watts (1674-1748); in his Hymns and Spiritual Songs, 1707.


65a TUNE: Devotion
METRE: L.M. 8,8,8,8.

DOREMI: SLDLSLDD SDRMDRDLD

FIRSTLINE: Oh for a sweet inspiring ray

ALT. NAME: Penitent; A Song for the Lord's Day

COMPOSER: Johnson, Alexander

DATE: 1818

NOTES: in Allen Carden's The Missouri Harmony, 1820.

AUTHOR: Steele, Anne

DATE: 1760

NOTES: Steele (1716-1778); in her Poems on Subjects Chiefly Devotional, 1760.


65b TUNE: Winchester
METRE: L.M. 8,8,8,8.

DOREMI: SDSLLSSFMRD MFMRSLSF#S

FIRSTLINE: No more dear Savior will I boast

ALT. NAME: Winchester New

COMPOSER:

DATE: 1690 (s)

NOTES: from Musicalisches Handbuch der Geistlichen Melodien, published by Georg Rebelein's widow, Hamburg, 1690.

AUTHOR: Watts, Isaac

DATE: 1787 (s)

NOTES: Watts (1674-1748); in John Rippon's Selection of Hymns, 1787.


66a TUNE: Amanda
METRE: L.M. 8,8,8,8.

DOREMI: LMRDRMDTLSLMS#L MMMSLSMDRM

FIRSTLINE: Thro' every age eternal God

ALT. NAME:

COMPOSER: Folk Hymn

DATE: 1787 (s)

NOTES: attrib. to Justin Morgan (1747-1798); in New Jersey Harmony, 1787.

AUTHOR: Watts, Isaac

DATE: 1719

NOTES: Watts (1674-1748); in his Psalms of David, 1719.


66b TUNE: Adisham
METRE: L.M. 8,8,8,8.

DOREMI: DDRMFSFMDRTD SDRDRMFMDRDTLS

FIRSTLINE: How pleasant and divinely fair

ALT. NAME:

COMPOSER:

DATE: 1832 (s)

NOTES: in Joseph Funk's A Compilation of Genuine Church Music, 1832.

AUTHOR: Watts, Isaac

DATE: 1719

NOTES: Watts (1674-1748); in his Psalms of David, 1719.


67a TUNE: Weston
METRE: L.M. 8,8,8,8.

DOREMI: SLSDSLSDRM RRMRRMRD

FIRSTLINE: Sinners oh why so thoughtless grown

ALT. NAME: Sessions

COMPOSER: Emerson, Luther Orlando

DATE: 1847

NOTES: Emerson (1820-1915); in Methodist Collection of Hymns and Tunes, 1857.

AUTHOR: Watts, Isaac

DATE: 1706

NOTES: Watts (1674-1748); alt. in John Rippon's Selection of Hymns, 1787.


67b TUNE: Rockbridge
METRE: L.M. 8,8,8,8.

DOREMI: DSLDDMRD DMSMDMRDR

FIRSTLINE: Sweet is the work my God my King

ALT. NAME: Forest

COMPOSER: Chapin, Aaron

DATE: 1813 (s)

NOTES: in Wyeth's Repository of Sacred Music, Part Second, by John Wyeth (1770-1858), 1813.

AUTHOR: Watts, Isaac

DATE: 1719

NOTES: Watts (1674-1748); in his Psalms of David, 1719.


68a TUNE: Shoel
METRE: L.M. 8,8,8,8.

DOREMI: DMDMSSDFSLSFM SSDMFSDTLSF#S

FIRSTLINE: Who is this fair one in distress

ALT. NAME:

COMPOSER:

DATE: 1832 (s)

NOTES: in Joseph Funk's A Compilation of Genuine Church Music, 1832.

AUTHOR: Watts, Isaac

DATE: 1707

NOTES: Watts (1674-1748); in his Hymns and Spiritual Songs, 1707.


68b TUNE: Supplication
METRE: L.M. 8,8,8,8.

DOREMI: MLS#LSLTLSFM MSMRMLDRM

FIRSTLINE: Show pity Lord O Lord forgive

ALT. NAME: The Seasons

COMPOSER: Folk Tune

DATE: 1810 (s)

NOTES: arr. by Aaron Chapin; in Wyeth's Repository of Sacred Music, by John Wyeth (1770-1858), 1810; derives from Scotch tune, Hame, Hame, Hame.

AUTHOR: Hegenwalt, Erhart

DATE: 1523

NOTES: Words by Erhart Hegenwalt, 1523, tr. John Christian Jacobi (1670-1750), 1722.


69a TUNE: Migdol
METRE: L.M. 8,8,8,8.

DOREMI: SSDLRDTD MRMRDTDRDTLS

FIRSTLINE: Soon may the last glad song arise

ALT. NAME:

COMPOSER: Mason, Lowell

DATE: 1840 (s)

NOTES: Mason (1792-1872); in his Carmina Sacra, 1840.

AUTHOR: Vokes, Mrs.

DATE:

NOTES: written end of 18th century.


69b TUNE: Retreat
METRE: L.M. 8,8,8,8.

DOREMI: MFSSSFMLLS TDRRRDRDMR

FIRSTLINE: From every stormy wind that blows

ALT. NAME:

COMPOSER: Hastings, Thomas

DATE: 1841 (s)

NOTES: Hastings (1784-1872); in his Juvenile Songs, 1841.

AUTHOR: Stowell, Hugh

DATE: 1828 (s)

NOTES: Stowell (1799-1865); in The Winter's Wreath, 1828.


70a TUNE: New Sabbath
METRE: L.M. 8,8,8,8.

DOREMI: DSLSSFMFSDLRDTD MRTSMRTSDLSFMMR

FIRSTLINE: Jesus my Savior Brother Friend

ALT. NAME:

COMPOSER: Miller

DATE: 1810 (s)

NOTES: in Wyeth's Repository of Sacred Music, by John Wyeth (1770-1858), 1810.

AUTHOR: Wesley, Charles

DATE:

NOTES: Wesley (1707-1788); in Methodist Hymns.


70b TUNE: Portugal
METRE: L.M. 8,8,8,8.

DOREMI: SDRMDMSFMRD MRDRDRSTRDTLS

FIRSTLINE: How lovely how divinely sweet

ALT. NAME:

COMPOSER: Thorley

DATE: 1810 (s)

NOTES: in Wyeth's Repository of Sacred Music, by John Wyeth (1770-1858), 1810.

AUTHOR: Steele, Anne

DATE: 1760 lockquote>

NOTES: Steele (1716-1778); in her Poems on Subjects Chiefly Devotional, 1760.


71a TUNE: Rest L.M.
METRE: L.M. 8,8,8,8.

DOREMI: SSSDSSMR FFFRTLTD

FIRSTLINE: How blest the righteous when he dies

ALT. NAME:

COMPOSER: Bradbury, William Batchelder

DATE: 1844

NOTES: Bradbury (1816-1868); in Joseph Funk's Harmonia Sacra, 12th ed., 1867.

AUTHOR: Barbauld, Anna Laetitia

DATE: 1809

NOTES: Laetitia (nee Alkin) (1743-1825); altered by James Montgomery (1771-1854), for Thomas Cotterill's Selection of Psalms and Hymns for Public and Private Use, 8th ed., 1819.


71b TUNE: Abingdon
METRE: L.M. 8,8,8,8.

DOREMI: SDDRDLSSLS MSFMRDMR

FIRSTLINE: The wond'ring world inquires to know

ALT. NAME:

COMPOSER:

DATE: 1832 (s)

NOTES: in Joseph Funk's A Compilation of Genuine Church Music, 1832.

AUTHOR: Watts, Isaac

DATE: 1707

NOTES: Watts (1674-1748); in his Hymns and Spiritual Songs, 1707.


72a TUNE: Armley
METRE: L.M. 8,8,8,8.

DOREMI: MLTDTDTLTDTLLS MLTDTDTLTDTLS#L

FIRSTLINE: Thou whom my soul admires above

ALT. NAME:

COMPOSER:

DATE: 1832 (s)

NOTES: in Joseph Funk's A Compilation of Genuine Church Music, 1832.

AUTHOR: Watts, Isaac

DATE: 1707

NOTES: Watts (1674-1748); in his Hymns and Spiritual Songs, 1707.


72b TUNE: Sabbath Evening
METRE: L.M. 8,8,8,8.

DOREMI: SDRMFMRD RMSMDTLS

FIRSTLINE: Is there a time when moments flow

ALT. NAME:

COMPOSER:

DATE: 1851 (s)

NOTES: in Joseph Funk's Harmonia Sacra, 5th ed., 1851.

AUTHOR: Edmeston, James

DATE: 1820

NOTES: in Sacred Lyrics, 1820.


73a TUNE: Weber
METRE: L.M. 8,8,8,8.

DOREMI: SSMLSDTLTD TLSMLSSDTLTD

FIRSTLINE: Oh that I could forever dwell

ALT. NAME:

COMPOSER:

DATE: 1867 (s)

NOTES: in Joseph Funk's Harmonia Sacra, 12th ed., 1867.

AUTHOR: Reed, Eliza

DATE:

NOTES: Reed (1794-1867).


73b TUNE: Orland
METRE: L.M. 8,8,8,8.

DOREMI: DDDDSLLS SSLTDDTDRTD

FIRSTLINE: Awake Jerusalem awake

ALT. NAME:

COMPOSER:

DATE: 1835 (s)

NOTES: in Joseph Funk's A Compilation of Genuine Church Music, 2nd ed., 1835.

AUTHOR: Wesley, Charles

DATE: 1741

NOTES: Wesley (1707-1788); in his Psalms and Hymns, 1741.


74a TUNE: Morning Psalm
METRE: L.M. 8,8,8,8.

DOREMI: DDRDMRDSSFMRDRMR SDTDTLSLTLS

FIRSTLINE: My God accept my early vows

ALT. NAME:

COMPOSER:

DATE: 1832 (s)

NOTES: in Joseph Funk's A Compilation of Genuine Church Music, 1832.

AUTHOR: Watts, Isaac

DATE: 1719

NOTES: Watts (1674-1748); in his Psalms of David, 1719.


74b TUNE: Kingsbridge
METRE: L.M. 8,8,8,8.

DOREMI: MLTDTLTM MLTDTLSFM MDRMFMLTDTTL

FIRSTLINE: Great God indulge my humble claim

ALT. NAME:

COMPOSER:

DATE: 1832 (s)

NOTES: in Joseph Funk's A Compilation of Genuine Church Music, 1832.

AUTHOR: Watts, Isaac

DATE: 1719

NOTES: Watts (1674-1748); in his Psalms of David, 1719.


75 TUNE: Bridgewater
METRE: L.M. 8,8,8,8.

DOREMI: DMDRRDTD MRDFMRDMR

FIRSTLINE: Come gracious Spirit heavenly Dove

ALT. NAME:

COMPOSER: Edson, Lewis

DATE: 1782 (s)

NOTES: Edson (1748-1820); in The Chorister's Companion, by Simeon Jocelyn and Amos Doolittle,1782 .

AUTHOR: Browne, Simon

DATE: 1720

NOTES: Browne (1680-1732); et al, Hymns and Spiritual Songs, 1720.


76a TUNE: Louella
METRE: L.M. 8,8,8,8.

DOREMI: SSLSMSSLSD SSLSSDRDTLS

FIRSTLINE: There is a pure and peaceful wave

ALT. NAME:

COMPOSER:

DATE: 1867 (s)

NOTES: in Joseph Funk's Harmonia Sacra, 12th ed., 1867.

AUTHOR: Ball, William

DATE: 1825

NOTES: Nugae Sacrae, 1825.


76b TUNE: Dawn
METRE: L.M. 8,8,8,8.

DOREMI: SDRMDSSLFRDT RDRMDLSMRTD

FIRSTLINE: Awake my soul and with the sun

ALT. NAME:

COMPOSER:

DATE: 1847 (s)

NOTES: in Joseph Funk's A Compilation of Genuine Church Music, 4th ed., 1847.

AUTHOR: Ken, Thomas

DATE: 1694

NOTES: Ken (1637-c. 1710);in a pamplet, 1694; Manual of Prayers, 1695.


77a TUNE: Zelek
METRE: L.M. 8,8,8,8.

DOREMI: SDSLSMDS DDTTRRDD

FIRSTLINE: When thickly beat the storms of life

ALT. NAME:

COMPOSER:

DATE: 1867 (s)

NOTES: in Joseph Funk's Harmonia Sacra, 12th ed., 1867.

AUTHOR: Robins, Gurdon

DATE: 1843

NOTES: in The Psalmist.


77b TUNE: Hiding Place
METRE: L.M. 8,8,8,8.

DOREMI: MLTDTDRDTLS MLTDTDRM

FIRSTLINE: Hail Sov'reign love that first began

ALT. NAME:

COMPOSER: Folk Hymn

DATE: 1810 (s)

NOTES: attrib. to L.M. Smith; tune related to Bourbon; in Wyeth's Repository of Sacred Music, by John Wyeth (1770-1858), 1810.

AUTHOR: Brewer, Jehoiada

DATE: 1776

NOTES: Brewer (1752-1817); in Wyeth's Repository of Sacred Music, by John Wyeth (1770-1858), 1810.


78a TUNE: Park Street
METRE: L.M. 8,8,8,8.

DOREMI: DDDDRMRDTD MMMMSRTDLS

FIRSTLINE: Arise arise with joy survey

ALT. NAME:

COMPOSER: Venua, Frederick Marc Antoine

DATE: 1810

NOTES: Venua (1788-1872); in Sacred Melodies, by William Gardiner (1770-1853), 1812-15.

AUTHOR: Kelly, Thomas

DATE: 1802

NOTES: Kelly (1769-1855); in his Collection of Psalms and Hymns, 1802.


78b TUNE: Effingham
METRE: L.M. 8,8,8,8.

DOREMI: DSFMMRDSFMMR SDTDRMFMRD

FIRSTLINE: When shall thy lovely face be seen

ALT. NAME:

COMPOSER: trad. English

DATE:

NOTES:

AUTHOR: Watts, Isaac

DATE: 1706-9

NOTES: Watts (1674-1748); in his Horae Lyricae, 1706-9.


79a TUNE: Gratitude
METRE: L.M. 8,8,8,8.

DOREMI: SSDMMSMRFTD SSDMMSMRFTD

FIRSTLINE: My God how endless is thy love

ALT. NAME: Lisbon

COMPOSER: Bost, Paul A.I.D.

DATE: 1837

NOTES: Bost (1790-1872); in Joseph Funk's Harmonia Sacra, 12th ed., 1867.

AUTHOR: Watts, Isaac

DATE: 1709

NOTES: Watts (1674-1748); in his Hymns and Spiritual Songs, 1709.


79b TUNE: Vestal
METRE: L.M. 8,8,8,8.

DOREMI: LLDTLLS#L TDRMRDRM

FIRSTLINE: Blest Jesus source of grace divine

ALT. NAME:

COMPOSER:

DATE: 1851 (s)

NOTES: in Joseph Funk's Harmonia Sacra, 5th ed., 1851.

AUTHOR: Doddridge, Phillip

DATE: 1755 (s)

NOTES: Doddridge (1702-1751); in his Hymns, 1755.


80a TUNE: Danvers
METRE: L.M. 8,8,8,8.

DOREMI: DSFMLSFMRD MRSFSDTLSF#S

FIRSTLINE: Blest are the humble souls that see

ALT. NAME:

COMPOSER: Mason, Lowell

DATE: 1829

NOTES: Mason (1792-1872); in his Juvenile Psalmist, 1829.

AUTHOR: Watts, Isaac

DATE: 1707

NOTES: Watts (1674-1748); in his Hymns and Spiritual Songs, 1707.


80b TUNE: Hamilton
METRE: L.M. 8,8,8,8.

DOREMI: SDRSMFSMDTD RMDTLRTSLTLS

FIRSTLINE: When at this distance Lord we trace

ALT. NAME:

COMPOSER: Madan

DATE: 1813 (s)

NOTES: in Wyeth's Repository of Sacred Music, Part Second by John Wyeth (1770-1858), 1813.

AUTHOR: Doddridge, Phillip

DATE: 1755 (s)

NOTES: Doddridge (1702-1751); in his Hymns, 1755.


81 TUNE: Conformity
METRE: L.M. 8,8,8,8.

DOREMI: SLDMDDSLDMFS SLDMDDSLDRM

FIRSTLINE: Jesus my Savior let me be

ALT. NAME:

COMPOSER:

DATE: 1832 (s)

NOTES: in Joseph Funk's A Compilation of Genuine Church Music, 1832.

AUTHOR: Beddome, Benjamin

DATE: 1817 (s)

NOTES: Beddome (1717-1795); in his Hymns, 1817.


82a TUNE: Gilgal
METRE: L.M. 8,8,8,8.

DOREMI: SDSLFMRDTD MRRDTSLDTLS

FIRSTLINE: My dear Redeemer and my Lord

ALT. NAME:

COMPOSER:

DATE: 1832 (s)

NOTES: in Joseph Funk's A Compilation of Genuine Church Music, 1832.

AUTHOR: Watts, Isaac

DATE: 1707

NOTES: Watts (1674-1748); in his Hymns and Spiritual Songs, 1707.


82b TUNE: Repose
METRE: L.M. 8,8,8,8.

DOREMI: DDDTDRTD MMMRTDLS

FIRSTLINE: Thou only Sov'reign of my heart

ALT. NAME:

COMPOSER:

DATE: 1851 (s)

NOTES: in Joseph Funk's Harmonia Sacra, 5th ed., 1851.

AUTHOR: Steele, Anne

DATE: 1760

NOTES: Steele (1716-1778); in her Poems on Subjects Chiefly Devotional, 1760.


83a TUNE: Mear
METRE: C.M. 8,6,8,6.

DOREMI: DSSMMDRMR RMDSF#S

FIRSTLINE: Sing to the Lord ye distant lands

ALT. NAME:

COMPOSER:

DATE: c. 1720 (s)

NOTES: in Simon Browne's A Sett of Tunes, c.1720; attrib. to Browne (1680-1732) in Wyeth's Repository of Sacred Music, by John Wyeth (1770-1858), 1810.

AUTHOR: Watts, Isaac

DATE: 1719

NOTES: Watts (1674-1748); in his Psalms of David, 1719.


83b TUNE: Barby
METRE: C.M. 8,6,8,6.

DOREMI: DMMRMRDTD MSFMRDMR

FIRSTLINE: The Savior O what endless charms

ALT. NAME:

COMPOSER: Tans'ur, William

DATE: 1755

NOTES: Tans'ur (c.1700-1783).

AUTHOR: Steele, Anne

DATE: 1760

NOTES: Steele (1716-1778); in her Poems on Subjects Chiefly Devotional, 1760.


84a TUNE: Dublin
METRE: C.M. 8,6,8,6.

DOREMI: LLSDSLLM DMRDSD

FIRSTLINE: Out of the deeps of long distress

ALT. NAME: Coleshill

COMPOSER: Barton, William

DATE: 1706 (s)

NOTES: in Barton's Psalms, 1706; derived from psalm tunes in Thomas East's (d. 1608) The Whole Booke of Psalmes, with their Wonted Tunes, as they are Sung in Churches, 1592 and Thomas Ravenscroft's (c. 1582- c. 1635) The Whole Booke of Psalmes, 1621.

AUTHOR: Watts, Isaac

DATE: 1719

NOTES: Watts (1674-1748); in his Psalms of David, 1719.


84b TUNE: Balerma
METRE: C.M. 8,6,8,6.

DOREMI: DMRDLSLD RMRMSMR

FIRSTLINE: Shepherd divine our wants relieve

ALT. NAME: Ballerma

COMPOSER: Barthélémon, François Hyppolyte

DATE: d. 1808

NOTES: Barthélémon (1741-1808); arr. Robert Simpson (1790-1832) in A Selection of Original Sacred Music, 1833; old Spanish melody; attrib. by Church and Sunday School Hymnal to Hugh Wilson (1764-1824).

AUTHOR: Wesley, Charles

DATE: 1740

NOTES: Wesley (1707-1788); in his Hymns and Sacred Poems, 1742.


85a TUNE: Dundee
METRE: C.M. 8,6,8,6.

DOREMI: DMFSDRMF MRDDTD

FIRSTLINE: Ye little flock whom Jesus feeds

ALT. NAME:

COMPOSER:

DATE: 1615 (s)

NOTES: in Andro Hart's The CL Psalmes of David (Scottish Psalter), 1615

AUTHOR:

DATE: 1787 (s)

NOTES: in John Rippon's Selection of Hymns, 1787.


85b TUNE: Crowle
METRE: C.M. 8,6,8,6.

DOREMI: LMRDTDTLS#L DTLTDRM

FIRSTLINE: God of my life look gently down

ALT. NAME:

COMPOSER: Green, James

DATE: 1724 (s)

NOTES: Green's A Book of Psalmody, 1724.

AUTHOR: Watts, Isaac

DATE: 1719

NOTES: Watts (1674-1748); in his Psalms of David, 1719.


86a TUNE: Arlington
METRE: C.M. 8,6,8,6.

DOREMI: DMMMRDDD RMSFMMR

FIRSTLINE: Am I a soldier of the cross

ALT. NAME:

COMPOSER: Arne, Thomas Augustine

DATE: 1762

NOTES: Arne (1710-1778); in his opera Artaxerxes, arr. by Ralph Harrison (1748-1810) and published in his Sacred Harmony, 1784.

AUTHOR: Watts, Isaac

DATE: 1721-24

NOTES: Watts (1674-1748); Sermons, 1721-24.


86b TUNE: Divinity
METRE: C.M. 8,6,8,6.

DOREMI: MRDDSDRMRD MSDMFS

FIRSTLINE: Awake awake the sacred song

ALT. NAME:

COMPOSER:

DATE: 1835 (s)

NOTES: in Joseph Funk's A Compilation of Genuine Church Music, 2nd ed., 1835.

AUTHOR: Steele, Anne

DATE: 1760

NOTES: Steele (1716-1778); in her Poems on Subjects Chiefly Devotional, 1760.


87a TUNE: Marlow
METRE: C.M. 8,6,8,6.

DOREMI: DMMMDSSS SMDFMR

FIRSTLINE: Daughter of Zion from the dust

ALT. NAME:

COMPOSER: Chetham, John

DATE: 1718 (s)

NOTES: Chetham (c. 1700-1763); in his A Book of Psalmody, 1718.

AUTHOR: Montgomery, James

DATE:

NOTES: Montgomery (1771-1854).


87b TUNE: Walsal
METRE: C.M. 8,6,8,6.

DOREMI: LDTLMMRDTL DTLS#LTDRM

FIRSTLINE: How shall the young secure their hearts

ALT. NAME: Walsall

COMPOSER: Purcell, Henry

DATE: 1699

NOTES: Purcell (c.1659-1695); attrib. to William Tans'ur (1700-1783) in Wyeth's Repository of Sacred Music, Part Second, by John Wyeth (1770-1858), 1813; attrib. to Williams by Ananias Davisson in his The Kentucky Harmony, 1816.

AUTHOR: Watts, Isaac

DATE: 1719

NOTES: Watts (1674-1748); in his Psalms of David, 1719.


88a TUNE: Warwick
METRE: C.M. 8,6,8,6.

DOREMI: DMSDLSFSLSMRD MSLDTLSF#S

FIRSTLINE: How sweet the name of Jesus sounds

ALT. NAME:

COMPOSER: Stanley, Samuel

DATE: 1767

NOTES: Stanley (1767-1822); in School of Tunes, c.1796.

AUTHOR: Newton, John

DATE: 1779

NOTES: Newton (1725-1807); in his and William Cowper's Olney Hymns, 1779.


88b TUNE: Winter
METRE: C.M. 8,6,8,6.

DOREMI: DSSLSDSMD LSFMRDS

FIRSTLINE: Happy the soul that lives on high

ALT. NAME:

COMPOSER: Read, Daniel

DATE: 1785

NOTES: Read (1757-1836); in his The American Singing Book, 1785.

AUTHOR: Watts, Isaac

DATE: 1721-24

NOTES: Watts (1674-1748); Sermons 1721-24: O Happy Soul.


89a TUNE: St. Olaves
METRE: C.M. 8,6,8,6.

DOREMI: LLTDRRDT TLTDTLS#L

FIRSTLINE: Father I stretch my hands to thee

ALT. NAME:

COMPOSER:

DATE: 1832 (s)

NOTES: in Joseph Funk's A Compilation of Genuine Church Music, 1832.

AUTHOR: Wesley, Charles

DATE: 1741

NOTES: Wesley (1707-1788); in his Psalms and Hymns, 1741.


89b TUNE: St. Stephen's
METRE: C.M. 8,6,8,6.

DOREMI: DSMRDRDTDR MFSDRMRD

FIRSTLINE: When languor and disease invade

ALT. NAME: Newington; St. Stephen

COMPOSER: Jones, William

DATE: 1789 (s)

NOTES: Jones (1726-1800); in his Ten Church Pieces for Organ, 1789.

AUTHOR: Toplady, Augustus Montague

DATE:

NOTES: Toplady (1740-1778).


90a TUNE: St. Martin's
METRE: C.M. 8,6,8,6.

DOREMI: DDRDSDRMMFSFMDR MSFMDRDTD

FIRSTLINE: Behold the glories of the Lamb

ALT. NAME:

COMPOSER: Tans'ur, William

DATE: 1740 (s)

NOTES: Tans'ur (c.1700-1783); in The Royal Melody Compleat, or the New Harmony of Zion, 2nd ed., London, 1740.

AUTHOR: Watts, Isaac

DATE: 1696

NOTES: Watts (1674-1748); in his Hymns and Spiritual Songs, 1707.


90b TUNE: Windsor
METRE: C.M. 8,6,8,6.

DOREMI: LLTDTLLS DMRDTD

FIRSTLINE: That awful day will surely come

ALT. NAME: Dundie

COMPOSER: Tye, Christopher

DATE: 1553

NOTES: Tye (1500-1572); in William Daman's (c.1540-1591) The Second Booke of Musicke of M. William Daman, 1591.

AUTHOR: Watts, Isaac

DATE: 1707

NOTES: Watts (1674-1748); in his Hymns and Spiritual Songs, 1707.


91 TUNE: Heavenly Jerusalem
METRE: C.M. 8,6,8,6.

DOREMI: MFSLSFMDRMFMRD SSDTLSF#S

FIRSTLINE: Jerusalem my happy home

ALT. NAME:

COMPOSER:

DATE: 1842 (s)

NOTES: in Joseph Funk's A Compilation of Genuine Church Music, 3rd ed., 1842.

AUTHOR:

DATE: 1801 (s)

NOTES: 16th century; this version in Edward Williams & James Boden's A Collection of Above Six Hundred Hymns...New Supplement to Dr. Watts's Psalms and Hymns, Doncaster, 1801.


92 TUNE: Solemn Praise
METRE: C.M. 8,6,8,6.

DOREMI: SDDMMRDR MRDMRD

FIRSTLINE: Come ye that love the Savior's name

ALT. NAME: Coronation

COMPOSER: Holden, Oliver

DATE: 1792

NOTES: Holden (1765-1844); in his Union Harmony or Universal Collection of Sacred Music, Boston, 1793.

AUTHOR: Steele, Anne

DATE: 1769

NOTES: Steele (1716-1778); in Baptist Collection, 1769.


93a TUNE: Swanwich
METRE: C.M. 8,6,8,6.

DOREMI: SDDRMDMRDTD MFMRDTLS

FIRSTLINE: Father of mercies in thy word

ALT. NAME: Swanwick

COMPOSER: Lucas, James

DATE: b. c. 1762

NOTES:

AUTHOR: Steele, Anne

DATE: 1760

NOTES: Steele (1716-1778); in her Poems on Subjects Chiefly Devotional, 1760.


93b TUNE: Evening Twilight
METRE: C.M. 8,6,8,6.

DOREMI: SDLSDRMRD MSMRDMR

FIRSTLINE: I love to steal awhile away

ALT. NAME: Sacred Throne; Martyrdom; Avon; Fenwick; Chalmers; Penitent's Prayer

COMPOSER: Wilson, Hugh

DATE: c. 1800

NOTES: Wilson (1764-1824) composed or arranged this tune; first appeared in a tunebook published in Edinburgh, Scotland, 1825; possibly an adaptation of an old Scottish melody; also appeared in The Seraph by John Robertson, 1827.

AUTHOR: Brown, Phoebe H.

DATE: 1824 (s)

NOTES: in Asahel Nettleton's (1783-1844) Village Hymns for Social Worship...A Supplement to the Psalms and Hymns of Dr. Watts, 1824.


94a TUNE: Irish
METRE: C.M. 8,6,8,6.

DOREMI: DDSDRMFMRM SMFSDRTD

FIRSTLINE: I'll bless the Lord from day to day

ALT. NAME:

COMPOSER:

DATE: 1749 (s)

NOTES: in S. Powell's A Collection of Hymns and Sacred Poems, Dublin, 1749; attrib. to Williams in Wyeth's Repository of Sacred Music, by John Wyeth (1770-1858), 1810.

AUTHOR: Watts, Isaac

DATE: 1719

NOTES: Watts (1674-1748); in his Psalms of David, 1719.


94b TUNE: Isle Of Wight
METRE: C.M. 8,6,8,6.

DOREMI: LMRDRMSFMRM MSFMRMTL

FIRSTLINE: My God consider my distress

ALT. NAME:

COMPOSER:

DATE: c. 1720 (s)

NOTES: in Simon Browne's A Sett of Tunes, c.1720.

AUTHOR: Watts, Isaac

DATE: 1719

NOTES: Watts (1674-1748); in his Psalms of David, 1719.


95a TUNE: Peterborough
METRE: C.M. 8,6,8,6.

DOREMI: DMMFFMRD MSSFMR

FIRSTLINE: What wisdom majesty and grace

ALT. NAME: Peterboro

COMPOSER: Harrison, Ralph

DATE: 1786

NOTES: Harrison (1748-1810)

AUTHOR: Stennett, Samuel

DATE: 1787 (s)

NOTES: Stennett (1727-1795); in John Rippon's Selection of Hymns, 1787.


95b TUNE: Medfield
METRE: C.M. 8,6,8,6.

DOREMI: SDMRFMRD TDRTLDTLS

FIRSTLINE: My Shepherd shall supply my need

ALT. NAME:

COMPOSER: Mather, William

DATE: 1832 (s)

NOTES: Mather (1756-1808); in Joseph Funk's A Compilation of Genuine Church Music, 1832.

AUTHOR: Watts, Isaac

DATE: 1719

NOTES: Watts (1674-1748); in his Psalms of David, 1719.


96 TUNE: Geneva
METRE: C.M. 8,6,8,6.

DOREMI: DDRMMFSDTD LTRDTLS

FIRSTLINE: When all thy mercies O my God

ALT. NAME:

COMPOSER: Cole, John

DATE: 1805 (s)

NOTES: Cole (1774-1855); in Ecclesiastical Harmony, 1805.

AUTHOR: Addison, Joseph

DATE: 1712 (s)

NOTES: Addison (1672-1719) in The Spectator, 1712.


97 TUNE: Antioch
METRE: C.M. 8,6,8,6.

DOREMI: DTLSFMRD SLLTTD

FIRSTLINE: Joy to the world the Lord is come

ALT. NAME: Joy to the World

COMPOSER: Mason, Lowell

DATE: 1836

NOTES: Mason (1792-1872); in his Occasional Psalms and Hymn Tunes, 1836.

AUTHOR: Watts, Isaac

DATE: 1719

NOTES: Watts (1674-1748); in his Psalms of David, 1719.


98a TUNE: Ortonville
METRE: C.M. 8,6,8,6.

DOREMI: SDDRRMRD SLLDLS

FIRSTLINE: Majestic sweetness sits enthroned

ALT. NAME:

COMPOSER: Hastings, Thomas

DATE: 1837 (s)

NOTES: Hastings (1784-1872); in his The Manhattan Collection, 1837.

AUTHOR: Stennett, Samuel

DATE: 1787 (s)

NOTES: Stennett (1727-1795); in John Rippon's Selection of Hymns, 1787.


98b TUNE: Brunswick
METRE: C.M. 8,6,8,6.

DOREMI: LLTDRDTML LDMRSD

FIRSTLINE: Why doth the man of riches grow

ALT. NAME: Dorchester

COMPOSER: Browne, Simon

DATE: c. 1720 (s)

NOTES: in Simon Browne's (1680-1732) A Sett of Tunes, c.1720; later attrib. to Browne.

AUTHOR: Watts, Isaac

DATE: 1707

NOTES: attrib. Watts (1674-1748)


99a TUNE: Union
METRE: C.M. 8,6,8,6.

DOREMI: SLLSSLDLR TDSDDRMR

FIRSTLINE: God moves in a mysterious way

ALT. NAME:

COMPOSER: Gillet, Alexander

DATE: 1781 (s)

NOTES: in Andrew Law's Select Number of Plain Tunes, 1781, later attrib. by Law to Gillet; attrib to Stephen Jenks (1772-1856) in Ananias Davisson's The Kentucky Harmony, 1816.

AUTHOR: Cowper, William

DATE: 1773

NOTES: Cowper (1731-1800); publ 1774 in John Newton's (1725-1807) Twenty-Six Letters on Religious Subjects.


99b TUNE: Youthful Piety
METRE: C.M. 8,6,8,6.

DOREMI: DRMMRMLSMR DRMDTLTSM

FIRSTLINE: Come let us now forget our mirth

ALT. NAME: Tribulation

COMPOSER:

DATE: 1813 (s)

NOTES: in Robert Patterson's Patterson's Church Music, 1813.

AUTHOR: Taylor

DATE: 1824 (s)

NOTES: in Asahel Nettleton's (1783-1844) Village Hymns for Social Worship...A Supplement to the Psalms and Hymns of Dr. Watts, 1824.


100a TUNE: Awful Majesty
METRE: C.M. 8,6,8,6.

DOREMI: DMSMRDLDD SDTLSMS

FIRSTLINE: Sing to the Lord ye heavenly hosts

ALT. NAME: Dunlaps Creek

COMPOSER: Folk Hymn

DATE: 1813 (s)

NOTES: attrib. to McFarland in The Beauties of Harmony by Freeman Lewis, 1813; attrib. to Freeman Lewis (1780-1859) in Ananias Davisson's Supplement to the Kentucky Harmony, 1820; based on Wife of Usher's Well.

AUTHOR: Watts, Isaac

DATE: 1707

NOTES: Watts (1674-1748); in his Hymns and Spiritual Songs, 1707.


100b TUNE: Devizes
METRE: C.M. 8,6,8,6.

DOREMI: DDRMFMRDTD RMSFRMDR

FIRSTLINE: Thrice happy souls who born from heaven

ALT. NAME:

COMPOSER: Tucker, Isaac

DATE: 1810

NOTES: in Joseph Funk's A Compilation of Genuine Church Music, 1832.

AUTHOR: Doddridge, Phillip

DATE: 1737

NOTES: Doddridge (1702-1751); in John Rippon's Selection of Hymns, 1787.


101 TUNE: Paradise
METRE: C.M. 8,6,8,6.

DOREMI: DDDMFSMRRMFRD DDMMSSMRDS

FIRSTLINE: My God the Spring of all my joys

ALT. NAME:

COMPOSER:

DATE: 1831 (s)

NOTES: in Joshua Leavitt's (1794-1873) The Christian Lyre, vol. 2, 1831.

AUTHOR: Watts, Isaac

DATE: 1707

NOTES: Watts (1674-1748); in his Hymns and Spiritual Songs, 1707.


102a TUNE: Augusta
METRE: C.M. 8,6,8,6.

DOREMI: DDRMSLSMRD SLDDTLSL

FIRSTLINE: While thee I seek protesting Pow'r

ALT. NAME: Liverpool; Jerome; Solemn Address to Young People

COMPOSER: Folk Hymn

DATE: 1835

NOTES: attrib. to M.C.H. Davis; based on Mermaid

AUTHOR: Williams, Helen Maria

DATE: 1786

NOTES: Williams (1762-1827); in her Poems.


102b TUNE: Asbury
METRE: C.M. 8,6,8,6.

DOREMI: LDTDTLMFMRRM DTLRDTL

FIRSTLINE: Behold the Savior of mankind

ALT. NAME:

COMPOSER:

DATE: 1851 (s)

NOTES: in Joseph Funk's Harmonia Sacra, 5th ed., 1851.

AUTHOR: Wesley, Samuel Sr.

DATE: 1700

NOTES: Wesley (1662-1735); in John Wesley's Psalms and Hymns, 1736-7.


103 TUNE: Piety
METRE: C.M. 8,6,8,6.

DOREMI: DDTDDMRDTD SLTDTDLSFM

FIRSTLINE: Blest Jesus when my soaring thoughts

ALT. NAME:

COMPOSER:

DATE: 1851 (s)

NOTES: in Joseph Funk's Harmonia Sacra, 5th ed., 1851.

AUTHOR: Hegenbotham, Ottiwell

DATE: 1794 (s)

NOTES: Hegenbotham (1744-1768); in his Hymns, 1794.


104a TUNE: Bethel
METRE: C.M. 8,6,8,6.

DOREMI: SSLDRDLS MSMDMR

FIRSTLINE: Let Zion and her sons rejoice

ALT. NAME:

COMPOSER:

DATE: 1816 (s)

NOTES: in Ananias Davisson's The Kentucky Harmony, 1816.

AUTHOR: Watts, Isaac

DATE: 1719

NOTES: Watts (1674-1748); in his Psalms of David, 1719.


104b TUNE: Fairfield
METRE: C.M. 8,6,8,6.

DOREMI: LDLMSLTD RMMRDTL

FIRSTLINE: With rev'rence let the saints appear

ALT. NAME:

COMPOSER: Folk Hymn

DATE: 1791 (s)

NOTES: attrib. to Hitchcock; in Andrew Law's Rudiments of Music, 1791.

AUTHOR: Watts, Isaac

DATE: 1719

NOTES: Watts (1674-1748); in his Psalms of David, 1719.


105a TUNE: Cambridge
METRE: C.M. 8,6,8,6.

DOREMI: DMMRDFMR DMFRDTD

FIRSTLINE: How did my heart rejoice to hear

ALT. NAME:

COMPOSER: Randall, John

DATE: 1790

NOTES: Randall (1715-1799); in Wyeth's Repository of Sacred Music, by John Wyeth (1770-1858), 1810.

AUTHOR: Watts, Isaac

DATE: 1719

NOTES: Watts (1674-1748); in his Psalms of David, 1719.


105b TUNE: Condescension
METRE: C.M. 8,6,8,6.

DOREMI: DMMMRMFSFM MSSDSFMR

FIRSTLINE: There is a house not made with hands

ALT. NAME:

COMPOSER:

DATE: 1832 (s)

NOTES: in Joseph Funk's A Compilation of Genuine Church Music, 1832.

AUTHOR: Watts, Isaac

DATE: 1709

NOTES: Watts (1674-1748); in his Hymns and Spiritual Songs, 1709.


106a TUNE: Henry
METRE: C.M. 8,6,8,6.

DOREMI: DDDDTDSLTD RRMRDTLS

FIRSTLINE: I'll speak the honors of my King

ALT. NAME:

COMPOSER: Pond, Sylvanes Billings

DATE: 1835

NOTES:

AUTHOR: Watts, Isaac

DATE: 1719

NOTES: Watts (1674-1748); in his Psalms of David, 1719.


106b TUNE: Consolation
METRE: C.M. 8,6,8,6.

DOREMI: MLTDRDTLSM MLTDRM

FIRSTLINE: Once more my soul the rising day

ALT. NAME: Morning Song

COMPOSER: Folk Hymn

DATE: 1813 (s)

NOTES: attrib. to Dean; in Wyeth's Repository of Sacred Music, Part Second , by John Wyeth (1770-1858), 1813.

AUTHOR: Watts, Isaac

DATE: 1707

NOTES: Watts (1674-1748); in his Hymns and Spiritual Songs, 1707.


107 TUNE: Salford
METRE: C.M. 8,6,8,6.

DOREMI: LMDTMLDTLLS MRDTRD

FIRSTLINE: With joy we meditate the grace

ALT. NAME:

COMPOSER:

DATE: 1813 (s)

NOTES: in Wyeth's Repository of Sacred Music, Part Second by John Wyeth (1770-1858), 1813.

AUTHOR: Watts, Isaac

DATE: 1709

NOTES: Watts (1674-1748); in his Hymns and Spiritual Songs, 1709.


108a TUNE: Primrose
METRE: C.M. 8,6,8,6.

DOREMI: SDRMRDLS SDRMFS

FIRSTLINE: Hosanna to the Prince of light

ALT. NAME: Memphis; Twenty-Fourth

COMPOSER: Folk Hymn

DATE: 1812

NOTES: attrib. to Lucius Chapin (1760-1842) in Robert Patterson's Patterson's Church Music, 1813.

AUTHOR: Watts, Isaac

DATE: 1707

NOTES: Watts (1674-1748); in his Hymns and Spiritual Songs, 1707.


108b TUNE: Miles' Lane
METRE: C.M. 8,6,8,6.

DOREMI: SDDDRMRDR SLSFMRD

FIRSTLINE: All hail the pow'r of Jesus' name

ALT. NAME: Schrubsole

COMPOSER: Shrubsole, William

DATE: 1779

NOTES: Shrubsole (1760-1806); in Gospel Magazine, Nov. 1779.

AUTHOR: Perronet, Edward

DATE: 1779

NOTES: Perronet (1726-1792); in Gospel Magazine, 1779.


109a TUNE: Bangor
METRE: C.M. 8,6,8,6.

DOREMI: MDTLMLSF#M MMF#SF#MR#M

FIRSTLINE: Jesus thou art the sinner's Friend

ALT. NAME:

COMPOSER: Tans'ur, William

DATE: 1734 (s)

NOTES: Tans'ur (1700-1783); in his A Compleat Melody or Harmony of Sion, London, 1734, as Scottish tune.

AUTHOR: Burnham, Richard

DATE: 1783

NOTES: Burnham (1749-1810); in Jesse Mercer's The Cluster of Spiritual Songs.


109b TUNE: Solon
METRE: C.M. 8,6,8,6.

DOREMI: SLDMDMRDLSS SLDMDMRMS

FIRSTLINE: There is a fountain fill'd with blood

ALT. NAME: New Britain; Amazing Grace; Harmony Grove; Symphony; Redemption; Middleton

COMPOSER: Folk Hymn

DATE: 1829 (s)

NOTES: in Shaw and Spilman's The Columbian Harmony, 1829.

AUTHOR: Cowper, William

DATE: 1771

NOTES: Cowper (1731-1800) in Conyer's Collection of Psalms and Hymns, 1772.


110 TUNE: Funeral Thought
METRE: C.M. 8,6,8,6.

DOREMI: LMS#LDTLS#L LDTDLSML

FIRSTLINE: Hark from the tombs a doleful sound

ALT. NAME:

COMPOSER:

DATE: 1847 (s)

NOTES: in Joseph Funk's A Compilation of Genuine Church Music, 4th ed., 1847.

AUTHOR: Watts, Isaac

DATE: 1707

NOTES: Watts (1674-1748); in his Hymns and Spiritual Songs, 1707.


111a TUNE: Youthful Glory
METRE: C.M. 8,6,8,6.

DOREMI: DDDMMRRR FMRDTD

FIRSTLINE: O in the morn of life when youth

ALT. NAME:

COMPOSER:

DATE: 1842 (s)

NOTES: in Joseph Funk's A Compilation of Genuine Church Music, 3rd ed., 1842.

AUTHOR: Blacklock, Thomas

DATE: 1781

NOTES: Blacklock (1721-1791); alt 1826.


111b TUNE: Divine Protection
METRE: C.M. 8,6,8,6.

DOREMI: DSFMSDRMDR RMMRDR

FIRSTLINE: How are thy servants bless'd O Lord

ALT. NAME: Northfield

COMPOSER: Ingalls, Jeremiah

DATE: 1800

NOTES: Ingalls (1764-1838); in his Christian Harmony, 1805.

AUTHOR: Addison, Joseph

DATE: 1712

NOTES: Addison (1672-1719).


112a TUNE: Evan
METRE: C.M. 8,6,8,6.

DOREMI: SSDMRDLS SSDMDR

FIRSTLINE: In mercy Lord remember me

ALT. NAME: Night

COMPOSER: Havergal, William Henry

DATE: 1847

NOTES: Havergal (1793-1870); in Joseph Funk's Harmonia Sacra, 10th ed., 1860.

AUTHOR: Hertzog, Johann Frederick

DATE: 1670

NOTES: tr. John Christian Jacobi (1670-1750), 1722.


112b TUNE: Elizabethtown
METRE: C.M. 8,6,8,6.

DOREMI: MMMMMSMDR RDDDRM

FIRSTLINE: O for a closer walk with God

ALT. NAME:

COMPOSER: Kingsley, George

DATE: 1838

NOTES: Kingsley (1811-1884); in his The Sacred Choir, 1838.

AUTHOR: Cowper, William

DATE: 1772

NOTES: Cowper (1731-1800) in Conyer's Collection of Psalms and Hymns, 1772.


113 TUNE: Tisbury
METRE: C.M. 8,6,8,6.

DOREMI: SDRMFSFMRDRR SMRMRDTD

FIRSTLINE: Let every mortal ear attend

ALT. NAME:

COMPOSER:

DATE: 1847 (s)

NOTES: in Joseph Funk's A Compilation of Genuine Church Music, 4th ed., 1847.

AUTHOR: Watts, Isaac

DATE: 1707

NOTES: Watts (1674-1748); in his Hymns and Spiritual Songs, 1707.


114a TUNE: Liberty Hall
METRE: C.M. 8,6,8,6.

DOREMI: MLS#LTDRTLS DMDTLTDR

FIRSTLINE: Alas and did my Savior bleed

ALT. NAME: Communion

COMPOSER: Folk Hymn

DATE: 1810 (s)

NOTES: in Wyeth's Repository of Sacred Music, by John Wyeth (1770-1858), 1810; attrib. to Chapin in Ananias Davisson's The Kentucky Harmony, 1816.

AUTHOR: Watts, Isaac

DATE: 1707

NOTES: Watts (1674-1748); in his Hymns and Spiritual Songs, 1707.


114b TUNE: Ninety-Fifth
METRE: C.M. 8,6,8,6.

DOREMI: DDRMFMRD RMFSF#S

FIRSTLINE: This is the day the Lord hath made

ALT. NAME: Farewell

COMPOSER: Chapin

DATE: 1813 (s)

NOTES: in Robert Patterson's Patterson's Church Music, 1813.

AUTHOR: Watts, Isaac

DATE: 1719

NOTES: Watts (1674-1748); in his Psalms of David, 1719.


115 TUNE: Greenville
METRE: C.M. 8,6,8,6.

DOREMI: SDLSDSFMF SDDTDRD

FIRSTLINE: Amazing grace how sweet the sound

ALT. NAME:

COMPOSER: Folk Hymn

DATE: 1832 (s)

NOTES: in Joseph Funk's A Compilation of Genuine Church Music, 1832.

AUTHOR: Newton, John

DATE: 1779

NOTES: Newton (1725-1807); in his and William Cowper's Olney Hymns, 1779.


116 TUNE: Pleyel's Second
METRE: C.M. 8,6,8,6.

DOREMI: SSDSMFFR RDRMDSMR

FIRSTLINE: O joyful sound of gospel grace

ALT. NAME: Pleyels Hymn; Brattle Street

COMPOSER: Pleyel, Ignaz Joseph

DATE: 1831

NOTES: Pleyel (1757-1831).

AUTHOR: Wesley, Charles

DATE: 1742

NOTES: Wesley (1707-1788); in his Hymns and Sacred Poems, 1742.


117a TUNE: Wiltshire
METRE: C.M. 8,6,8,6.

DOREMI: DMMRTDRMRD RMDFMR

FIRSTLINE: From thee my God my joys shall rise

ALT. NAME: Psalm 34th

COMPOSER: Stephenson, Joseph

DATE: 1760

NOTES: from Norumbega Harmony tape.

AUTHOR: Watts, Isaac

DATE: 1707

NOTES: Watts (1674-1748); in his Hymns and Spiritual Songs, 1707.


117b TUNE: Rochester
METRE: C.M. 8,6,8,6.

DOREMI: DDRMDRTD MFSLF#S

FIRSTLINE: Come children learn to fear the Lord

ALT. NAME:

COMPOSER: Holdroyd, Israel

DATE: 1753

NOTES: in The Psalm Singer's Amusement, by William Billings, 1781; attrib. to Williams in Ananias Davisson's The Kentucky Harmony, 4th ed., 1821.

AUTHOR: Watts, Isaac

DATE: 1719

NOTES: Watts (1674-1748); in his Psalms of David, 1719.


118 TUNE: Missionary's Adieu
METRE: C.M. 8,6,8,6.

DOREMI: SDTDRMMS MRDRMD

FIRSTLINE: My dearest lovely native land

ALT. NAME:

COMPOSER:

DATE: 1847 (s)

NOTES: in Joseph Funk's A Compilation of Genuine Church Music, 4th ed., 1847.

AUTHOR: Shuck, J.L.

DATE: 1847 (s)

NOTES: in Joseph Funk's A Compilation of Genuine Church Music, 4th ed., 1847.


119a TUNE: Mount Pleasant
METRE: C.M. 8,6,8,6.

DOREMI: SDRMRDSFMRD MSFMRDRMFS

FIRSTLINE: These glorious minds how bright

ALT. NAME:

COMPOSER: Madan

DATE: 1813 (s)

NOTES: in Wyeth's Repository of Sacred Music, Part Second by John Wyeth (1770-1858), 1813.

AUTHOR: Watts, Isaac

DATE: 1707

NOTES: Watts (1674-1748); in his Hymns and Spiritual Songs, 1707.


119b TUNE: Martyrs
METRE: C.M. 8,6,8,6.

DOREMI: LDLMDTLM MSMFLM

FIRSTLINE: Oh thou whose tender mercy hears

ALT. NAME: Plaintive Martyrs

COMPOSER:

DATE: 1615 (s)

NOTES: in The CL Psalmes of David (Scottish Psalter), 1615

AUTHOR: Steele, Anne

DATE: 1760

NOTES: Steele (1716-1778); in her Poems on Subjects Chiefly Devotional, 1760.


120 TUNE: Farnham
METRE: C.M. 8,6,8,6.

DOREMI: DMRDTDMR MFFMRD

FIRSTLINE: Ye glitt'ring toys of earth adieu

ALT. NAME:

COMPOSER: Mason, Lowell

DATE: 1841 (s)

NOTES: Mason (1792-1872); in his Carmina Sacra, 1841.

AUTHOR: Steele, Anne

DATE: 1760

NOTES: Steele (1716-1778); in her Poems on Subjects Chiefly Devotional, 1760.


121a TUNE: St. Nicholas
METRE: C.M. 8,6,8,6.

DOREMI: DMRDTDLS LDTLS#L

FIRSTLINE: Eternal source of joys divine

ALT. NAME: Eden; St. Nicholas New

COMPOSER: Havergal, William Henry

DATE: 1858 (s)

NOTES: Havergal (1793-1870); in Prostestant Episcopal Hymnal, 1858.

AUTHOR: Steele, Anne

DATE: 1760

NOTES: Steele (1716-1778); in her Poems on Subjects Chiefly Devotional, 1760.


121b TUNE: Suffield
METRE: C.M. 8,6,8,6.

DOREMI: LDTDMDTLS#L DMRDRDT

FIRSTLINE: Teach me the measure of my days

ALT. NAME:

COMPOSER: King

DATE: 1779 (s)

NOTES: in Andrew Law's (1748-1821) Select Harmony, New Haven, Conn., 1779.

AUTHOR: Watts, Isaac

DATE: 1719

NOTES: Watts (1674-1748); in his Psalms of David, 1719.


122a TUNE: Fiducia
METRE: C.M. 8,6,8,6.

DOREMI: LLTLMSLS RMRMS#L

FIRSTLINE: Father I long I faint to see

ALT. NAME:

COMPOSER: Folk Hymn

DATE: 1813 (s)

NOTES: attrib. to J. Robertson; in Wyeth's Repository of Sacred Music, Part Second by John Wyeth (1770-1858), 1813.

AUTHOR: Watts, Isaac

DATE: 1707

NOTES: Watts (1674-1748); in his Hymns and Spiritual Songs, 1707.


122b TUNE: Carr's Lane
METRE: C.M. 8,6,8,6.

DOREMI: DDSLSLFMRDTD MRF#SMRDTLS

FIRSTLINE: Ye humble souls that seek the Lord

ALT. NAME:

COMPOSER:

DATE: 1832 (s)

NOTES: in Joseph Funk's A Compilation of Genuine Church Music, 1832.

AUTHOR: Doddridge, Phillip

DATE: 1755 (s)

NOTES: Doddridge (1702-1751); in his Hymns, 1755.


123 TUNE: St. Ann's
METRE: C.M. 8,6,8,6.

DOREMI: SMLSDDTD SDSLF#S

FIRSTLINE: My God my portion and my love

ALT. NAME: St. Anne

COMPOSER: Croft, William

DATE: 1708 (s)

NOTES: appeared anon. in A Supplement to the New Version of the Psalms by Nicholas Brady (1659-1732) and Nahum Tate (1652-1715), 6th ed., 1708; later attrib. to William Croft (1678-1727).

AUTHOR: Watts, Isaac

DATE: 1707

NOTES: Watts (1674-1748); in his Hymns and Spiritual Songs, 1707.


124a TUNE: Burford
METRE: C.M. 8,6,8,6.

DOREMI: LLTDRMRDT S#LTDRM

FIRSTLINE: Lord I approach thy mercy seat

ALT. NAME:

COMPOSER: Purcell, Henry (a)

DATE: 1700

NOTES: Purcell (c.1659-1695); attrib. to Henry Purcell, 1700 by Katherine Diel; attrib. to William Wheall (c.1690-1727) in Timbrell's Guide, before 1723.

AUTHOR: Newton, John

DATE: 1779

NOTES: Newton (1725-1807); in his and William Cowper's Olney Hymns, 1779.


124b TUNE: Bedford
METRE: C.M. 8,6,8,6.

DOREMI: SMDLSFMR SDTLLS

FIRSTLINE: Early my God without delay

ALT. NAME:

COMPOSER: Wheall, William

DATE: 1723

NOTES: Wheall (c.1690-1727); in Wyeth's Repository of Sacred Music, by John Wyeth (1770-1858), 1810.

AUTHOR: Watts, Isaac

DATE: 1719

NOTES: Watts (1674-1748); in his Psalms of David, 1719.


125a TUNE: Shirland
METRE: S.M. 6,6,8,6.

DOREMI: DRMFRSTD DTDSMLSF#S

FIRSTLINE: My God my life my love

ALT. NAME:

COMPOSER: Stanley, Samuel

DATE:

NOTES: Stanley (1767-1822).

AUTHOR: Watts, Isaac

DATE: 1707

NOTES: Watts (1674-1748); in his Hymns and Spiritual Songs, 1707.


125b TUNE: Burber
METRE: S.M. 6,6,8,6.

DOREMI: MMMSFM MRMFSM

FIRSTLINE: Go to thy rest my child

ALT. NAME: Go to Thy Rest, Fair Child

COMPOSER: Tenney, John Harrison

DATE: 1876 (s)

NOTES: Tenney (1840-?); in Joseph Funk's Harmonia Sacra, 15th ed., 1876.

AUTHOR: Sigourney, Lydia

DATE: 1841

NOTES: Sigourney (nee Huntley), (1791-1865).


126a TUNE: Watchman
METRE: S.M. 6,6,8,6.

DOREMI: DMSDMR SF#SDTLS

FIRSTLINE: My God permit my tongue

ALT. NAME:

COMPOSER: Leach, James

DATE: 1832 (s)

NOTES: Leach (1762-1798); in Joseph Funk's A Compilation of Genuine Church Music, 1832.

AUTHOR: Watts, Isaac

DATE: 1719

NOTES: Watts (1674-1748); in his Psalms of David, 1719.


126b TUNE: Boyleston
METRE: S.M. 6,6,8,6.

DOREMI: SMFSLS DDTLLS

FIRSTLINE: O bless the Lord my soul

ALT. NAME: Boylestown

COMPOSER: Mason, Lowell

DATE: 1832

NOTES: Mason (1792-1872); in his The Choir or Union Collection of Church Music, 1832.

AUTHOR: Watts, Isaac

DATE: 1719

NOTES: Watts (1674-1748); in his Psalms of David, 1719.


127a TUNE: Gerar
METRE: S.M. 6,6,8,6.

DOREMI: DMDSTD MMRSSFLS

FIRSTLINE: Bless'd are the sons of peace

ALT. NAME:

COMPOSER: Mason, Lowell

DATE: 1836 (s)

NOTES: Mason (1792-1872); in The Boston Academy's Collection, 4th ed., 1836.

AUTHOR: Watts, Isaac

DATE: 1719

NOTES: Watts (1674-1748); in his Psalms of David, 1719.


127b TUNE: Little Marlborough
METRE: S.M. 6,6,8,6.

DOREMI: MLDTLS#L TDMRDT

FIRSTLINE: Lord what a feeble piece

ALT. NAME: Marborough

COMPOSER: Cowling

DATE: 1781 (s)

NOTES: in The Psalm Singers' Amusement, by William Billings, 1781.

AUTHOR: Watts, Isaac

DATE: 1719

NOTES: Watts (1674-1748); in his Psalms of David, 1719.


128a TUNE: St. Thomas
METRE: S.M. 6,6,8,6.

DOREMI: SDDMRDR MFSFMFMR

FIRSTLINE: Shall wisdom cry aloud

ALT. NAME: Holborn

COMPOSER: Williams, Aaron

DATE: 1762

NOTES: Williams (1731-1776); in his Universal Psalmodist, 2nd ed., London, 1763; first appeared as part of Holborn.

AUTHOR: Watts, Isaac

DATE: 1707

NOTES: Watts (1674-1748); in his Hymns and Spiritual Songs, 1707.


128b TUNE: Aylesbury
METRE: S.M. 6,6,8,6.

DOREMI: LMRDTL MSFMRM

FIRSTLINE: I lift my soul to God

ALT. NAME: Alesbury

COMPOSER:

DATE: 1718 (s)

NOTES: in John Chetham's A Book of Psalmody, 1718.

AUTHOR: Watts, Isaac

DATE: 1719

NOTES: Watts (1674-1748); in his Psalms of David, 1719.


129a TUNE: Bloomfield
METRE: S.M. 6,6,8,6.

DOREMI: LDRMFMRDTL MLTDTLS#L

FIRSTLINE: My sorrows like a flood

ALT. NAME:

COMPOSER:

DATE: 1832 (s)

NOTES: in Joseph Funk's A Compilation of Genuine Church Music, 1832.

AUTHOR: Watts, Isaac

DATE: 1706-9

NOTES: Watts (1674-1748); in his Horae Lyricae, 1706-9.


129b TUNE: Chester
METRE: S.M. 6,6,8,6.

DOREMI: SSDDRMRD DTLSMRDTLS

FIRSTLINE: Let every creature join to praise

ALT. NAME:

COMPOSER:

DATE:

NOTES:

AUTHOR: Watts, Isaac

DATE: 1719

NOTES: Watts (1674-1748); in his Psalms of David, 1719.


130a TUNE: Gorton
METRE: S.M. 6,6,8,6.

DOREMI: SSSLLS SSSDDR

FIRSTLINE: While my Redeemer's near

ALT. NAME:

COMPOSER: Beethoven, Ludwig van

DATE: 1807

NOTES: Beethoven (1770-1827); arrangement from Beethoven, 1807.

AUTHOR: Steele, Anne

DATE: 1760

NOTES: Steele (1716-1778); in her Poems on Subjects Chiefly Devotional, 1760.


130b TUNE: Lisbon
METRE: S.M. 6,6,8,6.

DOREMI: DLSDRM MRDFMR

FIRSTLINE: Welcome sweet day of rest

ALT. NAME:

COMPOSER: Read, Daniel

DATE: 1785

NOTES: Read (1757-1836); in Wyeth's Repository of Sacred Music, by John Wyeth (1770-1858), 1810.

AUTHOR: Watts, Isaac

DATE: 1707

NOTES: Watts (1674-1748); in his Hymns and Spiritual Songs, 1707.


131a TUNE: New Hope
METRE: S.M. 6,6,8,6.

DOREMI: DMRMSSMD SDSLDLSMR

FIRSTLINE: Come we that love the Lord

ALT. NAME: Webster

COMPOSER:

DATE: 1832 (s)

NOTES: in Joseph Funk's A Compilation of Genuine Church Music, 1832.

AUTHOR: Watts, Isaac

DATE: 1707

NOTES: Watts (1674-1748); in his Hymns and Spiritual Songs, 1707.


131b TUNE: Idumea
METRE: S.M. 6,6,8,6.

DOREMI: LLS#LDRDL MSMRDRM

FIRSTLINE: Is this the kind return

ALT. NAME: When Sorrows Encompass Me Round

COMPOSER: Folk Hymn

DATE: 1816 (s)

NOTES: attrib. to Ananias Davisson (1780-1857) in his The Kentucky Harmony, 1816.

AUTHOR: Watts, Isaac

DATE: 1707

NOTES: Watts (1674-1748); in his Hymns and Spiritual Songs, 1707.


132a TUNE: Reviving Light
METRE: S.M. 6,6,8,6.

DOREMI: DDRMRD SDTLSF#S

FIRSTLINE: How heavy is the night

ALT. NAME:

COMPOSER:

DATE: 1842 (s)

NOTES: in Joseph Funk's A Compilation of Genuine Church Music, 3rd ed., 1842.

AUTHOR: Watts, Isaac

DATE: 1709

NOTES: Watts (1674-1748); in his Hymns and Spiritual Songs, 1709.


132b TUNE: Strait Gate
METRE: S.M. 6,6,8,6.

DOREMI: MLDTLS#L TDMRDTD

FIRSTLINE: Destruction's dangerous road

ALT. NAME: Straight Gate

COMPOSER:

DATE: 1832 (s)

NOTES: in Joseph Funk's A Compilation of Genuine Church Music, 1832.

AUTHOR: Newton, John

DATE:

NOTES: Newton (1725-1807).


133a TUNE: Albion
METRE: S.M. 6,6,8,6.

DOREMI: DMSMDR RMSFMRD

FIRSTLINE: My soul with joy attend

ALT. NAME:

COMPOSER: Folk Hymn

DATE: 1816 (s)

NOTES: attrib. to Robert M. Boyd in Ananias Davisson's The Kentucky Harmony, 1816.

AUTHOR: Doddridge, Phillip

DATE: 1740

NOTES: Doddridge (1702-1751); in John Rippon's Selection of Hymns, 1787.


133b TUNE: Humble Praises
METRE: S.M. 6,6,8,6.

DOREMI: SMDRTD MRDTLS

FIRSTLINE: To God the only wise

ALT. NAME: Pentonville

COMPOSER: Mason, Lowell

DATE:

NOTES: Mason (1792-1872).

AUTHOR: Watts, Isaac

DATE: 1707

NOTES: Watts (1674-1748); in his Hymns and Spiritual Songs, 1707.


134a TUNE: Sublimity
METRE: S.M. 6,6,8,6.

DOREMI: DMRDTD RMRMF#S

FIRSTLINE: Behold the lofty sky

ALT. NAME: Hope

COMPOSER:

DATE: 1835 (s)

NOTES: in Joseph Funk's A Compilation of Genuine Church Music, 2nd ed., 1835.

AUTHOR: Watts, Isaac

DATE: 1719

NOTES: Watts (1674-1748); in his Psalms of David, 1719.


134b TUNE: Newton
METRE: S.M. 6,6,8,6.

DOREMI: DSSMSD MRSDLSF#S

FIRSTLINE: Far as thy name is known

ALT. NAME: Silver Street

COMPOSER: Smith, Isaac

DATE: c. 1770 (s)

NOTES: Smith (1734-1805); in his Collection of Psalm Tunes, c.1770.

AUTHOR: Watts, Isaac

DATE: 1719

NOTES: Watts (1674-1748); in his Psalms of David, 1719.


135 TUNE: Ninety-Third
METRE: S.M. 6,6,8,6.

DOREMI: SLDLRDLS SLDLTDRMRD

FIRSTLINE: My Savior and my King

ALT. NAME: Ninety-Third Psalm; Sandusky

COMPOSER: Folk Hymn

DATE: 1812

NOTES: in Wyeth's Repository of Sacred Music, Part Second, by John Wyeth (1770-1858), 1813; var. attrib. to LuciusChapin (1760-1842), Jeremiah Ingalls (1764-1838), or Western Melody.

AUTHOR: Watts, Isaac

DATE: 1719

NOTES: Watts (1674-1748); in his Psalms of David, 1719.


136a TUNE: Baltimore
METRE: S.M. 6,6,8,6.

DOREMI: DMRDFMRDTD RMFSRDTLS

FIRSTLINE: Well the Redeemer's gone

ALT. NAME:

COMPOSER: Cole, John

DATE: 1810 (s)

NOTES: Cole (1774-1855); in Wyeth's Repository of Sacred Music, by John Wyeth (1770-1858), 1810.

AUTHOR: Watts, Isaac

DATE: 1707

NOTES: Watts (1674-1748); in his Hymns and Spiritual Songs, 1707.


136b TUNE: Wrentham
METRE: S.M. 6,6,8,6.

DOREMI: DDSLLS DLSLTD

FIRSTLINE: What cheering words are these

ALT. NAME:

COMPOSER:

DATE: 1851 (s)

NOTES: in Joseph Funk's Harmonia Sacra, 5th ed., 1851.

AUTHOR: Kent, John

DATE: 1803

NOTES: Kent (1766-1843); in his Collection of Original Gospel Hymns, 1803.


137 TUNE: Badea
METRE: S.M. 6,6,8,6.

DOREMI: SSMDRM SFMRRD

FIRSTLINE: When gloomy doubts and fears

ALT. NAME:

COMPOSER: German melody

DATE: 1876 (s)

NOTES: in Joseph Funk's Harmonia Sacra, 15th ed., 1876.

AUTHOR: Steele, Anne

DATE:

NOTES: Steele (1716-1778).


138a TUNE: Asylum
METRE: S.M. 6,6,8,6.

DOREMI: SMLSTD DTDTLS

FIRSTLINE: Great is the Lord our God

ALT. NAME: Dover

COMPOSER:

DATE: 1851 (s)

NOTES: in Joseph Funk's Harmonia Sacra, 5th ed., 1851.

AUTHOR: Watts, Isaac

DATE: 1719

NOTES: Watts (1674-1748); in his Psalms of David, 1719.


138b TUNE: Glorious War
METRE: S.M. 6,6,8,6.

DOREMI: SDMRDTD SMSDRM

FIRSTLINE: Hark how the watchmen cry

ALT. NAME:

COMPOSER:

DATE: 1842 (s)

NOTES: in Joseph Funk's A Compilation of Genuine Church Music, 3rd ed., 1842.

AUTHOR: Wesley, Charles

DATE: 1749

NOTES: Wesley (1707-1788); in his Hymns and Sacred Poems, 1749.


139 TUNE: Hants
METRE: S.M. 6,6,8,6.

DOREMI: DMRDTLS SDTDRDRMRD

FIRSTLINE: Give to the winds thy fears

ALT. NAME:

COMPOSER:

DATE: 1851 (s)

NOTES: in Joseph Funk's Harmonia Sacra, 5th ed., 1851.

AUTHOR: Gerhardt, Paul

DATE: 1656

NOTES: Gerhardt (1607-1676); in Johann Crüger's Praxis Pietatis Melica, 1656; tr. by John Wesley (1703-1791) in his Hymns and Sacred Poems, 1739.


140a TUNE: Olmutz
METRE: S.M. 6,6,8,6.

DOREMI: SLSDRD DTDLLS

FIRSTLINE: Blest be the tie that binds

ALT. NAME:

COMPOSER: Mason, Lowell

DATE: 1830

NOTES: Mason (1792-1872); arr. based on Gregorian Chant, Tone VIII; in The Boston Handel and Haydn Society Collection of Church Music, 1831; also, in Joshua Leavitt's (1794-1873) The Christian Lyre, vol. 2, 1831.

AUTHOR: Fawcett, John

DATE: 1782

NOTES: Fawcett (c. 1740-1817); in his Hymns, 1782.


140b TUNE: Words Of Peace
METRE: S.M. 6,6,8,6.

DOREMI: SDRMRMFM RMMFMFS

FIRSTLINE: How beauteous are their feet

ALT. NAME:

COMPOSER: Mason, Lowell

DATE: 1831 (s)

NOTES: Mason (1792-1872); in The Boston Handel and Haydn Society Collection of Church Music, 10th ed., 1831.

AUTHOR: Watts, Isaac

DATE: 1707

NOTES: Watts (1674-1748); in his Hymns and Spiritual Songs, 1707.


141 TUNE: Tender Mercy
METRE: S.M. 6,6,8,6.

DOREMI: LLDTLM SMRDTLS#L

FIRSTLINE: My soul repeat his praise

ALT. NAME: America

COMPOSER: Folk Hymn

DATE: 1798 (s)

NOTES: attrib. to Truman S. Wetmore in Social Harmony, by Asahel Benham, Wallingford, Conn., 1798.

AUTHOR: Watts, Isaac

DATE: 1719

NOTES: Watts (1674-1748); in his Psalms of David, 1719.


142a TUNE: Heavenly Rest
METRE: S.M. 6,6,8,6.

DOREMI: MLLS#LTDT TLTDRMRDTL

FIRSTLINE: Oh where shall rest be found

ALT. NAME:

COMPOSER:

DATE: 1851 (s)

NOTES: in Joseph Funk's Harmonia Sacra, 5th ed., 1851.

AUTHOR: Montgomery, James

DATE: 1818

NOTES: Montgomery (1771-1854).


142b TUNE: Laban
METRE: S.M. 6,6,8,6.

DOREMI: MFSSSDS MRDTLS

FIRSTLINE: Dear Savior we are thine

ALT. NAME: Conflict

COMPOSER: Mason, Lowell

DATE: 1830

NOTES: Mason (1792-1872); in The Boston Academy's Collection, 4th ed., 1836.

AUTHOR: Doddridge, Phillip

DATE: 1755 (s)

NOTES: Doddridge (1702-1751); in his Hymns, 1755.


143a TUNE: Missionary Herald
METRE: S.M. 6,6,8,6.

DOREMI: DMFSLSFMRD RMRMLSF#S

FIRSTLINE: Ye messengers of Christ

ALT. NAME: Herald

COMPOSER:

DATE: 1835 (s)

NOTES: in Joseph Funk's A Compilation of Genuine Church Music, 2nd ed., 1835.

AUTHOR: Vokes, Mrs.

DATE: 1797

NOTES: in Assembly Collection, #400.


143b TUNE: Orange
METRE: S.M. 6,6,8,6.

DOREMI: LDRDTL MRMDRM

FIRSTLINE: Blest Comforter divine

ALT. NAME:

COMPOSER:

DATE: c. 1760 (s)

NOTES: In Caleb Ashworth's A Collection of Tunes, London, c.1760.

AUTHOR: Sigourney, Lydia (nee Huntley)

DATE: 1824 (s)

NOTES: in Asahel Nettleton's (1783-1844) Village Hymns for Social Worship...A Supplement to the Psalms and Hymns of Dr. Watts, 1824.


144a TUNE: Florida
METRE: S.M. 6,6,8,6.

DOREMI: MDLS#LM S#LMRDTL

FIRSTLINE: Let sinners take their course

ALT. NAME:

COMPOSER: Wetmore, Truman S.

DATE: 1803 (s)

NOTES: in American Compiler of Sacred Harmony No. 1, by Jenks and Griswold, 1803.

AUTHOR: Watts, Isaac

DATE: 1719

NOTES: Watts (1674-1748); in his Psalms of David, 1719.


144b TUNE: Submission
METRE: S.M. 6,6,8,6.

DOREMI: DMDRDTD RMDFMR

FIRSTLINE: My times are in thy hand

ALT. NAME:

COMPOSER:

DATE: 1842 (s)

NOTES: in Joseph Funk's A Compilation of Genuine Church Music, 3rd ed., 1842.

AUTHOR: Lloyd, William Freeman

DATE: 1835

NOTES: Lloyd (1786-1852).


145a TUNE: Rising Sun
METRE: S.M. 6,6,8,6.

DOREMI: DMRDSFMR SDRMLTD

FIRSTLINE: See how the rising sun

ALT. NAME: Thatcher

COMPOSER: Handel, George Frideric

DATE: 1847 (s)

NOTES: Handel (1685-1759); in Joseph Funk's A Compilation of Genuine Church Music, 4th ed., 1847.

AUTHOR: Scott, Elizabeth Shirley

DATE: 1806 (s)

NOTES: Scott (c.1708-1776); in John Dobell's A New Selection, 1806.


145b TUNE: Lathrop
METRE: S.M. 6,6,8,6.

DOREMI: DMSSLS SMFMRD

FIRSTLINE: How gentle God's commands

ALT. NAME: St. Augustine

COMPOSER: Mason, Lowell

DATE: 1836 (s)

NOTES: Mason (1792-1872); arr. from Gregorian Chant; in The Boston Academy's Collection, 4th ed., 1836.

AUTHOR: Doddridge, Phillip

DATE: 1755 (s)

NOTES: Doddridge (1702-1751); in his Hymns, 1755.


146a TUNE: Golden Hill
METRE: S.M. 6,6,8,6.

DOREMI: DMRDLRRD SLSLDLSS

FIRSTLINE: The Lord is ris'n indeed

ALT. NAME: Golden Hills

COMPOSER: Folk Hymn

DATE: 1820 (s)

NOTES: in Allen Carden's The Missouri Harmony, 1820; attrib. to A. Chapin in Church and Sunday School Hymnal.

AUTHOR: Kelly, Thomas

DATE: 1802

NOTES: Kelly (1769-1855); in his Collection of Psalms and Hymns, 1802.


146b TUNE: Unity
METRE: S.M. 6,6,8,6.

DOREMI: SDMRMFRDTD MRDTDTLS

FIRSTLINE: Lo what a pleasing sight

ALT. NAME:

COMPOSER:

DATE: 1851 (s)

NOTES: in Joseph Funk's Harmonia Sacra, 5th ed., 1851.

AUTHOR: Watts, Isaac

DATE: 1719

NOTES: Watts (1674-1748); in his Psalms of David, 1719.


147a TUNE: Melody
METRE: 8,7,8,7.

DOREMI: DSDMRDRMF MFSSFMR

FIRSTLINE: Sinners take the friendly warning

ALT. NAME:

COMPOSER:

DATE: 1835 (s)

NOTES: in Joseph Funk's A Compilation of Genuine Church Music, 2nd ed., 1835.

AUTHOR:

DATE: 1824 (s)

NOTES: in Asahel Nettleton's (1783-1844) Village Hymns for Social Worship...A Supplement to the Psalms and Hymns of Dr. Watts, 1824.


147b TUNE: Charleston
METRE: 8,7,8,7.

DOREMI: DRMRMSMRD SLTDLSMR

FIRSTLINE: Hail my ever blessed Jesus

ALT. NAME: Charlestown

COMPOSER: Folk Hymn

DATE: 1799 (s)

NOTES: in Amos Pilsbury's United States Sacred Harmony, 1799.

AUTHOR: Wingrove, John

DATE: 1785

NOTES: Wingrove (1720-1793); in Asahel Nettleton's (1783-1844) Village Hymns for Social Worship...A Supplement to the Psalms and Hymns of Dr. Watts, 1824.


148a TUNE: Advocate
METRE: 8,7,8,7.

DOREMI: LDLMDRMDL DTLLS#LTL

FIRSTLINE: Savior I do feel thy merit

ALT. NAME:

COMPOSER:

DATE: 1832 (s)

NOTES: in Joseph Funk's A Compilation of Genuine Church Music, 1832.

AUTHOR:

DATE: 1832 (s)

NOTES: in Joseph Funk's A Compilation of Genuine Church Music, 1832.


148b TUNE: Divine Compassion
METRE: 8,7,8,7.

DOREMI: DDRRMMRR MSFMRRD

FIRSTLINE: Sweet the moments rich in blessing

ALT. NAME: Sweet the Moments

COMPOSER: Cowper, William

DATE: 1851 (s)

NOTES: Cowper (1731-1800); in Joseph Funk's Harmonia Sacra, 5th ed., 1851.

AUTHOR: Allen, James

DATE: 1757

NOTES: Allen (1734-1804); alt. Walter Shirley (1725-1786), 1770.


149 TUNE: Bethlehem
METRE: 8,7,8,7.

DOREMI: SLSFMFSLSFM SSLTDTLS

FIRSTLINE: Hark what mean those holy voices

ALT. NAME: Sicilian Mariners; Sicilian Hymn

COMPOSER:

DATE: 1792 (s)

NOTES: in European Magazine and London Review, November 1792.

AUTHOR: Cawood, John

DATE: 1819

NOTES: Cawood (1775-1852); in Thomas Cotterill's Selection of Psalms and Hymns for Public and Private Use, 1819.


150a TUNE: Penitence
METRE: 8,7,8,7.

DOREMI: DSLLSLSFMRD SLTDTLLS

FIRSTLINE: Jesus full of all compassion

ALT. NAME: All Saints; Lentz; Marrion; The Better Land; Zeuch mich, zeuch mich

COMPOSER:

DATE: 1698 (s)

NOTES: in Geistreiches Gesangbuch, Darmstadt, 1698.

AUTHOR: Turner, Daniel

DATE: 1769 (s)

NOTES: in Ash & Evan's Collection, 1769.


150b TUNE: Disciple
METRE: 8,7,8,7.

DOREMI: DDDDMRRDD RRRRFMR

FIRSTLINE: Jesus I my cross have taken

ALT. NAME: Almighty Father

COMPOSER:

DATE: 1831 (s)

NOTES: in Joshua Leavitt's (1794-1873) The Christian Lyre, vol. 2, 1831; attrib. to Mozart in Church and Sunday School Hymnal.

AUTHOR: Lyte, Henry Francis

DATE: 1824

NOTES: Lyte (1793-1847); in Joshua Leavitt's (1794-1873) The Christian Lyre, vol. 2, 1831.


151 TUNE: New Monmouth
METRE: 8,7,8,7.

DOREMI: LS#LTDLTDTLM LS#LTDTL

FIRSTLINE: Come thou Fount of every blessing

ALT. NAME:

COMPOSER:

DATE: 1813 (s)

NOTES: in Wyeth's Repository of Sacred Music, Part Second by John Wyeth (1770-1858), 1813.

AUTHOR: Robinson, Robert

DATE: 1758

NOTES: Robinson (1735-1790); in his A Collection of Hymns, 1759.


152a TUNE: Female Pilgrim
METRE: 8,7,8,7.

DOREMI: MRDDMRDRR MSLSFMRD

FIRSTLINE: Whither goest thou pilgrim stranger

ALT. NAME: Mullins; Nettleton; Good Shepherd; Hallelujah

COMPOSER: Folk Hymn

DATE: 1813 (s)

NOTES: in Wyeth's Repository of Sacred Music, Part Second by John Wyeth (1770-1858), 1813; attrib. to Ahasel Nettleton (1783-1844).

AUTHOR:

DATE: 1828 (s)

NOTES: in The Dover Selection of Spiritual Songs, Andrew Broaddus, 1828, #156.


152b TUNE: Olney
METRE: 8,7,8,7.

DOREMI: DDLDLSSLDRM SLMDRDLD

FIRSTLINE: Hail thou once despised Jesus

ALT. NAME:

COMPOSER: Folk Hymn

DATE: 1818 (s)

NOTES: var. attrib. to Chapin, Boyd, and Western Melody; in Alexander Johnson's Tennessee Harmony, 1818; according to Southern Harmony, by Chapin.

AUTHOR: Bakewell, John

DATE: 1757

NOTES: alt. 1760.


153 TUNE: Reconcilement
METRE: 8,7,8,7.

DOREMI: MMFMRRMD MMFMRRMD

FIRSTLINE: My Beloved wilt thou own me

ALT. NAME:

COMPOSER:

DATE: 1847 (s)

NOTES: in Joseph Funk's A Compilation of Genuine Church Music, 4th ed., 1847.

AUTHOR:

DATE: 1847 (s)

NOTES: in Joseph Funk's A Compilation of Genuine Church Music, 4th ed., 1847.


154a TUNE: Saxony
METRE: 8,7,8,7.

DOREMI: SSMDRDRMDS SSMDRDRMD

FIRSTLINE: Praise to thee thou great Creator

ALT. NAME:

COMPOSER: Oliver, Henry Kemble

DATE: 1851 (s)

NOTES: Oliver (1800-1885); in Joseph Funk's Harmonia Sacra, 5th ed., 1851.

AUTHOR: Fawcett, John

DATE: 1782

NOTES: Fawcett (c. 1740-1817) and Charles Wesley (1707-1788), 1747.


154b TUNE: Zell
METRE: 8,7,8,7.

DOREMI: DMDSDMFSM DSMDRMFMR

FIRSTLINE: Light of those whose dreary dwelling

ALT. NAME: Bost

COMPOSER: Bost, Paul A.I.D.

DATE: 1851 (s)

NOTES: Bost (1790-1874); in Joseph Funk's Harmonia Sacra, 5th ed., 1851.

AUTHOR: Wesley, Charles

DATE: 1746

NOTES: Wesley (1707-1788); Hymns for the Nativity of our Lord, 1746.


155 TUNE: Autumn
METRE: 8,7,8,7.

DOREMI: DRMRDLSM DRMRMSR

FIRSTLINE: Holy Father thou hast taught me

ALT. NAME:

COMPOSER: Barthélémon, François Hippolyte

DATE: 1785

NOTES: Barthélémon (1741-1808).

AUTHOR: Neale, John Mason

DATE: 1842 (s)

NOTES: Neale (1818-1866); alt. in Hymns for the Young, 1842.


156a TUNE: Conquest
METRE: 8,7,8,7.

DOREMI: DRMSFMRR MRDMRTD

FIRSTLINE: Dark and thorny is the desert

ALT. NAME: Cassell; Bavaria

COMPOSER:

DATE: 1745 (s)

NOTES: Johann Thommen's (1711-1783) Erbaulicher Musicalischer Christen-Schatz oder 500 Geistliche Lieder, Basel, 1745.

AUTHOR: Anon., English

DATE:

NOTES: attrib. Kitchens, J.E.


156b TUNE: Ripley
METRE: 8,7,8,7.

DOREMI: DMSMFLSM SDFMRRD

FIRSTLINE: Mighty God while angels bless thee

ALT. NAME:

COMPOSER: Mason, Lowell

DATE: 1851 (s)

NOTES: Mason (1792-1872); in Joseph Funk's Harmonia Sacra, 5th ed., 1851.

AUTHOR: Robinson, Robert

DATE:

NOTES: Robinson (1735-1790); in Jesse Mercer's The Cluster of Spiritual Songs.


157 TUNE: Ebenezer
METRE: 7,7,7,7.

DOREMI: DMRDSDMRD LDSMMRDTD

FIRSTLINE: I my Ebenezer raise

ALT. NAME: Wilmot

COMPOSER: Weber, Carl Maria Friedrich Ernst von

DATE:

NOTES: von Weber (1736-1826).

AUTHOR: Fawcett, John

DATE: 1782

NOTES: Fawcett (c. 1740-1817); Hymns Adapted to the Circumstances of Public Worship and Private Devotions, 1782.


158a TUNE: Ennius
METRE: 7,7,7,7.

DOREMI: MRDDTDR SFMRDTD MRD

FIRSTLINE: People of the living God

ALT. NAME: People of the Living God

COMPOSER:

DATE: 1753 (s)

NOTES: from Harmonia Sacra, 1753.

AUTHOR: Montgomery, James

DATE: 1819

NOTES: Montgomery (1771-1854).


158b TUNE: Bozrah
METRE: 7,7,7,7.

DOREMI: LLLSLDRM DRMRDLS#L

FIRSTLINE: Who is this that comes from far

ALT. NAME: The Traveler

COMPOSER: Folk Tune

DATE: 1847 (s)

NOTES: in Joseph Funk's A Compilation of Genuine Church Music, 4th ed., 1847.

AUTHOR:

DATE: 1847 (s)

NOTES: in Joseph Funk's A Compilation of Genuine Church Music, 4th ed., 1847.


159 TUNE: Cookham
METRE: 7,7,7,7.

DOREMI: DRDRMRMFM MRDSFMRDRMR

FIRSTLINE: Holy Jesus lovely Lamb

ALT. NAME:

COMPOSER:

DATE: 1760 (s)

NOTES: in Harmonia Sacra, 1760.

AUTHOR:

DATE: 1828 (s)

NOTES: in The Dover Selection of Spiritual Songs, Andrew Broaddus, 1828, #105.


160a TUNE: Aletta
METRE: 7,7,7,7.

DOREMI: MSDRRRDRM MSDRRRMRD

FIRSTLINE: Depth of mercy can there be

ALT. NAME:

COMPOSER: Bradbury, William Batchelder

DATE: 1857

NOTES: Bradbury (1816-1868); in Jubilee, 1857.

AUTHOR: Wesley, Charles

DATE: 1740

NOTES: Wesley (1707-1788); in his Hymns and Sacred Poems, 1740.


160b TUNE: Examination
METRE: 7,7,7,7.

DOREMI: DSDLSFMRD SMDLTDRMFMR

FIRSTLINE: 'Tis a point I long to know

ALT. NAME:

COMPOSER:

DATE: 1832 (s)

NOTES: in Joseph Funk's A Compilation of Genuine Church Music, 1832.

AUTHOR: Newton, John

DATE: 1779

NOTES: Newton (1725-1807); in his and William Cowper's Olney Hymns, 1779.


161a TUNE: Rock Of Ages
METRE: 7,7,7,7,7,7.

DOREMI: SLSMDLS DRMRDTD

FIRSTLINE: Rock of ages cleft for me

ALT. NAME: Toplady

COMPOSER: Hastings, Thomas

DATE: 1830

NOTES: Hastings (1784-1872); in Lowell Mason and Hasting's Spiritual Songs for Social Worship, 1832.

AUTHOR: Toplady, Augustus Montague

DATE: 1775

NOTES: Toplady (1740-1778); published in 1775 in Gospel Magazine; alt. by Thomas Cotterill (1779-1823) in his Selection of Psalms and Hymns for Public and Private Use, 1815.


161b TUNE: Sovereign Grace
METRE: 7,7,7,7.

DOREMI: RRRDMMR DDSMRDRMR

FIRSTLINE: Tell me Savior from above

ALT. NAME:

COMPOSER:

DATE: 1831 (s)

NOTES: in Joshua Leavitt's (1794-1873) The Christian Lyre, vol. 1, 1831.

AUTHOR: R. Hill

DATE: 1824 (s)

NOTES: in Asahel Nettleton's (1783-1844) Village Hymns for Social Worship...A Supplement to the Psalms and Hymns of Dr. Watts, 1824; attrib. to R. Hill in William Gadsby's A Selection of Hymns for Public Worship.


162a TUNE: Eltham
METRE: 7,7,7,7.

DOREMI: SDMDSSM SDMDRMRD SDM

FIRSTLINE: Hasten Lord the glorious time

ALT. NAME:

COMPOSER: Mason, Lowell

DATE: 1840

NOTES: Mason (1792-1872); in his Carmina Sacra, 2nd ed., 1841.

AUTHOR: Auber, Harriet

DATE: 1829 (s)

NOTES: in her Spirit of the Psalms, 1829.


162b TUNE: Martyn
METRE: 7,7,7,7.

DOREMI: MMMDRRR MMSFMRD MMM

FIRSTLINE: Mary to the Savior's tomb

ALT. NAME: Martin

COMPOSER: Marsh, Simeon Butler

DATE: 1834

NOTES: Marsh (1798-1876); in Musical Miscellany, 1836.

AUTHOR: Newton, John

DATE: 1779

NOTES: Newton (1725-1807); in his and William Cowper's Olney Hymns, 1779.


163 TUNE: Divine Inquiry
METRE: 7,7,7,7.

DOREMI: LTLSMRMS#L DRDTLSMS#L

FIRSTLINE: Hark my soul it is the Lord

ALT. NAME: Welton; Children of the Heavenly King; Lovest Thou Me; King of Peace

COMPOSER: Folk Hymn

DATE: 1831 (s)

NOTES: in Joshua Leavitt's (1794-1873) The Christian Lyre, vol. 1, 1831; attrib. to Freeman Price.

AUTHOR: Cowper, William

DATE: 1768

NOTES: Cowper (1731-1800); in New Appendix, 1768.


164a TUNE: Pleyel's Hymn
METRE: 7,7,7,7.

DOREMI: MSRMFRM MSRMFRMD

FIRSTLINE: To thy pastures fair and large

ALT. NAME:

COMPOSER: Pleyel, Ignaz Joseph

DATE: 1791

NOTES: Pleyel (1757-1831).

AUTHOR: Wesley, Charles

DATE: 1741

NOTES: Wesley (1707-1788); Hymns on God's Everlasting Love, 1741.


164b TUNE: Hendon
METRE: 7,7,7,7.

DOREMI: DDDSDMSFM MMMRFRDTRD

FIRSTLINE: To thy pastures fair and large

ALT. NAME:

COMPOSER: Malan, Henri Alexander Cesar

DATE: 1827

NOTES: Malan (1787-1864); arr by Lowell Mason (1792-1872) in his Carmina Sacra, 2nd ed., 1841.

AUTHOR: Merrick, James

DATE: 1765

NOTES:


165a TUNE: Viola
METRE: 7,7,7,7.

DOREMI: SDMRDLS MSFRDTD

FIRSTLINE: Sinners turn why will ye die

ALT. NAME:

COMPOSER: Bradbury, William Batchelder

DATE: 1849

NOTES: Bradbury (1816-1868).

AUTHOR: Wesley, Charles

DATE: 1741

NOTES: Wesley (1707-1788); Hymns on God's Everlasting Love, 1741.


165b TUNE: Alarming Voice
METRE: 7,7,7,7.

DOREMI: DDMMFMRD MFSDTLS

FIRSTLINE: Sinner art thou still secure

ALT. NAME:

COMPOSER:

DATE: 1832 (s)

NOTES: in Joseph Funk's A Compilation of Genuine Church Music, 1832.

AUTHOR: Newton, John

DATE: 1779

NOTES: Newton (1725-1807); in his and William Cowper's Olney Hymns, 1779.


166a TUNE: Resurrection
METRE: 7,7,7,7.

DOREMI: DMRMFSSMDR DRMFSMFLSS

FIRSTLINE: Angels roll the rock away

ALT. NAME:

COMPOSER:

DATE: 1842 (s)

NOTES: in Joseph Funk's A Compilation of Genuine Church Music, 3rd ed., 1842.

AUTHOR: Gibbons, Thomas

DATE:

NOTES: Gibbons (1720-1785); alt. by Thomas Scott in Baptist Collection, 1769.


166b TUNE: Ganges
METRE: 8,8,6,8,8,6.

DOREMI: DMMMRSSS SDSLSLMR

FIRSTLINE: Awaked by Sinai's awful sound

ALT. NAME: Hull; The Indian Philosopher

COMPOSER:

DATE: 1798 (s)

NOTES: in American Musical Miscellany, 1798.

AUTHOR: Ockum, Samson

DATE: 1802 (s)

NOTES: Ockum (1723-1792); publ. 1802; also in Jesse Mercer's The Cluster of Spiritual Songs, 1810.


167 TUNE: Refuge
METRE: 8,8,6,8,8,6.

DOREMI: MMRDRMSSS LMMFMRDRM

FIRSTLINE: O thou that hear'st the prayer of faith

ALT. NAME: Advent

COMPOSER: Beecher, Henry Ward

DATE: 1847 (s)

NOTES: Beecher (1813-1887); in Joseph Funk's A Compilation of Genuine Church Music, 4th ed., 1847.

AUTHOR: Toplady, Augustus Montaegue

DATE: 1759

NOTES: Toplady (1740-1778); Poems on Sacred Subjects, 1759.


168 TUNE: Kingwood
METRE: 8,8,6,8,8,6.

DOREMI: SDDDTDRRRD RMMRDSSS

FIRSTLINE: When with my mind devoutly press'd

ALT. NAME: Nashville; Garden Hymn

COMPOSER: Folk Hymn

DATE: 1821

NOTES: attrib. to Alexander Johnson, Humphreys

AUTHOR: Browne, Moses

DATE: 1739

NOTES: Moses Browne's Poems, 1739.


169 TUNE: Alderton
METRE: 8,8,6,8,8,6.

DOREMI: DDRMRDSFMRD MRRMMSFMRM

FIRSTLINE: How happy is the pilgrim's lot

ALT. NAME:

COMPOSER:

DATE: 1832 (s)

NOTES: in Joseph Funk's A Compilation of Genuine Church Music, 1832.

AUTHOR: Wesley, Charles

DATE: 1747

NOTES: Wesley (1707-1788); in his Hymns for Those that Seek, 1747.


170 TUNE: Harmonia
METRE: 8,8,6,8,8,6.

DOREMI: DSMLSLTDRMRFMRD SLDMRMTDRMFMRDTL

FIRSTLINE: When thou my righteous Judge shalt come

ALT. NAME:

COMPOSER:

DATE: 1832 (s)

NOTES: in Joseph Funk's A Compilation of Genuine Church Music, 1832.

AUTHOR: Huntingdon, Selina (nee Shirley)

DATE: 1774

NOTES: Huntingdon (1707-1791); in her Select Collection, 1774.


171 TUNE: Chapel
METRE: 8,8,6,8,8,6.

DOREMI: MLTDTDRTLS#L TDMRDTDRSFM

FIRSTLINE: And am I only born to die

ALT. NAME:

COMPOSER:

DATE: 1832 (s)

NOTES: in Joseph Funk's A Compilation of Genuine Church Music, 1832.

AUTHOR: Wesley, Charles

DATE: 1763

NOTES: Wesley (1707-1788); in his Hymns for Children, 1763.


172 TUNE: Transport
METRE: 8,8,6,8,8,6.

DOREMI: SLDDDRMSSS LSMMDRMRDL

FIRSTLINE: One spark O God of heav'nly fire

ALT. NAME: Garden Hymn

COMPOSER:

DATE: 1820 (s)

NOTES: in Ananias Davisson's Supplement to the Kentucky Harmony, 1820.

AUTHOR:

DATE: 1828 (s)

NOTES: in The Dover Selection of Spiritual Songs, Andrew Broaddus, 1828, #90.


173a TUNE: Tamworth
METRE: 8,7,8,7,4,7.

DOREMI: SMDSMDRS DMLFMRD

FIRSTLINE: Oh thou God of my salvation

ALT. NAME:

COMPOSER: Lockhart

DATE: 1810 (s)

NOTES: in Wyeth's Repository of Sacred Music, by John Wyeth (1770-1858), 1810.

AUTHOR: Olivers, Thomas

DATE:

NOTES: Olivers (1725-1799).


173b TUNE: Judgment
METRE: 8,7,8,7,4,7.

DOREMI: DRMRDRMLSFM SMLSFMR

FIRSTLINE: Day of Judgment day of wonders

ALT. NAME:

COMPOSER:

DATE: 1816 (s)

NOTES: in Joseph Funk's Choral-Music, 1816.

AUTHOR: Newton, John

DATE: 1774

NOTES: Newton (1725-1807); in his and William Cowper's Olney Hymns, 1779.


174a TUNE: Sabbath Morning
METRE: 8,7,8,7,4,7.

DOREMI: DSMDTLSFM SSFRDTD

FIRSTLINE: Hail all hail blest Sabbath morning

ALT. NAME:

COMPOSER:

DATE: 1847 (s)

NOTES: in Joseph Funk's A Compilation of Genuine Church Music, 4th ed., 1847.

AUTHOR:

DATE: 1847 (s)

NOTES: in Joseph Funk's A Compilation of Genuine Church Music, 4th ed., 1847.


174b TUNE: Seraph's Harp
METRE: 8,7,8,7,4,7.

DOREMI: DDMRMSSMRD DDMRMSMRR

FIRSTLINE: Hark the voice of love and mercy

ALT. NAME:

COMPOSER:

DATE: 1842 (s)

NOTES: in Joseph Funk's A Compilation of Genuine Church Music, 3rd ed., 1842.

AUTHOR: Evans, Jonathan

DATE: 1784

NOTES: Evans (c. 1748-1809); in Jesse Mercer's (1769-1841) The Cluster of Spiritual Songs, 1810.


175 TUNE: Sacred Herald
METRE: 8,7,8,7,4,7.

DOREMI: SSSMDSLS DDRRDTD

FIRSTLINE: On the mountain's top appearing

ALT. NAME: Zion

COMPOSER: Hastings, Thomas

DATE: 1830

NOTES: Hastings (1784-1872); in Spiritual Songs for Social Worship by Hastings and Lowell Mason, 1831.

AUTHOR: Kelly, Thomas

DATE: 1802

NOTES: Kelly (1769-1855); in his Collection of Psalms and Hymns, 1802.


176a TUNE: Greenwood
METRE: 8,7,8,7,4,7.

DOREMI: DDMMDDRS DRMFMRDMR

FIRSTLINE: Savior visit thy plantation

ALT. NAME:

COMPOSER:

DATE: 1832 (s)

NOTES: in Joseph Funk's A Compilation of Genuine Church Music, 1832.

AUTHOR: Newton, John

DATE: 1779

NOTES: Newton (1725-1807); in his and William Cowper's Olney Hymns, 1779.


176b TUNE: Sweet Affliction
METRE: 8,7,8,7,4,7.

DOREMI: MRDDRRMRD SFMMRDRMD

FIRSTLINE: In the floods of tribulation

ALT. NAME: Greenville

COMPOSER: attrib. to Rousseau, Jean-Jacques

DATE: 1823 (arr.)

NOTES: Rousseau (1712-1778); in Joshua Leavitt's (1794-1873) The Christian Lyre, vol. 1, 1831; arr. Lowell Mason (1792-1872), 1823.

AUTHOR: Pearce, Samuel

DATE: 1800 (s)

NOTES: Pearce (1766-1799); in his Memoirs, 1800.


177 TUNE: Gospel Victory
METRE: 8,7,8,7,4,7.

DOREMI: DDMDSLSM RMFMRMR

FIRSTLINE: Yes we trust the day is breaking

ALT. NAME:

COMPOSER:

DATE: 1847 (s)

NOTES: in Joseph Funk's A Compilation of Genuine Church Music, 4th ed., 1847.

AUTHOR: Kelly, Thomas

DATE: 1809

NOTES: Kelly (1769-1855); in his Hymns, 1809.


178a TUNE: Hanwell
METRE: 8,7,8,7,4,7.

DOREMI: MMMDFLSS DDDSRTD

FIRSTLINE: Songs anew of honor framing

ALT. NAME:

COMPOSER: Mason, Lowell

DATE: 1841 (s)

NOTES: Mason (1792-1872); in his Carmina Sacra, 2nd. ed., 1841.

AUTHOR: Goode, William

DATE: 1811

NOTES:


178b TUNE: Dresden
METRE: 8,7,8,7,4,7.

DOREMI: DSMDLSLTDLSS DRMFSFMR

FIRSTLINE: Lo he comes with clouds descending

ALT. NAME:

COMPOSER:

DATE: 1816 (s)

NOTES: in Joseph Funk's Choral-Music, 1816.

AUTHOR: Wesley, Charles

DATE: 1758

NOTES: Wesley (1707-1788); adapted from hymns of John Cennick (1718-1755).


179 TUNE: Welch
METRE: 8,7,8,7,4,7.

DOREMI: MFSFMRDRMRM FMRSFMRDMRD

FIRSTLINE: O my soul what means this sadness

ALT. NAME: Gwalia

COMPOSER:

DATE: 1769 (s)

NOTES: in Martin Madan's Lock Hospital Collection, 1769; perhaps a Welsh tune.

AUTHOR: Fawcett, John

DATE: 1782

NOTES: Fawcett (c. 1740-1817); in his Hymns Adapted to the Circumstances of Public Worship and Private Devotions, 1782.


180 TUNE: Pilgrim's Guide
METRE: 8,7,8,7,4,7.

DOREMI: SSLSMDSLSM FSLSTDMMR

FIRSTLINE: Guide my O thou great Jehovah

ALT. NAME: Oliphant

COMPOSER:

DATE: 1832

NOTES: arr. by Lowell Mason (1792-1872), 1832, from Pierre Marie François de Sales Baillot (1771-1842).

AUTHOR: Williams, William

DATE: 1745

NOTES: W. Williams (1717-1791); publ. in W. Williams' Alleluia, Bristol, 1745; tr. Peter Williams (1722-1796) et al, publ. in P. Williams' Hymns on Various Subjects, 1771.


181a TUNE: Contemplation
METRE: 8,8,8,8,8,8.

DOREMI: DDRMFMRRD MRMRRDTLSS

FIRSTLINE: When quiet in my house I sit

ALT. NAME:

COMPOSER:

DATE: 1816 (s)

NOTES: in Joseph Funk's Choral-Music, 1816.

AUTHOR: Wesley, Charles

DATE: 1762

NOTES: Wesley (1707-1788); in his Short Hymns, 1762.


181b TUNE: Day Star
METRE: 8,8,8,8,8,8.

DOREMI: MLTDRTLTLS#F#M SSF#MLDTLSL

FIRSTLINE: Where is my God my joy my hope

ALT. NAME: Neumark; Wer nur den lieben Gott lsst walten

COMPOSER: Neumark, Georg

DATE: 1657

NOTES: Neumark (1621-1681); in his Fortgepflanzter Musikalisch-Poetischer Lustwald, Jena, 1657.

AUTHOR:

DATE: 1831 (s)

NOTES: in Collection of Hymns for the use of the Methodist Episcopal Church, 1831.


182a TUNE: Mysterious Love
METRE: 8,8,8,8,8,8.

DOREMI: DDRMRDRRM DRMFRSFMRRD

FIRSTLINE: And can it be that I should gain

ALT. NAME: Luther

COMPOSER:

DATE: 1535 (s)

NOTES: Geistliche Lieder, Wittenberg, 1535.

AUTHOR: Wesley, Charles

DATE: 1738

NOTES: Wesley (1707-1788); in his Psalms and Hymns, 1738.


182b TUNE: Believer's Repose
METRE: 8,8,8,8,8,8.

DOREMI: DDRMFMRD RMFSDTLS

FIRSTLINE: When gath'ring clouds around I view

ALT. NAME:

COMPOSER:

DATE: 1835 (s)

NOTES: in Joseph Funk's A Compilation of Genuine Church Music, 2nd ed., 1835.

AUTHOR: Grant, Sir Robert H.

DATE: 1806

NOTES: Grant (1779-1836); publ. posthum. in his Sacred Poems, 1839.


183 TUNE: Vernon
METRE: 8,8,8,8,8,8.

DOREMI: DMMMRDMRDL TDRMRLDDRD

FIRSTLINE: Come O thou traveler unknown

ALT. NAME:

COMPOSER: Folk Hymn

DATE: 1805 (s)

NOTES: attrib. to Chapin; in Jeremiah Ingalls' Christian Harmony, 1805.

AUTHOR: Wesley, Charles

DATE: 1742

NOTES: Wesley (1707-1788); in his Hymns and Sacred Poems, 1742.


184 TUNE: Leaming
METRE: 8,8,8,8,8,8.

DOREMI: DDTLLSDDTDMMR RMDTTLRDRTD

FIRSTLINE: The Lord my pasture shall prepare

ALT. NAME:

COMPOSER:

DATE: 1876 (s)

NOTES: in Joseph Funk's Harmonia Sacra, 15th ed., 1876.

AUTHOR: Addison, Joseph

DATE: 1712

NOTES: Addison (1672-1719).


185 TUNE: Liberty
METRE: 8,8,8,8,8,8.

DOREMI: SDRDMSDRRMFM MRDMSDTLS

FIRSTLINE: Lo God is here let us adore

ALT. NAME:

COMPOSER:

DATE: 1831 (s)

NOTES: in Joshua Leavitt's (1794-1873) The Christian Lyre, vol. 2, 1831.

AUTHOR: Tersteegen, Gerhard

DATE: 1729

NOTES: Tersteegen (1687-1769); tr. by John Wesley (1703-1791), 1739.


186a TUNE: Stow
METRE: 6,6,6,6,8,8.

DOREMI: SDDDRM MRDFMR

FIRSTLINE: Yes the Redeemer rose

ALT. NAME: Stowe

COMPOSER: Mason, Lowell

DATE: 1832

NOTES: Mason (1792-1872).

AUTHOR: Doddridge, Phillip

DATE: 1755 (s)

NOTES: Doddridge (1702-1751); in his Hymns, 1755.


186b TUNE: Lenox
METRE: 6,6,6,6,8,8.

DOREMI: DDDSLS SDRMRD

FIRSTLINE: Hark hark the notes of joy

ALT. NAME:

COMPOSER: Edson, Lewis

DATE: 1782 (s)

NOTES: Edson (1748-1820); publ. in The Chorister's Companion, by Simeon Jocelyn and Amos Doolittle,1782 .

AUTHOR: Reed, Andrew

DATE: 1817

NOTES: Reed (1787-1862).


187 TUNE: Grateful Praise
METRE: 6,6,6,6,8,8.

DOREMI: SSDTDMR RMFMRD

FIRSTLINE: Let every creature join to bless

ALT. NAME:

COMPOSER:

DATE: 1851 (s)

NOTES: in Joseph Funk's Harmonia Sacra, 5th ed., 1851.

AUTHOR: Watts, Isaac

DATE: 1719

NOTES: Watts (1674-1748); in his Psalms of David, 1719.


188a TUNE: Bethany
METRE: 6,4,6,4,6,6,6,4.

DOREMI: MRDDLL SDMR MRDDLL

FIRSTLINE: Nearer my God to thee

ALT. NAME: Nearer To Thee

COMPOSER: Mason, Lowell

DATE: 1856

NOTES: Mason (1792-1872); in his Andover Sabath Hymn and Tune Book, 1859.

AUTHOR: Adams, Sarah Flower

DATE: 1841 (s)

NOTES: Adams (1805-1848); in William Johnston Fox's Hymns and Anthems, 1841.


188b TUNE: Carmarthen
METRE: 6,6,6,6,8,8.

DOREMI: SDMRRD RMFSFMRD SDM

FIRSTLINE: Arise my soul arise

ALT. NAME:

COMPOSER:

DATE: 1831 (s)

NOTES: in Joshua Leavitt's (1794-1873) The Christian Lyre, vol. 1, 1831.

AUTHOR: Wesley, Charles

DATE: 1742

NOTES: Wesley (1707-1788); in his Hymns and Sacred Poems, 1742.


189 TUNE: Confidence
METRE: 6,6,6,6,8,8.

DOREMI: LSF#MDTLT TRMMTLSL

FIRSTLINE: When Hannah press'd with grief

ALT. NAME: Arise My Soul; Jubilee

COMPOSER:

DATE: 1832 (s)

NOTES: in Joseph Funk's A Compilation of Genuine Church Music, 1832.

AUTHOR:

DATE:

NOTES: in T. Beaman's Selection , #273.


190 TUNE: Anticipation
METRE: 6,6,6,6,8,8.

DOREMI: DMSDLRTD SDLSFMFS

FIRSTLINE: On earth the song begins

ALT. NAME:

COMPOSER:

DATE: 1835 (s)

NOTES: in Joseph Funk's A Compilation of Genuine Church Music, 2nd ed., 1835.

AUTHOR: Swain, Joseph

DATE: 1792

NOTES: Swain (1762-1796); in his Walworth Hymns, 1792.


191 TUNE: Audley
METRE: 6,6,6,6,8,8.

DOREMI: SSDDTLTD MLSTDT

FIRSTLINE: How beautiful the sight

ALT. NAME:

COMPOSER:

DATE: 1867 (s)

NOTES: in Joseph Funk's Harmonia Sacra, 12th ed., 1867.

AUTHOR: Montgomery, James

DATE: 1822

NOTES: Montgomery (1771-1854); in his Songs of Zion, 1822.


192a TUNE: Amherst
METRE: 6,6,6,6,8,8.

DOREMI: DMSFMRD SDSLSFMR

FIRSTLINE: Lord of the worlds above

ALT. NAME:

COMPOSER: Billings, William

DATE: 1770

NOTES: Billings (1746-1800); in his New England Psalm Singer, 1770.

AUTHOR: Watts, Isaac

DATE: 1719

NOTES: Watts (1674-1748); in his Psalms of David, 1719.


192b TUNE: Harmony
METRE: 10,10,11,11.

DOREMI: DMMRDTLSFMRD RMFSFMMRDTRDTLS

FIRSTLINE: Oh what shall I do my Savior to praise

ALT. NAME:

COMPOSER:

DATE: 1813 (s)

NOTES: in Wyeth's Repository of Sacred Music, Part Second by John Wyeth (1770-1858), 1813.

AUTHOR: Wesley, Charles

DATE: 1742

NOTES: Wesley (1707-1788); in his Hymns and Sacred Poems, 1742.


193 TUNE: Hanover
METRE: 10,10,11,11.

DOREMI: SDDRMSDRTD RMRDTDRDTLSS

FIRSTLINE: Oh all that pass by to Jesus draw near

ALT. NAME:

COMPOSER: Croft, William

DATE: 1708 (s)

NOTES: appeared anon. in A Supplement to the New Version of the Psalms , by Nicholas Brady (1659-1726) and Nahum Tate (1652-1715), 6th ed., 1708; later attrib. to William Croft (1678-1727).

AUTHOR: Wesley, Charles

DATE: 1741

NOTES: Wesley (1707-1788); Hymns on God's Everlasting Love, 1741.


194a TUNE: Stockbridge
METRE: 10,10,11,11.

DOREMI: DMMFMDFLFS SDMMRRMRSTD

FIRSTLINE: Tho' troubles assail and dangers

ALT. NAME:

COMPOSER:

DATE: 1832 (s)

NOTES: in Joseph Funk's A Compilation of Genuine Church Music, 1832.

AUTHOR: Newton, John

DATE: 1755

NOTES: Newton (1725-1807); in Gospel Magazine, 1777.


194b TUNE: Unitia
METRE: 10,10,11,11.

DOREMI: SDDDTDRMFMRM DMSFMDTDRMFS

FIRSTLINE: Begone unbelief my Savior is near

ALT. NAME:

COMPOSER: Chapin

DATE: 1813 (s)

NOTES: in Wyeth's Repository of Sacred Music, Part Second by John Wyeth (1770-1858), 1813.

AUTHOR: Newton, John

DATE: 1779

NOTES: Newton (1725-1807); in his and William Cowper's Olney Hymns, 1779.


195 TUNE: Lyons
METRE: 10,10,11,11.

DOREMI: SDDRMDFFMR SDDRMFSFMRD

FIRSTLINE: Ye servants of God your Master proclaim

ALT. NAME:

COMPOSER:

DATE: 1815

NOTES: from William Gardiner's (1770-1853) Sacred Melodies, vol. 2, 1812-1815; Gardiner lists composer as Johann Michael Haydn (1737-1806), from the Paderborn Gesangbuch, 1765.

AUTHOR: Wesley, Charles

DATE: 1744

NOTES: Wesley (1707-1788); in his Hymns in Times of Trouble and Persecution, 1744.


196a TUNE: Protection
METRE: 11,11,11,11.

DOREMI: SLTDLDSLDRMRMS SLTDLDSLDRMRRD

FIRSTLINE: How firm a foundation ye saints

ALT. NAME: Bellevue; Foundation; Huger; How Firm a Foundation; The Christian's Farewell

COMPOSER: Folk Hymn

DATE: 1832 (s)

NOTES: in Joseph Funk's A Compilation of Genuine Church Music, 1832.

AUTHOR: K [een]

DATE: 1787 (s)

NOTES: in John Rippon's Selection of Hymns, 1787.


196b TUNE: Prescott
METRE: 11,11,11,11.

DOREMI: SMMSFRTDRMSDSSMR MRDDRMFSLSFMRLSMRD

FIRSTLINE: I would not live always

ALT. NAME:

COMPOSER: Oates, George

DATE: 1832 (s)

NOTES: in Lowell Mason's (1792-1872) The Choir or Union Collection of Church Music, 1832.

AUTHOR: Mühlenburg, William Augustus

DATE: 1824

NOTES: Mühlenburg (1796-1877); in Joshua Leavitt's (1794-1873) The Christian Lyre, vol. 2, 1831.


197 TUNE: Bavaria
METRE: 11,11,11,11.

DOREMI: SDDMRMMMLSMDRD

FIRSTLINE: Why shrinks my weak nature

ALT. NAME:

COMPOSER:

DATE: 1816 (s)

NOTES: in Joseph Funk's Choral-Music, 1816.

AUTHOR:

DATE: 1832 (s)

NOTES: in Joseph Funk's A Compilation of Genuine Church Music, 1832.


198a TUNE: Hinton
METRE: 11,11,11,11.

DOREMI: SSFMSFMRFMDLRDT SSFMSFMRFMFRDTD

FIRSTLINE: O Zion afflicted with wave upon wave

ALT. NAME: St. Michels

COMPOSER: Anon.

DATE: 1785-88 (s)

NOTES: Tune from William Gawler's (c.1750-1809) Hymns and Psalms, 1785-88.

AUTHOR: Grant, James

DATE: 1784

NOTES: Grant (?-1785); in his Original Hymns, 1784.


198b TUNE: St. Dennis
METRE: 11,11,11,11.

DOREMI: DRMDTLSMDRMFMRD DRMDTLSMDRMFSFMRD

FIRSTLINE: Thou sweet gliding Kedron

ALT. NAME: St. Denis

COMPOSER:

DATE: 1831 (s)

NOTES: in Joshua Leavitt's (1794-1873) The Christian Lyre, vol. 1, 1831.

AUTHOR: Fleury, Maria de

DATE: 1791

NOTES: in Maria de Fleury's Divine Poems and Essays, 1791.


199 TUNE: Christian Farewell
METRE: 11,11,11,11.

DOREMI: MSLLSMDRRMMRTL

FIRSTLINE: Farewell my dear brethren

ALT. NAME: Imandra

COMPOSER: Cleland, Thomas

DATE: 1807

NOTES:

AUTHOR:

DATE: 1828 (s)

NOTES: in The Dover Selection of Spiritual Songs, by Andrew Broaddus, 1828, #169.


200a TUNE: Wesley
METRE: 11,11,11,11.

DOREMI: DMRDMRDLSLS MSLSMRSDDRMR

FIRSTLINE: Come children of Zion and help

ALT. NAME: Expostulation

COMPOSER: Hopkins, Josiah

DATE: 1831 (s)

NOTES: Hopkins (1786-1828); in Joshua Leavitt's (1794-1873) The Christian Lyre, vol. 1, 1831.

AUTHOR:

DATE: 1828 (s)

NOTES: in The Dover Selection of Spiritual Songs, by Andrew Broaddus, 1828, #132.


200b TUNE: Greenfields
METRE: 8,8,8,8,8,8,8,8.

DOREMI: DDSDMDMSFMSMRDRD

FIRSTLINE: How tedious and tasteless the hours

ALT. NAME: Contrast; Green Fields

COMPOSER: Edson, Lewis

DATE: 1782 (s)

NOTES: Edson (1748-1820); from J.S. Bach's Cantata no. 212, the Peasant Cantata: Mer hahn en neue Oberkeet, in Vocal Music or the Songster's Companion, 1782.

AUTHOR: Newton, John

DATE: 1779

NOTES: Newton (1725-1807); in his and William Cowper's Olney Hymns, 1779.


201 TUNE: Deliverance
METRE: 8,8,8,8,8,8,8,8.

DOREMI: DDLSSLDM MRDLSLDD

FIRSTLINE: How blest is our brother bereft

ALT. NAME:

COMPOSER:

DATE: 1835 (s)

NOTES: in Joseph Funk's A Compilation of Genuine Church Music, 2nd ed., 1835.

AUTHOR: Wesley, Charles

DATE: 1746

NOTES: Wesley (1707-1788); in his Funeral Hymns, 1746.


202a TUNE: New Jerusalem
METRE: 8,8,8,8,8,8,8,8.

DOREMI: LLMLDRMM MDRDTLS#L

FIRSTLINE: My gracious Redeemer I love

ALT. NAME:

COMPOSER:

DATE: 1820 (s)

NOTES: in Allen Carden's The Missouri Harmony, 1820.

AUTHOR: Francis, Benjamin

DATE: 1787 (s)

NOTES: Francis (1734-1799); in John Rippon's Selection of Hymns, 1787.


202b TUNE: Mourner
METRE: 6,6,6,6,8,8.

DOREMI: MMLLS#L DRRDTL

FIRSTLINE: Where is my Savior now

ALT. NAME:

COMPOSER:

DATE: 1851 (s)

NOTES: in Joseph Funk's Harmonia Sacra, 5th ed., 1851.

AUTHOR:

DATE: 1828 (s)

NOTES: in The Dover Selection of Spiritual Songs, by Andrew Broaddus, 1828, #93.


203 TUNE: Utica
METRE: 8,8,8,8,8,8,8,8.

DOREMI: SSSSLLLS DTSTTLSF#S

FIRSTLINE: To Jesus the crown of my hope

ALT. NAME: Victory

COMPOSER:

DATE: 1851 (s)

NOTES: in Joseph Funk's Harmonia Sacra, 5th ed., 1851.

AUTHOR:

DATE:

NOTES: in Church Psalmist, #699.


204 TUNE: Amsterdam
METRE: 7,6,7,6,7,7,7,6.

DOREMI: DSDRMRMRMFSLSFMR

FIRSTLINE: Rise my soul and stretch thy wings

ALT. NAME:

COMPOSER: Nares, James

DATE: 1742 (s)

NOTES: Nares (1715-1783); in Collection of 36 Tunes . . . as they are Sung at the Foundery, by the Wesley brothers, 1742.

AUTHOR: Seagrave, Robert

DATE: 1742

NOTES: in Seagrave's Hymns for Christian Worship, 1742.


205 TUNE: Warning Voice
METRE: 7,6,7,6,7,7,7,6.

DOREMI: DSDDRMRMS SLSMRDRD

FIRSTLINE: Stop poor sinners stop and think

ALT. NAME:

COMPOSER:

DATE: 1835 (s)

NOTES: in Joseph Funk's A Compilation of Genuine Church Music, 2nd ed., 1835.

AUTHOR: Newton, John

DATE: 1779

NOTES: Newton (1725-1807); in his and William Cowper's Olney Hymns, 1779.


206 TUNE: Missionary Hymn
METRE: 7,6,7,6,7,6,7,6.

DOREMI: DMSSLSM DTDFMMR

FIRSTLINE: From Greenland's icy mountains

ALT. NAME: Illumination; Heber

COMPOSER: Mason, Lowell

DATE: 1824

NOTES: Mason (1792-1872); orig. pub. as soprano solo sheet music, 1829.

AUTHOR: Heber, Reginald

DATE: 1819

NOTES: Heber (1783-1826); in Assembly Collection, #307; also in Jesse Mercer's The Cluster of Spiritual Songs.


206 TUNE: Illumination
METRE: 7,6,7,6,7,6,7,6.

DOREMI: DMSSLSM DTDFMMR

FIRSTLINE: Hail to the Lord's Anointed

ALT. NAME: Missionary Hymn; Heber

COMPOSER: Mason, Lowell

DATE: 1824

NOTES: Mason (1792-1872); orig. pub. as soprano solo sheet music, 1829.

AUTHOR: Montgomery, James

DATE: 1821

NOTES: Montgomery (1771-1854); publ. in Evangelical Magazine, 1822.


207 TUNE: Sumner
METRE: 7,6,7,6,7,6,7,6.

DOREMI: SMMRMFM RDDTDR

FIRSTLINE: Hail to the Lord's Anointed

ALT. NAME:

COMPOSER:

DATE: 1876 (s)

NOTES: in Joseph Funk's Harmonia Sacra, 15th ed., 1876.

AUTHOR: Montgomery, James

DATE: 1821

NOTES: Montgomery (1771-1854); publ. in Evangelical Magazine, 1822.


208 TUNE: Aspiration
METRE: 7,6,7,6,7,6,7,6.

DOREMI: SSDTDRMR RMDLRDT

FIRSTLINE: Go when the morning shineth

ALT. NAME:

COMPOSER:

DATE: 1851 (s)

NOTES: in Joseph Funk's Harmonia Sacra, 5th ed., 1851.

AUTHOR: Simpson, Jane Cross

DATE: 1831

NOTES:


209 TUNE: Lexington
METRE: 7,6,7,6,7,6,7,6.

DOREMI: MFSDMDSM SLLRFRDT

FIRSTLINE: Sometimes a light surprises

ALT. NAME:

COMPOSER:

DATE: 1867 (s)

NOTES: in Joseph Funk's Harmonia Sacra, 12th ed., 1867.

AUTHOR: Cowper, William

DATE: 1779 (s)

NOTES: Cowper (1731-1800); in his and John Newton's Olney Hymns, 1779.


210a TUNE: Morning Light
METRE: 7,6,7,6,7,6,7,6.

DOREMI: SDDMDDL DSDRMR

FIRSTLINE: The morning light is breaking

ALT. NAME: Webb; Gospel Morning

COMPOSER: Webb, George James

DATE: 1830

NOTES: Webb (1803-1887); first publ. in The Odeon, Boston, 1837.

AUTHOR: Smith, Samuel Francis

DATE: 1832

NOTES: Smith (1808-1895); in Spiritual Songs for Social Worship, by Thomas Hastings (1784-1872) and Lowell Mason (1792-1872), 1832.


210b TUNE: Zion's Pilgrim
METRE: 11,8,11,8,11,8,11,8.

DOREMI: MLLTDTLMMMRD TDTLMSTL

FIRSTLINE: This is my Beloved his form is divine

blockquote>ALT. NAME: Samanthra

COMPOSER: Folk Hymn

DATE: 1831 (s)

NOTES: in Joshua Leavitt's (1794-1873) The Christian Lyre, vol. 1, 1831.

AUTHOR: Swain, Joseph

DATE: 1791

NOTES: Swain (1762-1796); in his Redemption, a Poem in Five Books, 1791.


211 TUNE: New Salem
METRE: 11,8,11,8,11,8,11,8. kquote>

DOREMI: DDRMFSLFMRRD SDDRMRTD

FIRSTLINE: O thou in whose presence my soul

ALT. NAME: Beloved; Bethel; Davis

COMPOSER:

DATE: 1813 (s)

NOTES: in Freeman Lewis' The Beauties of Harmony, 1813.

AUTHOR: Swain, Joseph

DATE: 1791

NOTES: Swain (1762-1796); in his Redemption, a Poem in Five Books, 1791.


212 TUNE: Mendon
METRE: 7,6,7,6,7,8,7,6.

DOREMI: LLSMLS#L TDMRDT

FIRSTLINE: Vain delusive world adieu

ALT. NAME: Mendom

COMPOSER: Billings, William

DATE: 1781

NOTES: Billings (1746-1800); in his Psalm Singer's Amusement, 1781.

AUTHOR: Wesley, Charles

DATE: 1742

NOTES: Wesley (1707-1788); in his Hymns and Sacred Poems, 1742.


213 TUNE: Salisbury
METRE: 7,6,7,6,7,8,7,6.

DOREMI: LMRTDDT SLDTLS#L

FIRSTLINE: God of my salvation hear

ALT. NAME:

COMPOSER: Mason, Lowell

DATE: 1819

NOTES: Mason (1792-1872); in his The Boston Handel and Haydn Society Collection of Church Music, 1822; attrib. to Haydn.

AUTHOR: Wesley, Charles

DATE: 1742

NOTES: Wesley (1707-1788); in his Hymns and Sacred Poems, 1742.


214a TUNE: Petersfield
METRE: 7,7,7,7,7,7.

DOREMI: LTDMRDTL TMMRDRRDT

FIRSTLINE: Savior Prince of Israel's race

ALT. NAME:

COMPOSER:

DATE: 1832 (s)

NOTES: in Joseph Funk's A Compilation of Genuine Church Music, 1832.

AUTHOR: Wesley, Charles

DATE: 1742

NOTES: Wesley (1707-1788); in his Hymns and Sacred Poems, 1742.


214b TUNE: Sabbath
METRE: 7,7,7,7,7,7.

DOREMI: DRMMFMR TDRFMRD

FIRSTLINE: Safely thro' another week

ALT. NAME: Worship; Sabbath Morn; Olean

COMPOSER: Mason, Lowell

DATE: 1824

NOTES: Mason (1792-1872); Mason arrangement of German tune.

AUTHOR: Newton, John

DATE: 1774 (s)

NOTES: Newton (1725-1807); in Conyer's Collection of Psalms and Hymns, 1774.


215 TUNE: Mount Calvary
METRE: 7,7,7,7,7,7.

DOREMI: LTDTLLS#L MMRRDDT

FIRSTLINE: Hearts of stone relent relent

ALT. NAME: Calvary; Infinite Mercy (var.)

COMPOSER: Rosenmüller, Johann

DATE: 1655

NOTES: in Joshua Leavitt's (1794-1873) The Christian Lyre, vol. 1, 1831.

AUTHOR: Crüger, Johann

DATE: 1640

NOTES: Crüger (1598-1662); Trans. from German by John Wesley (1703-1791), in the Wesleys' Hymns on the Lord's Supper, 1745.


216a TUNE: Olivet
METRE: 6,6,4,6,6,6,4.

DOREMI: DMSSFM RRFFMR

FIRSTLINE: My faith looks up to thee

ALT. NAME:

COMPOSER: Mason, Lowell

DATE: 1830

NOTES: Mason (1792-1872); in Spiritual Songs for Social Worship, 1831.

AUTHOR: Palmer, Ray

DATE: 1830

NOTES: Palmer (1808-1887); publ. 1831 in Spiritual Songs for Social Worship, by Thomas Hastings (1784-1872) and Lowell Mason (1792-1872).


216b TUNE: Swanton
METRE: 6,6,4,6,6,6,4.

DOREMI: SMLSFM FRSFMR SLF#S

FIRSTLINE: Come all ye saints of God

ALT. NAME:

COMPOSER: Mason, Lowell

DATE: 1835 (s)

NOTES: in Sacred Harp, by Lowell & Timothy Mason, vol. 1, 1835.

AUTHOR: Boden, John Ernest

DATE: 1801 (s)

NOTES: in Edward Williams and James Boden's A Collection of Above Six Hundred Hymns...New Supplement to Dr. Watts's Psalms and Hymns, Doncaster, 1801.


217a TUNE: Trinity
METRE: 6,6,4,6,6,6,4.

DOREMI: SMDRDTD DRMFSFMR

FIRSTLINE: Come thou Almighty King

ALT. NAME: Moscow

COMPOSER: Giardini, Felice de

DATE: 1769

NOTES: Giardini (1716-1796).

AUTHOR: Anon., English

DATE: 1757 (s)

NOTES: in George Whitefield's (1714-1770) Collection of Hymns for Social Worship, 1757.


217b TUNE: Dort
METRE: 6,6,4,6,6,6,4.

DOREMI: DMDSLS STSRMR DTLS

FIRSTLINE: Praise ye Jehovah's name

ALT. NAME:

COMPOSER: Mason, Lowell

DATE: 1832

NOTES: Mason (1792-1872).

AUTHOR: Goode, William

DATE:

NOTES: in The Psalmist, #74.


218a TUNE: Harwell
METRE: 8,7,8,7,7,7,8,6.

DOREMI: SSDSDMRR SSSDMRD

FIRSTLINE: Hark ten thousand harps and voices

ALT. NAME: Evansville

COMPOSER: Mason, Lowell

DATE: 1840

NOTES: Mason (1792-1872); first publ. in his Carmina Sacra, 2nd ed., 1841.

AUTHOR: Kelly, Thomas

DATE: 1806

NOTES: Kelly (1769-1855); in his Hymns, 2nd ed., 1806.


218b TUNE: New Concord
METRE: 6,6,9,6,6,9.

DOREMI: SSSSLDR MRDLSMS

FIRSTLINE: Oh how happy are they

ALT. NAME: O How Happy are They; True Happiness

COMPOSER: Folk Hymn

DATE: 1832 (s)

NOTES: in Joseph Funk's A Compilation of Genuine Church Music, 1832.

AUTHOR: Wesley, Charles

DATE: 1749

NOTES: Wesley (1707-1788); in his Hymns and Sacred Poems, 1749.


219 TUNE: Exultation
METRE: 6,6,9,6,6,9.

DOREMI: MSLLS#L TRDTLM

FIRSTLINE: Come away to the skies

ALT. NAME:

COMPOSER: Folk Hymn

DATE: 1825 (s)

NOTES: in Joseph Funk's A Compilation of Genuine Church Music, 1832; attrib. to Humphreys in William Walker's Southern Harmony, 1835; variation on this tune appears with same name in Ananias Davisson's Supplement to the Kentucky Harmony, 3rd ed., c.1825.

AUTHOR: Wesley, Charles

DATE: 1755

NOTES: Wesley (1707-1788); in his Hymns for Families, 1767.


220 TUNE: Eden Of Love
METRE: 12,11,12,11,12,12,12,11.

DOREMI: MLLTSMMDRDRM MS#LSMRMRDLSS#L

FIRSTLINE: How sweet to reflect on those joys

ALT. NAME:

COMPOSER:

DATE: 1835 (s)

NOTES: in Joseph Funk's A Compilation of Genuine Church Music, 2nd ed., 1835.

AUTHOR: Tillou, W.C.

DATE: 1831 (s)

NOTES: in Joshua Leavitt's (1794-1873) The Christian Lyre, vol. 2, 1831.


221 TUNE: Daughter Of Zion
METRE: 11,11,11,11.

DOREMI: MFSFMRDDRMR RMFSFMRDMRD

FIRSTLINE: Daughter of Zion awake from thy sadness

ALT. NAME: Richland

COMPOSER: Mason, Lowell

DATE: 1831 (s)

NOTES: Mason (1792-1872); in The Boston Handel and Haydn Society Collection of Church Music, 10th ed., 1831.

AUTHOR:

DATE: 1831 (s)

NOTES: in Lowell Mason & Green's Church Psalmody, 1831.


222 TUNE: Mount Carmel
METRE: 10,10,10,10,11,11.

DOREMI: LMMLMRMDTL MDDSMRRRRM

FIRSTLINE: I am the Savior I th' Almighty God

ALT. NAME:

COMPOSER:

DATE: 1832 (s)

NOTES: in Joseph Funk's A Compilation of Genuine Church Music, 1832.

AUTHOR: Watts, Isaac

DATE: 1719

NOTES: Watts (1674-1748); in his Psalms of David, 1719.


223 TUNE: Zion
METRE: 10,10,10,10,11,11.

DOREMI: DSMDSDRMRDTD DMMRMRMRDTLS

FIRSTLINE: House of our God with cheerful

ALT. NAME:

COMPOSER:

DATE: 1832 (s)

NOTES: in Joseph Funk's A Compilation of Genuine Church Music, 1832.

AUTHOR: Doddridge, Phillip

DATE: 1755 (s)

NOTES: Doddridge (1702-1751); in his Hymns, 1755.


224a TUNE: Gospel Trumpet
METRE: 8,8,8,8,8,4.

DOREMI: DRTDRMFMRD MSSFMRDTDR

FIRSTLINE: Hark how the gospel trumpet sounds

ALT. NAME: Vermont

COMPOSER:

DATE: 1799 (s)

NOTES: in Amos Pilsbury's United States Sacred Harmony, 1799.

AUTHOR: Cole, Charles

DATE: 1792

NOTES: Cole (1733-1813); in Jesse Mercer's The Cluster of Spiritual Songs, 1810.


224b TUNE: Joyful Sound
METRE: 8,8,8,8,8,4.

DOREMI: SDRMRDRDTD SLDTRDTLS

FIRSTLINE: Hark hark the gospel trumpet sounds

ALT. NAME:

COMPOSER:

DATE:

NOTES:

AUTHOR: Medley, Samuel

DATE: 1847 (s)

NOTES: Medley (1738-1799); in Church Psalmist or Psalms and Hymns (Presbyterian), 54th ed., 1847.


225 TUNE: Hamburg
METRE: 8,7,8,7,7,7.

DOREMI: DRMFSDTRLS LTDRMRDTD

FIRSTLINE: Precious Bible what a treasure

ALT. NAME: Antwerp; Waltham

COMPOSER: Albert, Heinrich

DATE: d. 1651

NOTES: Albert (1604-1651); Gott des Himmels u. der Erde, publ. between 1638 and 1650.

AUTHOR: Newton, John

DATE: 1774

NOTES: Newton (1725-1807); in his Twenty-Six Letters on Religious Subjects, 1774.


226 TUNE: Medora
METRE: 6,6,8,4,6,6,8,4.

DOREMI: SDDMRDR SRRFMRM

FIRSTLINE: Though nature's strength decay

ALT. NAME: Stamford

COMPOSER:

DATE: 1867 (s)

NOTES: in Joseph Funk's Harmonia Sacra, 12th ed., 1867.

AUTHOR: Olivers, Thomas

DATE: 1770

NOTES: Olivers (1725-1799).


227a TUNE: Star In The East
METRE: 11,10,11,10.

DOREMI: SSMSLDRMRDDLS SSMSLDRMRRD

FIRSTLINE: Hail the blest morn when the great

ALT. NAME: Zions Glad Morning; Shepherd's Star

COMPOSER:

DATE: 1753 (s)

NOTES: Harmonia Sacra 1753.

AUTHOR: Heber, Reginald

DATE: 1811

NOTES: Heber (1783-1826); in Joshua Leavitt's (1794-1873) The Christian Lyre, vol. 1, 1831.


227b TUNE: Hail To The Brightness
METRE: 11,10,11,10.

DOREMI: DTLSSSLDLLS MRRDTTLSF#S

FIRSTLINE: Hail to the brightness of Zion's

ALT. NAME: Wesley

COMPOSER: Mason, Lowell

DATE: 1830

NOTES: Mason (1792-1872).

AUTHOR: Hastings, Thomas

DATE: 1830

NOTES: Hastings (1784-1872); in Spiritual Songs for Social Worship, 1831.


228a TUNE: Come Ye Disconsolate
METRE: 11,10,11,10.

DOREMI: SMDLSSFMFSLTDS MMMFFFLSSF#S

FIRSTLINE: Come ye disconsolate where-e'er

ALT. NAME:

COMPOSER: Webbe, Samuel

DATE: 1792 (s)

NOTES: Webbe (1740-1816); in his Collection of Motetts, London, 1792.

AUTHOR: Moore, Thomas

DATE: 1816

NOTES: Moore (1779-1852); in his Sacred Songs, 1816; alt. Thomas Hastings' (1784-1872) Spiritual Songs for Social Worship, 1831.


228b TUNE: Sing To Me Of Heaven
METRE: S.M. 6,6,8,6.

DOREMI: LDTDLTL MSMMRDRM

FIRSTLINE: O sing to me of heav'n

ALT. NAME:

COMPOSER: Folk Hymn

DATE: 1850 (arr.)

NOTES: var. attrib. to John Massengale, C.R. Dunbar.

AUTHOR: Shindler, Mary

DATE: 1840

NOTES: in Southern Harp, 1840; Mary Stanley Bunce Dana Shindler (1810-1883).


229 TUNE: Friendship
METRE: 6,6,6,6,8,6,8,6.

DOREMI: SDRMRMFS DMMMRDRMR

FIRSTLINE: Ye simple souls that stray

ALT. NAME:

COMPOSER:

DATE: 1813 (s)

NOTES: in Wyeth's Repository of Sacred Music, Part Second by John Wyeth (1770-1858), 1813.

AUTHOR: Wesley, Charles

DATE: 1746

NOTES: Wesley (1707-1788); in his Hymns for Ascencion, 1746.


230a TUNE: Oporto
METRE: 11,11,11,10.

DOREMI: DSDRSMRMFMR DDTLTDRMTLS

FIRSTLINE: Hither ye faithful haste with songs

ALT. NAME: Portuguese Hymn; Adeste Fideles

COMPOSER: Wade, John Francis

DATE: 1740-3

NOTES: Wade (1711-1786); from manuscript dated around 1740; first pub. in his Essay or Instruction for Learning the Church Plain Chant, 1782.

AUTHOR:

DATE: 1843 (s)

NOTES: in Psalms and Hymns, 1843.


230b TUNE: Lena
METRE: 8,8,7,8,8,7.

DOREMI: LTDTDRMM MSLMFMRDTT

FIRSTLINE: See the Lord of glory dying

ALT. NAME:

COMPOSER: Belknap, Daniel

DATE: 1795

NOTES: in Joshua Leavitt's (1794-1873) The Christian Lyre, vol. 2, 1831.

AUTHOR:

DATE: 1804 (s)

NOTES: in Abner Jones's Melody of the Heart, 1804.


231 TUNE: Solemn Parting
METRE: 6,6,6,6.

DOREMI: DSDTDR RDRDTD

FIRSTLINE: Once more before we part

ALT. NAME:

COMPOSER:

DATE: 1851 (s)

NOTES: in Joseph Funk's Harmonia Sacra, 5th ed., 1851.

AUTHOR: Hart, Joseph and Robert Hawker

DATE: 1787

NOTES: Hart (1712-1768); altered.


232a TUNE: New Year
METRE: 5,5,5,11.

DOREMI: SDDDDT TDRRRRD

FIRSTLINE: Come let us anew our journey pursue

ALT. NAME:

COMPOSER:

DATE: 1832 (s)

NOTES: in Joseph Funk's A Compilation of Genuine Church Music, 1832.

AUTHOR: Wesley, Charles

DATE: 1750

NOTES: Wesley (1707-1788); tract. 1750.


232b TUNE: Voice Of Warning
METRE: 11,11,11,5.

DOREMI: DTLTSMLS#LTT DTLTRDLTS#LL

FIRSTLINE: Ah guilty sinner ruin'd by transgression

ALT. NAME: Bunker Hill

COMPOSER:

DATE: 1781 (s)

NOTES: in Andrew Law's Select Number of Plain Tunes, 1781.

AUTHOR:

DATE: 1836 (s)

NOTES: in Andrew Broaddus' The Virginia Selections of Psalms, Hymns and Spiritual Songs, 1836.


233 TUNE: Holy Rest
METRE: 10,10,10,10.

DOREMI: DMMMRDRMFMR RMMMRDFMRD

FIRSTLINE: Again the day returns of holy rest

ALT. NAME:

COMPOSER:

DATE: 1842 (s)

NOTES: in Joseph Funk's A Compilation of Genuine Church Music, 3rd ed., 1842.

AUTHOR: Mason, William

DATE: 1796

NOTES: Mason (1725-1797).


234a TUNE: Sweet Harmony
METRE: 10,11,10,11.

DOREMI: SDDRDMSSSM SDLSLMRMSLS

FIRSTLINE: O tell me no more of this world's

ALT. NAME:

COMPOSER: Walker, William

DATE: 1835 (s)

NOTES: attrib. to Walker (1809-1875) by his Southern Harmony, 1835.

AUTHOR: Gambold, John

DATE: 1742 (s)

NOTES: Gambold (1711-1771); in Moravian Hymn Book, 1742.


234b TUNE: Transporting Vision
METRE: 7,6,7,6,7,7,7,7.

DOREMI: DDDDRRR MFSSMMR

FIRSTLINE: Burst ye emerald gates and bring

ALT. NAME:

COMPOSER:

DATE: 1847 (s)

NOTES: in Joseph Funk's A Compilation of Genuine Church Music, 4th ed., 1847.

AUTHOR: Kempenfelt, Richard

DATE: 1777

NOTES: in Kempenfelt's Original Hymns and Poems, 1777.


235 TUNE: Jones
METRE: 7,7,7,7.

DOREMI: SDMDRDL DLSDMRD

FIRSTLINE: Children of the heav'nly King

ALT. NAME:

COMPOSER: Dadman, J.W.

DATE: 1876 (s)

NOTES: in Joseph Funk's Harmonia Sacra, 15th ed., 1876.

AUTHOR: Cennick, John

DATE: 1742

NOTES: Cennick (1718-1755); in his Sacred Hymns for the Children of God, 1742.


236a TUNE: Believer's Departure
METRE: 10,6,10,6,8,8,8,6.

DOREMI: DTDRMDTDRMF MDRDTD

FIRSTLINE: What's this that steals

ALT. NAME: All Is Well

COMPOSER: Folk Hymn

DATE: 1844 (s)

NOTES: adapted by J. Tom White in Benjamin Franklin White's (1800-1879) The Sacred Harp, 1844.

AUTHOR: White, J. Tom

DATE: 1844 (s)

NOTES: in Benjamin Franklin White's (1800-1879) The Sacred Harp, 1844.


236b TUNE: Praise Victorious
METRE: 7,7,8,7,7,7,8,7.

DOREMI: DDDDRMRD DRRRMFMR

FIRSTLINE: Head of the Church triumphant

ALT. NAME:

COMPOSER:

DATE: 1847 (s)

NOTES: in Joseph Funk's A Compilation of Genuine Church Music, 4th ed., 1847.

AUTHOR: Wesley, Charles

DATE: 1745

NOTES: Wesley (1707-1788); in his Hymns for Times of Trouble, 1745.


237 TUNE: Jessup
METRE: 7,7,7,7.

DOREMI: DMSMRFM SMRFMRD

FIRSTLINE: Wide ye heav'nly gates unfold

ALT. NAME:

COMPOSER: Pollock, Charles Edward

DATE: 1876 (s)

NOTES: Pollock (b.1853); in Joseph Funk's Harmonia Sacra, 15th ed., 1876.

AUTHOR: Auber, Harriett

DATE: 1829

NOTES: in her Spirit of the Psalms, 1829.


238a TUNE: Welcome
METRE: 7,7,7,7.

DOREMI: MMDDDLS SDMDRDTD

FIRSTLINE: Welcome welcome day of rest

ALT. NAME:

COMPOSER: Linton, G.T.

DATE: 1876 (s)

NOTES: in Joseph Funk's Harmonia Sacra, 15th ed., 1876.

AUTHOR: Linton, G.T.

DATE: 1876 (s)

NOTES: in Joseph Funk's Harmonia Sacra, 15th ed., 1876.


238b TUNE: Sovereign Summons
METRE: 10,10,10,10,10,10.

DOREMI: DMSDSFMRDS SDDLDLSFMRD

FIRSTLINE: The Lord the Sov'reign sends

ALT. NAME: Symphony

COMPOSER: Morgan, Justin

DATE: 1790

NOTES: Morgan (1747-1798)

AUTHOR: Watts, Isaac

DATE: 1719

NOTES: Watts (1674-1748); in his Psalms of David, 1719.


239 TUNE: Boundless Mercy
METRE: 7,6,7,6,7,6,7,6.

DOREMI: DDRRMSMR DDMMRD

FIRSTLINE: Drooping souls no longer grieve

ALT. NAME: The Grieved Soul; Ohio

COMPOSER: Folk Hymn

DATE: 1793 (s)

NOTES: in Oliver Holden's (1765-1844) Union Harmony or Universal Collection of Sacred Music, 1793.

AUTHOR: Hastings, Thomas

DATE: 1831

NOTES: Hastings (1784-1872); in Hastings and Lowell Mason's Spiritual Songs for Social Worship, 1831.


240 TUNE: Final Decision
METRE: 9,8,9,8,9,8,9,8.

DOREMI: DMSDMRDTLSFM SSSLTDRDTD

FIRSTLINE: That great tremendous day's approaching

ALT. NAME:

COMPOSER:

DATE: 1847 (s)

NOTES: in Joseph Funk's A Compilation of Genuine Church Music, 4th ed., 1847.

AUTHOR:

DATE: 1847 (s)

NOTES: in Joseph Funk's A Compilation of Genuine Church Music, 4th ed., 1847.


241 TUNE: Messiah
METRE: 7,7,7,7.

DOREMI: MRDDFMR SLLSMDR

FIRSTLINE: High in yonder realms of light

ALT. NAME: Tranquility

COMPOSER: Hrold, Louis Joseph Ferdinand

DATE: 1830

NOTES: Hrold (1791-1833); arranged by George Kingsley (1811-1884), 1838.

AUTHOR: Raffles, Thomas

DATE: 1812 (s)

NOTES: in Collyer's Collection, 1812.


242a TUNE: Redeeming Grace
METRE: 9,8,9,8,9,8,9,8.

DOREMI: DLLDDMSLS MRRRMDDD

FIRSTLINE: Come all who love my Lord and Master

ALT. NAME: Heavenly Treasure

COMPOSER: Folk Hymn

DATE: 1813 (s)

NOTES: in Wyeth's Repository of Sacred Music, Part Second by John Wyeth (1770-1858), 1813.

AUTHOR:

DATE: 1813 (s)

NOTES: in Wyeth's Repository of Sacred Music, Part Second by John Wyeth (1770-1858), 1813.


242b TUNE: Christian Warfare
METRE: 7,7,7,5,7,7,7,5.

DOREMI: SSSMSLD LLLSLTDR

FIRSTLINE: Soldiers of the cross arise

ALT. NAME: Caledonia; Bruce's Address Spiritualized

COMPOSER: Trad. Scottish melody

DATE:

NOTES:

AUTHOR: How, William Walsham

DATE: 1854

NOTES: How (1823-1897); in Thomas Baker Morrell and How's Psalms and Hymns, 1854.


243 TUNE: Evening Thought
METRE: 8,3,3,6.

DOREMI: DRMRMFSLS SSD SLSFM

FIRSTLINE: Ere I sleep for every favor

ALT. NAME:

COMPOSER:

DATE: 1816 (s)

NOTES: in Joseph Funk's Choral-Music, 1816.

AUTHOR: Cennick, John

DATE:

NOTES: Cennick (1718-1755).


244a TUNE: Exhortation
METRE: 6,5,6,5,8,7,8,7.

DOREMI: MMRRDT LDFMR MMRRDR

FIRSTLINE: If life's pleasures charm thee

ALT. NAME: Zinda

COMPOSER:

DATE: 1847 (s)

NOTES: in Joseph Funk's A Compilation of Genuine Church Music, 4th ed., 1847.

AUTHOR: Key, Francis Scott

DATE: 1830

NOTES: Key (1779-1843); in The Christian Lyre, 1830.


244b TUNE: Sweet Friendship
METRE: 6,5,6,5,6,6,6,5.

DOREMI: MFSMFS SRFFM

FIRSTLINE: When shall we meet again

ALT. NAME:

COMPOSER:

DATE: 1847 (s)

NOTES: in Joseph Funk's A Compilation of Genuine Church Music, 4th ed., 1847.

AUTHOR: Watts, Alaric A.

DATE: 1822

NOTES: Watts (1797-1864); verse 1 by Watts in his Poetical Sketches, 1822; other verses by Samuel Francis Smith (1808-1895), 1833.


245 TUNE: Peaceful Rest
METRE: 8,6,8,8,6.

DOREMI: DSSLTDSFM SLFRDTD

FIRSTLINE: There is an hour of peaceful rest

ALT. NAME: Lanesboro

COMPOSER: Dixon, William

DATE: d. 1825

NOTES: Dixon (1750-1825).

AUTHOR: Tappan, William Bingham

DATE: 1818

NOTES: Tappan (1794-1849).


246a TUNE: To-day
METRE: 6,4,6,4.

DOREMI: SSMMDR SLF#S

FIRSTLINE: Today the savior calls

ALT. NAME: Call

COMPOSER: Mason, Lowell

DATE: 1831

NOTES: Mason (1792-1872).

AUTHOR: Smith, Samuel Francis

DATE: 1831 (s)

NOTES: Smith (1808-1895); alt by Thomas Hastings (1784-1872) in Hasting's & Mason's Spiritual Songs for Social Worship, 1831.


246b TUNE: Lovely Morning
METRE: 11,11,14,11.

DOREMI: SDMRDRMFMRMDRD

FIRSTLINE: The last lovely morning

ALT. NAME:

COMPOSER: Folk Hymn

DATE: 1851 (s)

NOTES: in Joseph Funk's Harmonia Sacra, 5th ed., 1851; based on Afton Water, a Scottish Aire.

AUTHOR:

DATE: 1851 (s)

NOTES: in Joseph Funk's Harmonia Sacra, 5th ed., 1851.


247 TUNE: Healing Fountain
METRE: 7,7,7,7,6,6,7,7.

DOREMI: DDMMDRT DRRRMRTS

FIRSTLINE: See the fountain open'd wide

ALT. NAME:

COMPOSER:

DATE: 1842 (s)

NOTES: in Joseph Funk's A Compilation of Genuine Church Music, 3rd ed., 1842.

AUTHOR:

DATE: 1828 (s)

NOTES: in The Dover Selection of Spiritual Songs, Andrew Broaddus, 1828, #11; also in Jesse Mercer's The Cluster of Spiritual Songs.


248 TUNE: Heavenly Treasure
METRE: 9,8,9,8,9,8,10,8.

DOREMI: SLDRDMMRDL DLSMSSSLDDRD

FIRSTLINE: Religion 'tis a glorious treasure

ALT. NAME:

COMPOSER:

DATE: 1842 (s)

NOTES: in Joseph Funk's A Compilation of Genuine Church Music, 3rd ed., 1842.

AUTHOR:

DATE: 1842 (s)

NOTES: in Joseph Funk's A Compilation of Genuine Church Music, 3rd ed., 1842.


249 TUNE: Missionary Chant
METRE: L.M. 8,8,8,8.

DOREMI: MMMMDRRT TDDDDMRM

FIRSTLINE: Go preach my gospel saith the Lord

ALT. NAME:

COMPOSER: Zeuner, Charles Heinrich Christoph

DATE: 1832

NOTES: Zeuner (1795-1857); in his American Harp, 1832.

AUTHOR: Watts, Isaac

DATE: 1709

NOTES: Watts (1674-1748); in his Hymns and Spiritual Songs, 1709.


250 TUNE: Westford
METRE: L.M. 8,8,8,8.

DOREMI: DDLSLSFMRD SDDDRMFMRDR

FIRSTLINE: Descend from heaven immortal Dove

ALT. NAME:

COMPOSER: Read, Daniel

DATE: 1785

NOTES: Read (1757-1836).

AUTHOR: Watts, Isaac

DATE: 1707

NOTES: Watts (1674-1748); in his Hymns and Spiritual Songs, 1707.


251 TUNE: Siloam
METRE: C.M. 8,6,8,6.

DOREMI: MFSMLSMDMR RMSMRFRM

FIRSTLINE: By cool Siloam's shady rill

ALT. NAME:

COMPOSER: Woodbury, Isaac Baker

DATE: 1842 (s)

NOTES: Woodbury (1819-1858); in Boston Musical Education Society's Collection of Church Music by Woodbury et. al., 1842.

AUTHOR: Heber, Reginald

DATE: 1812

NOTES: Heber (1783-1826); in Christian Observer.


252 TUNE: Wethersfield
METRE: L.M. 8,8,8,8.

DOREMI: SMMMFMRRRM RDDDMSRRRD

FIRSTLINE: Far from my thoughts vain world

ALT. NAME:

COMPOSER:

DATE: 1835 (s)

NOTES: in Joseph Funk's A Compilation of Genuine Church Music, 2nd ed., 1835.

AUTHOR: Watts, Isaac

DATE: 1707

NOTES: Watts (1674-1748); in his Hymns and Spiritual Songs, 1707.


253 TUNE: Palestine
METRE: 12,9,12,9,12,9,12,9.

DOREMI: SSMSDMRDLDLF FFMSDDSMR

FIRSTLINE: They have gone to the land

ALT. NAME:

COMPOSER:

DATE: 1847 (s)

NOTES: in Joseph Funk's A Compilation of Genuine Church Music, 4th ed., 1847.

AUTHOR:

DATE: 1836 (s)

NOTES: in The Virginia Selections of Psalms, Hymns and Spiritual Songs, Andrew Broaddus, 1836.


254 TUNE: Spring
METRE: 8,8,8,8,7,7.

DOREMI: SDDRMRRMFMDDRMR SSMMFSFRRMFMRDTD

FIRSTLINE: The voice of my Beloved sounds

ALT. NAME:

COMPOSER:

DATE: 1818 (s)

NOTES: in James M. Boyd's Virginia Sacred Musical Repository, 1818.

AUTHOR:

DATE: 1831 (s)

NOTES: in Collection of Hymns for the use of the Methodist Episcopal Church, 1831.


255 TUNE: Pilgrim's Farewell
METRE: 8,8,8,8,6,6,6,6,4,8.

DOREMI: SFMDLS DRMRDS LSFMRD

FIRSTLINE: Farewell farewell farewell my friends

ALT. NAME:

COMPOSER:

DATE: 1802 (s)

NOTES: in Jacob French's (1754-?) Harmony of Harmony, 1802.

AUTHOR:

DATE: 1828 (s)

NOTES: in The Dover Selection of Spiritual Songs, Andrew Broaddus, 1828, #195.


256 TUNE: United Praises
METRE: 8,6,8,6,8,8,8,6.

DOREMI: SLTDSLLS MRDTLS

FIRSTLINE: Sing hallelujah praise the Lord

ALT. NAME:

COMPOSER:

DATE: 1842 (s)

NOTES: in Joseph Funk's A Compilation of Genuine Church Music, 3rd ed., 1842.

AUTHOR: Sweetner

DATE:

NOTES: in Church Psalmody, #725.


257 TUNE: Passiveness
METRE: 10,8,10,7,10,10,10,7.

DOREMI: DDRMMFSLSM SFMRFMRD

FIRSTLINE: Shed not a tear o'er your friend's early bier

ALT. NAME: When I Am Gone; Long, Long Ago

COMPOSER: Turner, M.H.

DATE: 1847 (s)

NOTES: in Joseph Funk's A Compilation of Genuine Church Music, 4th ed., 1847; attrib. by M.S.B.D. Shindler to Thomas Haynes Bayly, (1797-1839).

AUTHOR: Shindler, Mary Stanley Bunce

DATE: 1840 (s)

NOTES: Shindler (1810-1883); in Southern Harp, 1840.


258 TUNE: Scotland
METRE: 12,12,12,12,14,12.

DOREMI: SSLSSDMMRDRMS SSMDDLDLSDMMR

FIRSTLINE: The voice of free grace cries

ALT. NAME: Clarkes

COMPOSER: Clarke, John

DATE: 1800

NOTES: Clarke (1770-1836); in Joshua Leavitt's (1794-1873) The Christian Lyre, vol. 1, 1831.

AUTHOR: Burdsall, Richard

DATE: 1806

NOTES: in Memoirs, n.d. Richard Burdsall (1735-1824).


259 TUNE: Azmon
METRE: C.M. 8,6,8,6.

DOREMI: SDDRRMRD RMMFMR

FIRSTLINE: Plung'd in a gulf of dark despair

ALT. NAME: Denfield; Gaston

COMPOSER: Glser, Carl Gotthelf

DATE: 1828

NOTES: Glser (1784-1829); in Lowell Mason's Modern Psalmody, Boston, 1839.

AUTHOR: Watts, Isaac

DATE: 1707

NOTES: Watts (1674-1748); in his Hymns and Spiritual Songs, 1707.


260 TUNE: Parting Hymn
METRE: C.M. 8,6,8,6.

DOREMI: SDDDTDMDDT DRRTLTD

FIRSTLINE: How pleasant thus to dwell below

ALT. NAME: Joyful; O That will be Joyful; Joys Seven

COMPOSER: Folk Hymn

DATE: 1851 (s)

NOTES: attrib. to Abraham D. Merrell (1796-1878); in Joseph Funk's Harmonia Sacra, 5th ed., 1851.

AUTHOR: Merrell, Abraham D.

DATE: 1851 (s)

NOTES: Merrell (1796-1878); in Joseph Funk's Harmonia Sacra, 5th ed., 1851.


261 TUNE: Manoah
METRE: C.M. 8,6,8,6.

DOREMI: DRMRDTTLL RMFMRDDT

FIRSTLINE: Father I long I faint to see

ALT. NAME:

COMPOSER: Rossini, Gioachino Antonio

DATE: 1851

NOTES: Rossini (1792-1888); in Joseph Funk's Harmonia Sacra, 15th ed., 1876: attrib. to F. J. Haydn in Church and Sunday School Hymnal.

AUTHOR: Watts, Isaac

DATE: 1707

NOTES: Watts (1674-1748); in his Hymns and Spiritual Songs, 1707.


262 TUNE: Home
METRE: 11,11,11,11,5,11.

DOREMI: DMFSSMMFMFRM DMFSSMSFMFRD

FIRSTLINE: 'Mid scenes of confusion

ALT. NAME: Sweet Home; Home Sweet Home

COMPOSER: Bishop, Henry Rowley

DATE: 1831 (s)

NOTES: Bishop (1786-1855); in Joshua Leavitt's (1794-1873) The Christian Lyre, vol. 1, 1831.

AUTHOR: Denham, David

DATE: 1831 (s)

NOTES: in Joshua Leavitt's (1794-1873) The Christian Lyre, vol. 1, 1831.


263 TUNE: Universal Praise
METRE: L.M. 8,8,8,8.

DOREMI: SDRMDSSMDS MRDTRMMFMRD

FIRSTLINE: What is our God or what his name

ALT. NAME: Huntington; Huntingdon

COMPOSER: Morgan, Justin

DATE: 1790 (s)

NOTES: Morgan (1747-1798); in Federal Harmony, by Asahel Benham, 1790.

AUTHOR: Watts, Isaac

DATE: 1706

NOTES: Watts (1674-1748); in his Horae Lyricae, 1706-9.


264 TUNE: Gracious Reward
METRE: L.M. 8,8,8,8.

DOREMI: DMFSSLLS SMSDSLLS

FIRSTLINE: A poor wayfaring Man of grief

ALT. NAME: Nashville

COMPOSER:

DATE: 1832 (s)

NOTES: arranged by Lowell Mason (1771-1854) in The Choir or Union Collection of Church Music, 1832.

AUTHOR: Montgomery, James

DATE:

NOTES: Montgomery (1771-1854).


265 TUNE: Italy
METRE: L.M. 8,8,8,8.

DOREMI: SSMDDSMMDSSF MDSMRFTRD

FIRSTLINE: The ransom'd spirit to her home

ALT. NAME:

COMPOSER:

DATE: 1832 (s)

NOTES: in Joseph Funk's A Compilation of Genuine Church Music, 1832.

AUTHOR: Tappan, William Bingham

DATE: 1824 (s)

NOTES: Tappan (1794-1849); in Asahel Nettleton's (1783-1844) Village Hymns for Social Worship...A Supplement to the Psalms and Hymns of Dr. Watts, 1824.


266 TUNE: Golgotha
METRE: L.M. 8,8,8,8.

DOREMI: MLLSMDTLT TDTLTS#LSM

FIRSTLINE: Now let our mournful songs record

ALT. NAME: Montague

COMPOSER:

DATE: 1820 (s)

NOTES: in Allen D. Carden's Missouri Harmony, 1820.

AUTHOR: Watts, Isaac

DATE: 1719

NOTES: Watts (1674-1748); in his Psalms of David, 1719.


267 TUNE: Dover
METRE: L.M. 8,8,8,8.

DOREMI: DMRDSSLDTLS DRMRDTLSLTD

FIRSTLINE: My soul thy great Creator praise

ALT. NAME:

COMPOSER:

DATE: 1816 (s)

NOTES: attrib. to William Billings (1746-1800) by Ananias Davisson in his The Kentucky Harmony, 1816.

AUTHOR: Watts, Isaac

DATE: 1719

NOTES: Watts (1674-1748); in his Psalms of David, 1719; based on John Denham.


268a TUNE: Social Band
METRE: L.M. 8,8,8,8.

DOREMI: MDLLSLDDR DRMMSMRDLL

FIRSTLINE: Say now ye lovely social band

ALT. NAME: Clamanda

COMPOSER: Folk Hymn

DATE: 1805 (s)

NOTES: in Jeremiah Ingalls' Christian Harmony, 1805.

AUTHOR:

DATE: 1814 (s)

NOTES: in Collection of Hymns and Spiritual Songs, 1814.


268b TUNE: Loving Kindness
METRE: L.M. 8,8,8,8.

DOREMI: SDDDRMDRRR MFSFMRSMDRD

FIRSTLINE: Awake my soul in joyful lays

ALT. NAME:

COMPOSER: Folk Hymn

DATE: 1831 (s)

NOTES: in Joshua Leavitt's The Christian Lyre, vol. 1, 1831; Katherine Diehl attrib. to William Caldwell, before 1830.

AUTHOR: Medley, Samuel

DATE: 1782 (s)

NOTES: Medley (1738-1799); in Huntingdon Collection, 1782.


269 TUNE: Loud Hallelujah
METRE: L.M. 8,8,8,8.

DOREMI: SDDRRMSMRD RMRDDLSSLDR

FIRSTLINE: Loud hallelujahs to the Lord

ALT. NAME:

COMPOSER:

DATE: 1851 (s)

NOTES: in Joseph Funk's Harmonia Sacra, 5th ed., 1851.

AUTHOR: Watts, Isaac

DATE: 1719

NOTES: Watts (1674-1748); in his Psalms of David, 1719.


270 TUNE: Blessed Be the Lord God...
METRE: Various

DOREMI: DDDDDD DDDDD RRRRRR RMMRR

FIRSTLINE: Blessed be the Lord God

ALT. NAME:

COMPOSER:

DATE: 1838

NOTES: probably by George Frederick Perry (1793-1862), written in 1838; in Joseph Funk's Harmonia Sacra, 15th ed., 1876; full name, Anthem Blessed be the Lord God, the God of Israel.

AUTHOR:

DATE: 1838

NOTES: probably by George Frederick Perry (1793-1862), written in 1838; in Joseph Funk's Harmonia Sacra, 15th ed., 1876.


272 TUNE: The Sabbath Day
METRE: Various

DOREMI: SLSMDRM SLSMRD

FIRSTLINE: Hear the chiming of the bells

ALT. NAME:

COMPOSER: Johnson, Alexander N.

DATE: 1876 (s)

NOTES: in Joseph Funk's Harmonia Sacra, 15th ed., 1876.

AUTHOR:

DATE: 1876 (s)

NOTES: in Joseph Funk's Harmonia Sacra, 15th ed., 1876.


273 TUNE: Middleton
METRE: 7,7,7,7.

DOREMI: DRMFSMDRMFMR RDTLSDFMRD

FIRSTLINE: Hail the day that saw him rise

ALT. NAME: Middletown

COMPOSER: Bull

DATE: 1779 (s)

NOTES: in Andrew Law's Select Harmony, New Haven, 1779.

AUTHOR: Wesley, Charles

DATE: 1742

NOTES: Wesley (1707-1788); in his Hymns and Sacred Poems, 1742.


274 TUNE: Holy Lord God of Sabaoth
METRE: Various

DOREMI: DD RR MMFFMMRR

FIRSTLINE: Holy holy holy Lord God of Sabaoth

ALT. NAME:

COMPOSER: Swaffield, B.M.

DATE: 1831 (s)

NOTES: in The Boston Handel and Haydn Society Collection of Church Music, 10th ed., 1831.

AUTHOR:

DATE: 1831 (s)

NOTES: in The Boston Handel and Haydn Society Collection of Church Music, 10th ed., 1831.


275a TUNE: Rest S.M.
METRE: S.M. 6,6,8,6.

DOREMI: SDLTDSS MSDTLS

FIRSTLINE: Like Noah's weary dove

ALT. NAME:

COMPOSER: Bradbury, William Batchelder

DATE: 1867 (s)

NOTES: Bradbury (1816-1868); in Joseph Funk's Harmonia Sacra, 12th ed., 1867.

AUTHOR: Mühlenburg, William Augustus

DATE: 1826

NOTES: Mühlenburg (1796-1877); in Prayer Book Collection, 1826.


275b TUNE: Woodland
METRE: 8,6,8,8,6.

DOREMI: DMMSMRMR MSSDRM

FIRSTLINE: There is an hour of peaceful rest

ALT. NAME:

COMPOSER: Gould, Nathanael D.

DATE: 1832

NOTES: Gould (1781-1864); in his National Church Harmony, 1832.

AUTHOR: Tappan, William Bingham

DATE: 1818

NOTES: Tappan (1794-1849).


276 TUNE: Stream Of Death
METRE: 8,8,4,8,8,4.

DOREMI: MFSSSMRRR RMFFFMRMMM

FIRSTLINE: There is a stream whose narrow tide

ALT. NAME:

COMPOSER:

DATE: 1847 (s)

NOTES: in Joseph Funk's A Compilation of Genuine Church Music, 4th ed., 1847.

AUTHOR:

DATE: 1847 (s)

NOTES: in Joseph Funk's A Compilation of Genuine Church Music, 4th ed., 1847.


277 TUNE: Let Me Go
METRE: 8,7,8,7.

DOREMI: DMMSDRMS LLSMSMR

FIRSTLINE: Let me go where saints are going

ALT. NAME:

COMPOSER: Hartsough, Lewis

DATE: 1867 (s)

NOTES: Hartsough (1828-1919); in Joseph Funk's Harmonia Sacra, 12th ed., 1867.

AUTHOR: Hartsough, Lewis

DATE: 1867 (s)

NOTES: Hartsough, Lewis (1828-1919); in Joseph Funk's Harmonia Sacra, 12th ed., 1867.


278a TUNE: Alben
METRE: 7,7,7,5.

DOREMI: SDTDLTD TDRDTLS

FIRSTLINE: When our hearts are bow'd with woe

ALT. NAME:

COMPOSER: Mason, Lowell

DATE: 1876 (s)

NOTES: Mason (1792-1872); in Joseph Funk's Harmonia Sacra, 15th ed., 1876.

AUTHOR: Milman, Henry Hart

DATE: 1827 (s)

NOTES: Milman (1791-1868); in Reginald Heber's (1783-1826) Hymns, 1827.


278b TUNE: Billow
METRE: 8,6,8,4.

DOREMI: DDDDRRMR MMMFSLT

FIRSTLINE: Star of peace to wand'rers weary

ALT. NAME: Star of Peace

COMPOSER: Mason, Lowell

DATE: 1848

NOTES: Mason (1792-1872); in The National Psalmist by Lowell Mason and George James Webb, 1848.

AUTHOR: Simpson, Jane Cross

DATE: 1830

NOTES:


279 TUNE: Voice Of Peace
METRE: 8,8,8,8,8,8.

DOREMI: SFMMMMRDD SLDTRDTLLS

FIRSTLINE: Sweet as the shepherd's tuneful reed

ALT. NAME:

COMPOSER:

DATE: 1831 (s)

NOTES: in Joshua Leavitt's (1794-1873) The Christian Lyre, vol. 2, 1831.

AUTHOR: Shirley, Walter

DATE: 1773 (s)

NOTES: Shirley (1725-1786); in Huntingdon Collection, 1773.


280 TUNE: Archdale
METRE: C.M. 8,6,8,6.

DOREMI: DSLTDSFMRD SDSMFSLSFMR

FIRSTLINE: Father how wide thy glories shine

ALT. NAME:

COMPOSER:

DATE: 1835 (s)

NOTES: in Joseph Funk's A Compilation of Genuine Church Music, 2nd ed., 1835.

AUTHOR: Watts, Isaac

DATE: 1705

NOTES: Watts (1674-1748); in his Horae Lyricae, 1706-9.


281 TUNE: Watchman Tell us of the Night
METRE: 7,7,7,7.

DOREMI: DRMRMFS SMSLSMR

FIRSTLINE: Watchman tell us of the night

ALT. NAME: Watchman; Tremont; Morning Star; Missionary or Christmas Hymn; Watchman of the Night

COMPOSER: Mason, Lowell

DATE: 1830

NOTES: Mason (1792-1872). in The Boston Handel and Haydn Society Collection of Church Music, 10th ed., 1831.

AUTHOR: Bowring, John

DATE: 1825

NOTES: Bowring (1792-1872); in his Hymns: As a Sequel to Matins, 1825.


282a TUNE: The Chariot
METRE: 11,12,12,12.

DOREMI: SSSMMMDRDTD SMDRRMRRDTLS

FIRSTLINE: The chariot the chariot

ALT. NAME: The Trumpet

COMPOSER: Williams, J.

DATE: 1831 (s)

NOTES: in Joshua Leavitt's (1794-1873) The Christian Lyre, vol. 1, 1831.

AUTHOR: Milman, Henry Hart

DATE: 1827 (s)

NOTES: Milman (1791-1868); in Reginald Heber's (1783-1826) Hymns, 1827.


282b TUNE: The Royal Proclamation
METRE: 8,8,8,8,8,8,3.

DOREMI: DMSSLLDLSS SMRMSLLLSS

FIRSTLINE: Hear the royal proclamation

ALT. NAME:

COMPOSER:

DATE: 1820 (s)

NOTES: claimed by Ananias Davisson, 1820

AUTHOR: Anon.

DATE:

NOTES:


283 TUNE: Woodstock
METRE: C.M. 8,6,8,6.

DOREMI: DMMMSRRR MFSLSFMMR

FIRSTLINE: There is an hour of hallow'd peace

ALT. NAME: Gospel Trumpet

COMPOSER: Dutton, Deodatus Jr.

DATE: 1831 (s)

NOTES: Dutton (1808-1832); in Joshua Leavitt's (1794-1873) The Christian Lyre, vol. 1, 1831.

AUTHOR: Tappan, William Bingham

DATE:

NOTES: Tappan (1794-1849).


284a TUNE: Communion
METRE: C.M. 8,6,8,6.

DOREMI: DSLSMRMSSLD DRMMMRD

FIRSTLINE: How sweet and awful is the place

ALT. NAME:

COMPOSER: Robinson

DATE: 1813 (s)

NOTES: in Wyeth's Repository of Sacred Music, Part Second by John Wyeth (1770-1858), 1813.

AUTHOR: Watts, Isaac

DATE: 1707

NOTES: Watts (1674-1748); in his Hymns and Spiritual Songs, 1707.


284b TUNE: Felicity
METRE: C.M. 8,6,8,6.

DOREMI: SDDDMRDTLS SDMSMDR

FIRSTLINE: Earth has engross'd my love too long

ALT. NAME: Oxford; Christmas

COMPOSER:

DATE: 1832 (s)

NOTES: in Joseph Funk's A Compilation of Genuine Church Music, 1832.

AUTHOR: Watts, Isaac

DATE: 1706

NOTES: Watts (1674-1748).


285 TUNE: God Is Love
METRE: 6,5,6,5,3.

DOREMI: MMMFSM FRMMR

FIRSTLINE: Lo the heav'ns are breaking

ALT. NAME:

COMPOSER:

DATE: 1851 (s)

NOTES: in Joseph Funk's Harmonia Sacra, 5th ed., 1851.

AUTHOR: Anon., English

DATE: 1851 (s)

NOTES: in Joseph Funk's Harmonia Sacra, 5th ed., 1851.


286 TUNE: Gospel Illumination
METRE: 11,11,11,11.

DOREMI: DDMDMSDTLRSD DTTRDSSSSMR

FIRSTLINE: Wake Wake Isles of the South

ALT. NAME:

COMPOSER:

DATE: 1842 (s)

NOTES: in Joseph Funk's A Compilation of Genuine Church Music, 3rd ed., 1842.

AUTHOR:

DATE: 1822

NOTES: attrib. to William Bingham Tappan (1794-1849), 1822; in Joshua Leavitt's (1794-1873) The Christian Lyre, vol. 1, 1831.


289 TUNE: Haydn's Chant
METRE: 6,6,8,6,6,8.

DOREMI: SDDTDR SRRDRM

FIRSTLINE: The Lord Jehovah reigns

ALT. NAME:

COMPOSER: Zeuner, Charles Heinrich Christoph

DATE:

NOTES: Zeuner (1795-1857).

AUTHOR: Watts, Isaac

DATE: 1719

NOTES: Watts (1674-1748); in his Psalms of David, 1719.


290 TUNE: Dedication Anthem
METRE: Various

DOREMI: DDDMMRMFRM SLTDRMFMR

FIRSTLINE: Praise God from whom all blessings flow

ALT. NAME: Doxology

COMPOSER: Stanley, Samuel (attrib.)

DATE: 1830 (s)

NOTES: Stanley (1767-1822); in Lowell Mason's The Boston Handel and Haydn Society Collection of Church Music, 1830.

AUTHOR: Ken, Thomas

DATE: 1693 (s)

NOTES: Ken (1637-c. 1710); in Harmonia Sacra, 1693; altered in 1709.


293 TUNE: Motet: What Shall I Render Unto the Lord
METRE: Various

DOREMI: DMFRDMSSLS SDTLLSSFMMR

FIRSTLINE: What shall I render unto the Lord

ALT. NAME: Rockingham; Rockingham Old; Tunbridge

COMPOSER: Miller, Edward (arr.)

DATE: c. 1780 (s)

NOTES: adapted by Edward Miller (1731-1807) in his The Psalms of David for the Use of Parish Churches, 1790, from Tunbridge in Aaron Williams' (1731-1776) A Second Supplement to Psalmody in Miniature, c.1780.

AUTHOR: Miller, Edward

DATE: 1790 (s)

NOTES: in Miller's The Psalms of David for the Use of Parish Churches, 1790.


294 TUNE: Chorus-Anthem
METRE: Various

DOREMI: DDDSMD FRDTD SDMMR

FIRSTLINE: Praise the God of Israel

ALT. NAME:

COMPOSER:

DATE: 1876 (s)

NOTES: in Joseph Funk's Harmonia Sacra, 15th ed., 1876; full Tune name: Chorus Anthem: Praise the God of Israel.

AUTHOR:

DATE: 1876 (s)

NOTES: in Joseph Funk's Harmonia Sacra, 15th ed., 1876.


296 TUNE: Heavenly Vision
METRE: Various

DOREMI: DRMFSFMRRRFMRRDD RRRRRRRMMDDRR

FIRSTLINE: I beheld and lo a great multitude

ALT. NAME:

COMPOSER: French, Jacob

DATE: 1786

NOTES: French (1754-?); in Wyeth's Repository of Sacred Music, by John Wyeth (1770-1858), 1810.

AUTHOR:

DATE: 1810 (s)

NOTES: in Wyeth's Repository of Sacred Music, by John Wyeth (1770-1858), 1810.


299 TUNE: Christian Hope
METRE: C.M. 8,6,8,6.

DOREMI: SSSSMSDDDM DLLLTDS

FIRSTLINE: My soul would fain indulge a hope

ALT. NAME:

COMPOSER:

DATE: 1835 (s)

NOTES: in Joseph Funk's A Compilation of Genuine Church Music, 2nd ed., 1835.

AUTHOR: Steward, Joseph

DATE: 1799 (s)

NOTES: Steward (1752-1822); in The Hartford Selection, 1799, edited by Steward, Abel Flint, and Nathan Strong.


300 TUNE: Pisgah
METRE: C.M. 8,6,8,6.

DOREMI: SLDDDRMDLLLS MSSLDMRDMR

FIRSTLINE: When I can read my title clear

ALT. NAME: Covenanters

COMPOSER: Lowry, J.C.

DATE: 1817 (s)

NOTES: Scottish tune; in Ananias Davisson's The Kentucky Harmony, 2nd ed., 1817.

AUTHOR: Watts, Isaac

DATE: 1707

NOTES: Watts (1674-1748); in his Hymns and Spiritual Songs, 1707.


301 TUNE: Wilton
METRE: 10,10,10,10,10,10.

DOREMI: DRMFMRDDTD DRMFMRDDTD

FIRSTLINE: Not to our names thou only Just and True

ALT. NAME: Geneva 124

COMPOSER:

DATE: 1551 (s)

NOTES: Pseaumes octante trois, Geneva, 1551.

AUTHOR: Bourgeois, Louis

DATE: 1551 (s)

NOTES: Bourgeois (c.1510-c.1561); words in Geneva Psalter, 1551.


302a TUNE: Resignation
METRE: C.M. 8,6,8,6.

DOREMI: DMSMRMSDLSM DMSDMRD

FIRSTLINE: And let this feeble body fail

ALT. NAME: Irwinton; Hopewell

COMPOSER: Folk Hymn

DATE: c. 1828 (s)

NOTES: in Freeman Lewis' (1780-1859) The Beauties of Harmony, c. 1828.

AUTHOR: Wesley, Charles

DATE: 1759

NOTES: Wesley (1707-1788); in his Funeral Hymns, 1759.


302b TUNE: Lingham
METRE: C.M. 8,6,8,6.

DOREMI: SDRMFSLSFMDRTD MFMRDR

FIRSTLINE: O for a thousand tongues to sing

ALT. NAME: Nativity; Desert; Lyngham

COMPOSER: Jarman, Thomas

DATE: 1803

NOTES: Jarman (1776-1861); in his Sacred Music, 1803.

AUTHOR: Wesley, Charles

DATE: 1739

NOTES: Wesley (1707-1788); in his Hymns and Sacred Poems, 1740.


303 TUNE: Zerah
METRE: C.M. 8,6,8,6.

DOREMI: SDDDMRSS SSMFRM

FIRSTLINE: To us a Child of hope is born

ALT. NAME:

COMPOSER: Mason, Lowell

DATE: 1837

NOTES: Mason (1792-1872); in his Occasional Psalm and Hymn Tunes, 1837 or 1838.

AUTHOR: Morison, John

DATE: 1781

NOTES: Morison (1750-1798); in his Translations and Paraphrases, 1781.


304 TUNE: Easter Anthem
METRE: Various

DOREMI: DSLTSDTDRMRD SFMFSFSS

FIRSTLINE: The Lord is ris'n indeed Hallelujah

ALT. NAME:

COMPOSER: Billings, William

DATE: 1787

NOTES: Billings (1746-1800); in a supplement to his Suffolk Harmony, 1787.

AUTHOR: Young, Edward

DATE: 1740s (s)

NOTES: Young (1685-1765); in his Night Thoughts, 1740s; adapted by Billings (1746-1800).


307 TUNE: Jordan
METRE: C.M. 8,6,8,6.

DOREMI: SDDMRDRMRMF MRMRDRDTD

FIRSTLINE: There is a land of pure delight

ALT. NAME:

COMPOSER: Billings, William

DATE: 1786

NOTES: Billings (1746-1800); in Suffolk Harmony, by William Billings, 1786.

AUTHOR: Watts, Isaac

DATE: 1707

NOTES: Watts (1674-1748); in his Hymns and Spiritual Songs, 1707.


308a TUNE: Parting Hand
METRE: L.M. 8,8,8,8.

DOREMI: DMRDDDRDR MSMSSMRDD

FIRSTLINE: My Christian friends in bonds of love

ALT. NAME:

COMPOSER: Folk Hymn

DATE: 1835 (s)

NOTES: attrib. to William Walker in his Southern Harmony, 1835.

AUTHOR: Blain, John

DATE: 1818

NOTES:


308b TUNE: Wurtemburg
METRE: 10,10,11,11.

DOREMI: SDRTDSFFMR SSDDDDMMSFRDD

FIRSTLINE: O praise ye the Lord

ALT. NAME:

COMPOSER:

DATE: 1851 (s)

NOTES: in Joseph Funk's Harmonia Sacra, 5th ed., 1851.

AUTHOR: Baker, Henry W.

DATE:

NOTES: Baker (1821-1877); in the Lutheran Collection.


310a TUNE: Salvation
METRE: C.M. 8,6,8,6.

DOREMI: MDLTSLLTD RMDRDTL

FIRSTLINE: Come humble sinner in whose breast

ALT. NAME:

COMPOSER: Folk Hymn

DATE: 1816 (s)

NOTES: attrib. to Robert M. Boyd; in Ananias Davisson's The Kentucky Harmony, 1816; also in Joseph. Funk's Choral-Music, 1816.

AUTHOR: Jones, Edmond

DATE: 1760

NOTES: Jones (1722-1765); in his Sacred Poems, 1760.


310b TUNE: Benevento
METRE: 7,7,7,7.

DOREMI: DDDDMRD RRRRFMR

FIRSTLINE: While with ceaseless course the sun

ALT. NAME:

COMPOSER: Webbe, Samuel

DATE: 1792

NOTES: Webbe (1740-1816); in Joshua Leavitt's (1794-1873) The Christian Lyre, vol. 1, 1831.

AUTHOR: Newton, John

DATE: 1774

NOTES: Newton (1725-1807); in Joshua Leavitt's (1794-1873) The Christian Lyre, vol. 1, 1831.


311 TUNE: Brown
METRE: C.M. 8,6,8,6.

DOREMI: SDRMDLTD LSSDMR

FIRSTLINE: Come let us join our friends above

ALT. NAME:

COMPOSER: Bradbury, William Batchelder

uote>DATE: 1840

NOTES: Bradbury (1816-1868); in Joseph Funk's Harmonia Sacra, 10th ed., 1860.

AUTHOR: Wesley, Charles

DATE: 1759

NOTES: Wesley (1707-1788); in his Funeral Hymns, 1759.


312a TUNE: The Three Mountains
METRE: 7,7,7,7.

DOREMI: SSDDRTD MMMMFMR

FIRSTLINE: When on Sinai's top I see

ALT. NAME:

COMPOSER:

DATE: 1851 (s)

NOTES: in Joseph Funk's Harmonia Sacra, 5th ed., 1851.

AUTHOR: Montgomery, James

DATE: 1812 (s)

NOTES: Montgomery (1771-1854); in Collyer's Collection, 1812.


312b TUNE: Mount Vernon
METRE: 8,7,8,7.

DOREMI: MMSMFLLS DMMRMFMR

FIRSTLINE: Sister thou wast mild and lovely

ALT. NAME:

COMPOSER: Mason, Lowell

DATE: 1833

NOTES: Mason (1792-1872); in Sacred Harp, by Lowell and Timothy Mason, 24th ed., 1841.

AUTHOR: Smith, Samuel Francis

DATE: 1843

NOTES: Smith (1808-1895); in The Psalmist, ed. by Smith and Baron Stow, 1843.


313a TUNE: Zion's Light
METRE: C.M. 8,6,8,6.

DOREMI: DMMMRMSSM SLSMRDRD

FIRSTLINE: That glorious day is drawing nigh

ALT. NAME: Pleasant Hill

COMPOSER: Folk Hymn

DATE: 1847 (s)

NOTES: in Joseph Funk's A Compilation of Genuine Church Music, 4th ed., 1847; attrib. to Nicholson, 1820.

AUTHOR:

DATE: 1810 (s)

NOTES: in Jesse Mercer's (1769-1841) The Cluster of Spiritual Songs, 1810.


313b TUNE: Calvary
METRE: C.M. 8,6,8,6.

DOREMI: LLMLTDTDRDT RMRDTL

FIRSTLINE: My thoughts that often mount the skies

ALT. NAME: Calvery

COMPOSER: Read, Daniel

DATE: 1785 (s)

NOTES: Read (1757-1836); in his The American Singing Book, 1785.

AUTHOR: Watts, Isaac

DATE: 1707

NOTES: attrib. Watts (1674-1748)


314 TUNE: Dismission Anthem
METRE: Various

DOREMI: DMSMDSLSFMFS LTDLSFMRD

FIRSTLINE: Lord dismiss us with thy blessing

ALT. NAME:

COMPOSER:

DATE: 1831 (s)

NOTES: in The Boston Handel and Haydn Society Collection of Church Music, 10th ed., 1831.

AUTHOR:

DATE: c. 1811 (s)

NOTES: in Robert Hawker's Psalms and Hymns, before 1811.


316a TUNE: Farewell
METRE: 8,7,8,7.

DOREMI: MRDSRRDRMS MRDSRRFMRD

FIRSTLINE: Farewell mother Jesus calls me

ALT. NAME:

COMPOSER: Colton

DATE: 1851 (s)

NOTES: in Joseph Funk's Harmonia Sacra, 5th ed., 1851.

AUTHOR:

DATE: 1851 (s)

NOTES: in Joseph Funk's Harmonia Sacra, 5th ed., 1851.


316b TUNE: The Dying Penitent
METRE: C.M. 8,6,8,6.

DOREMI: DLSLDRMMR MRDDLLS

FIRSTLINE: As on the cross the Savior hung

ALT. NAME: Dying Penitent

COMPOSER: Folk Hymn

DATE: 1831 (s)

NOTES: attrib. to James P. Carrell (1787-1864) in Virginia Harmony, 1831, ed. by Carrell and David S. Clayton.

AUTHOR: Stennett, Samuel

DATE: 1787 (s)

NOTES: Stennett (c.1727-1795); in John Rippon's Selection of Hymns, 1787.


317 TUNE: Detroit
METRE: C.M. 8,6,8,6.

DOREMI: LDRMDRDLS#L LDRMSL

FIRSTLINE: Do not I love thee O my Lord

ALT. NAME: Detroy

COMPOSER: Bradshaw

DATE: 1820 (s)

NOTES: from Ananias Davisson's Supplement to the Kentucky Harmony, 1820.

AUTHOR: Doddridge, Philip

DATE: 1755 (s)

NOTES: Doddridge (1702-1751); in his Hymns, 1755.


318 TUNE: The Earth is the Lord's
METRE: Various

DOREMI: DDDDDDDTTDR RRRMRDTLS

FIRSTLINE: The earth is the Lord's

ALT. NAME:

COMPOSER:

DATE: 1851 (s)

NOTES: in Joseph Funk's Harmonia Sacra, 5th ed., 1851; full tune name: "Anthem. The Earth is the Lord's. 24th Psalm."

AUTHOR:

DATE: 1851 (s)

NOTES: in Joseph Funk's Harmonia Sacra, 5th ed., 1851.


322 TUNE: Horton
METRE: 7,7,7,7.

DOREMI: SDMDDLS SFRMDLSTLS

FIRSTLINE: Lord we come before thee now

ALT. NAME:

COMPOSER: Wartensee, Xaver Schnyder von

DATE: 1867 (s)

NOTES: von Wartensee (1786-1868); in Joseph Funk's Harmonia Sacra, 12th ed., 1867.

AUTHOR: Hammond, William

DATE: 1745

NOTES: Hammond (1719-1783); in his Psalms and Hymns, 1745.


323 TUNE: The Star Of Bethlehem
METRE: L.M. 8,8,8,8.

DOREMI: DMSSSDRMMM RDLFRDLFRMDDD

FIRSTLINE: When marshall'd on the nightly plain

ALT. NAME:

COMPOSER:

DATE: 1847 (s)

NOTES: in Joseph Funk's A Compilation of Genuine Church Music, 4th ed., 1847.

AUTHOR: White, Henry Kirke

DATE: 1812 (s)

NOTES: White (1785-1806); in Collyer's Collection, 1812.


324 TUNE: The Fatherland
METRE: 9,8,9,8,9,8,9,8.

DOREMI: SSDDDRMDD DLLLDDLS

FIRSTLINE: There is a place where my hopes

ALT. NAME:

COMPOSER:

DATE: 1860 (s)

NOTES: in Joseph Funk's Harmonia Sacra, 10th ed., 1860.

AUTHOR:

DATE: 1860 (s)

NOTES: in Joseph Funk's Harmonia Sacra, 10th ed., 1860.


325 TUNE: Thanksgiving Hymn
METRE: 7,6,7,6,7,6,7,6.

DOREMI: SDDSSMRD SFMRDS

FIRSTLINE: We plough the fertile meadows

ALT. NAME: Wir Pflgen

COMPOSER: Schulz, Johann Abraham Peter

DATE: 1800 (s)

NOTES: Schulz (1747-1800); first publ. anon. in Lieder für Volksschulen mit Musik, ed. by A.L. Hoppenstedt, Hanover, 1800; later attrib. to Schulz.

AUTHOR: Claudius, Matthias

DATE: 1782

NOTES: Claudius (1740-1815); tr. Jane Montgomery Campbell (1817-1878), 1861.


326 TUNE: O Love The Lord
METRE: Various

DOREMI: MFRM DRTD RMRMFMRMFMMR

FIRSTLINE: O love the Lord

ALT. NAME:

COMPOSER:

DATE: 1876 (s)

NOTES: in Joseph Funk's Harmonia Sacra, 15th ed., 1876.

AUTHOR: Perry, George Frederick

DATE: 1876 (s)

NOTES: Perry (1793-1862); in Joseph Funk's Harmonia Sacra, 15th ed., 1876.


328 TUNE: Land Of Promise
METRE: C.M. 8,6,8,6.

DOREMI: DMMDRRMSSRM SLSMSMRD

FIRSTLINE: On Jordan's stormy banks I stand

ALT. NAME: Sweet Rivers

COMPOSER: Moore, William

DATE: 1825

NOTES: in Moore's The Columbian Harmony, 1825.

AUTHOR: Stennett, Samuel

DATE: 1787 (s)

NOTES: Stennett (c.1727-1795); in John Rippon's Selection of Hymns, 1787.


329 TUNE: Eglon
METRE: L.M. 8,8,8,8.

DOREMI: SMFSMDLS MFMRRSFM

FIRSTLINE: Zion awake thy strength renew

ALT. NAME:

COMPOSER: Kubler, G.F.

DATE: 1836 (s)

NOTES: arr. by Lowell Mason (1792-1872); in The Boston Academy's Collection, 4th ed., 1836.

AUTHOR: Shrubsole, William Jr.

DATE: 1796

NOTES: Shrubsole (1760-1806).


330 TUNE: Mary At The Savior's Tomb
METRE: 7,7,7,7.

DOREMI: DDMSSFR RRFLLSS

FIRSTLINE: Mary to the Savior's tomb

ALT. NAME:

COMPOSER:

DATE: 1860 (s)

NOTES: in Joseph Funk's Harmonia Sacra, 10th ed., 1860.

AUTHOR: Newton, John

DATE: 1779

NOTES: Newton (1725-1807); in his and William Cowper's Olney Hymns, 1779.


331 TUNE: Ariel
METRE: 8,8,6,8,8,6.

DOREMI: SSMMMDDDTDMMR RMFSSLTD

FIRSTLINE: Oh could I speak the matchless worth

ALT. NAME:

COMPOSER: Mason, Lowell

DATE: 1836

NOTES: arr. by Lowell Mason (1792-1872) "from Mozart"; in The Boston Academy's Collection, 1836.

AUTHOR: Medley, Samuel

DATE: 1789

NOTES: Medley (1738-1799).


332a TUNE: Be Joyful In God
METRE: 11,8,11,8,11,8,11,8.

DOREMI: LMLLS#LTDRDT RMDLRTS#L

FIRSTLINE: Be joyful in God all ye lands

ALT. NAME:

COMPOSER:

DATE: 1876 (s)

NOTES: in Joseph Funk's Harmonia Sacra, 15th ed., 1876.

AUTHOR: Montgomery, James

DATE: 1822

NOTES: Montgomery (1771-1854); in his Songs of Zion, 1822.


332b TUNE: Babylonian Captivity
METRE: 10,10,10,10.

DOREMI: LDDRMMRDLSLTDL LDDRMMFSMRRM

FIRSTLINE: Along the banks where Babel's current

ALT. NAME:

COMPOSER: Dare, Elkanah Kelsay

DATE: 1813 (s)

NOTES: Dare (1782-1826); in Wyeth's Repository of Sacred Music, Part Second by John Wyeth (1770-1858), 1813.

AUTHOR: Barlow

DATE: 1813 (s)

NOTES: in Wyeth's Repository of Sacred Music, Part Second by John Wyeth (1770-1858), 1813.


333 TUNE: Jerusalem My Glorious Home
METRE: C.M. 8,6,8,6.

DOREMI: SSFMMMRD RMMFMR

FIRSTLINE: Jerusalem my glorious home

ALT. NAME:

COMPOSER: Mason, Lowell

DATE: 1840

NOTES: Mason (1792-1872); in his Carmina Sacra, 2nd. ed., 1841.

AUTHOR: Joseph Bromehead

DATE: 1795

NOTES:


337 TUNE: Cranbrook
METRE: S.M. 6,6,8,6.

DOREMI: DSLSFMRD SDDTLSLSFMMR

FIRSTLINE: Grace 'tis a pleasing sound

ALT. NAME: On Ilkla Moor Baht Hat

COMPOSER: Clark, T.

DATE: 1805

NOTES:

AUTHOR: Doddridge, Phillip

DATE: 1755 (s)

NOTES: Doddridge (1702-1751); in his Hymns, 1755.


338a TUNE: Parting Words
METRE: 8,7,8,7,7,7.

DOREMI: DDDDTDMR RRMFMRD

FIRSTLINE: Let me go the day is breaking

ALT. NAME:

COMPOSER:

DATE: 1860 (s)

NOTES: in Joseph Funk's Harmonia Sacra, 10th ed., 1860.

AUTHOR: Montgomery, James

DATE: 1853

NOTES: Montgomery (1771-1854); in his Original Hymns, 1853.


338b TUNE: Lischer
METRE: 6,6,6,6,8,8.

DOREMI: SDRMFLS DMSSFSFM

FIRSTLINE: Welcome delightful morn

ALT. NAME:

COMPOSER: Schneider, Friedrich

DATE: 1841 (s)

NOTES: Schneider (1786-1853); arr. by Lowell Mason (1792-1872), 1841, in his Carmina Sacra, 2nd ed., 1841.

AUTHOR: Hayward

DATE: 1806 (s)

NOTES: in John Dobell's (1757-1840) A New Selection, 1806.


339 TUNE: Ain
METRE: S.M. 6,6,8,6.

DOREMI: SDDDTDR RMMMFMR

FIRSTLINE: How charming is the place

ALT. NAME: Lonsdale

COMPOSER: adapted from Correlli, Arcangelo

DATE: 1860 (s)

NOTES: Correlli (1653-1713); in Joseph Funk's Harmonia Sacra, 10th ed., 1860.

AUTHOR: Stennett, Samuel

DATE: 1787 (s)

NOTES: Stennett (c.1727-1795); in John Rippon's Selection of Hymns, 1787.


340a TUNE: Humility
METRE: 8,7,8,7.

DOREMI: DRMDSSSM DDRRDTD

FIRSTLINE: Let thy grace Lord make me lowly

ALT. NAME:

COMPOSER:

DATE: 1860 (s)

NOTES: in Joseph Funk's Harmonia Sacra, 10th ed., 1860.

AUTHOR: Goode, William

DATE: 1811

NOTES: in Joseph Funk's Harmonia Sacra, 10th ed., 1860.


340b TUNE: Cana
METRE: 11,11,11,11.

DOREMI: SLTDDTDRMRMSSFMMRDRD

FIRSTLINE: Do this and remember the blood

ALT. NAME:

COMPOSER:

DATE: 1860 (s)

NOTES: in Joseph Funk's Harmonia Sacra, 10th ed., 1860.

AUTHOR:

DATE: 1860 (s)

NOTES: in Joseph Funk's Harmonia Sacra, 10th ed., 1860.


341 TUNE: St. Paul's
METRE: S.M. 6,6,8,6.

DOREMI: DSMSTD MMRDTLS

FIRSTLINE: Behold what wondrous grace

ALT. NAME:

COMPOSER:

DATE: 1860 (s)

NOTES: in Joseph Funk's Harmonia Sacra, 10th ed., 1860.

AUTHOR: Watts, Isaac

DATE: 1707

NOTES: Watts (1674-1748); in his Hymns and Spiritual Songs, 1707.


342 TUNE: Garden
METRE: 11,11,11,11.

DOREMI: SDDMRDDSLDLS SDDRMMSSMDR

FIRSTLINE: While nature was sinking in stillness

ALT. NAME: Flow Gently Sweet Afton

COMPOSER: Spilman, Jonathan E.

DATE: 1834

NOTES:

AUTHOR:

DATE:

NOTES:


343 TUNE: The Orphan's Prayer
METRE: 9,10,10,5,6,5.

DOREMI: MFSDTLSMSLSDTLS SLTDDTTTDRRR

FIRSTLINE: I love to stay where my mother sleeps

ALT. NAME:

COMPOSER:

DATE: 1860 (s)

NOTES: in Joseph Funk's Harmonia Sacra, 10th ed., 1860.

AUTHOR:

DATE: 1860 (s)

NOTES: in Joseph Funk's Harmonia Sacra, 10th ed., 1860.


344a TUNE: The Happy Land
METRE: 6,4,6,4,6,7,6,4.

DOREMI: MMRMSS MMRD

FIRSTLINE: There is a happy land

ALT. NAME: Happy Land

COMPOSER: Breedlove, Leonard P.

DATE: 1835 (s)

NOTES: attrib. to Breedlove in William Walker's Southern Harmony, 1835.

AUTHOR: Young, Andrew

DATE: 1835 (s)

NOTES: in William Walker's (1809-1875) Southern Harmony, 1835.


344b TUNE: Neander
METRE: S.M. 6,6,8,6.

DOREMI: SDDFMR RMDDTD

FIRSTLINE: The Savior's glorious name

ALT. NAME:

COMPOSER:

DATE: 1860 (s)

NOTES: in Joseph Funk's Harmonia Sacra, 10th ed., 1860.

AUTHOR:

DATE: 1860 (s)

NOTES: in Joseph Funk's Harmonia Sacra, 10th ed., 1860.


345 TUNE: Newkirk
METRE: 10,10,10,10,10,10,10,10.

DOREMI: DTDRDRMRDR DRMFMRDMRD

FIRSTLINE: Joyfully joyfully onward I move

ALT. NAME: Joyfully, Joyfully

COMPOSER: Merrell, Abraham Down

DATE: 1845

NOTES: Merrel (1796-1878).

AUTHOR: Hunter, William

DATE: 1843

NOTES: Hunter (1811-1877).


346a TUNE: Rockvale
METRE: 7,5,7,5,7,5,7,5.

DOREMI: DSDSDSD MRMMR

FIRSTLINE: Onward speed thy conq'ring flight

ALT. NAME:

COMPOSER: Mason, Lowell

DATE: 1845 (s)

NOTES: Mason (1792-1872); in his The Psaltery, a New Collection of Church Music, 1845.

AUTHOR: Smith, Samuel Francis

DATE: 1843

NOTES: Smith (1808-1895); in his and Baron Stow's The Psalmist, 1843.


346b TUNE: Langdon
METRE: 8,7,8,7,6,6,6,6.

DOREMI: DDDDDDRR RRMDSTD

FIRSTLINE: Watchmen onward to your stations

ALT. NAME:

COMPOSER: Mason, Lowell

DATE: 1845 (s)

NOTES: Mason (1792-1872); in his The Psaltery, a New Collection of Church Music, 1845.

AUTHOR:

DATE:

NOTES:


347 TUNE: Amboy
METRE: 7,7,7,7.

DOREMI: DSSDDDLL DLSDRTD

FIRSTLINE: Wake the song of jubilee

ALT. NAME:

COMPOSER: Mason, Lowell

DATE: 1845 (s)

NOTES: Mason (1792-1872); in his The Psaltery, a New Collection of Church Music, 1845.

AUTHOR: Bacon, Leonard

DATE: 1823

NOTES: Bacon (1802-1881); in his Hymns and Sacred Songs for the Monthly Concert, 1823.


348 TUNE: Bealoth
METRE: S.M. 6,6,8,6.

DOREMI: SMMMRD DRRRMRD

FIRSTLINE: I love thy kingdom Lord

ALT. NAME:

COMPOSER: Mason, Lowell

DATE: 1842 (s)

NOTES: Mason (1792-1872); in his Sacred Hymns, 1842

AUTHOR: Dwight, Timothy lockquote>

DATE: 1800

NOTES: Dwight (1752-1817); in his Psalms of David, 1800.


349 TUNE: Homeward Bound
METRE: 10,7,10,7,10,10,10,7.

DOREMI: MMRDDTLDRM RRRRMRD

FIRSTLINE: Out on an ocean all boundless we ride

ALT. NAME:

COMPOSER:

DATE: 1859 (s)

NOTES: in Joseph Funk's The Southern Musical Advocate and Singer's Friend 1 (October, 1859):60.

AUTHOR: Anon., English

DATE:

NOTES: in Unitarian Collection.


350 TUNE: The Rock
METRE: 11,12,12,11.

DOREMI: SDDDDTDRSSS MMFMRDFMRMDDD

FIRSTLINE: In seasons of grief to my God

ALT. NAME: The Rock That Is Higher Than I; Lead Me to the Rock

COMPOSER: Folk Hymn

DATE: 1850 (s)

NOTES: arrangement attrib. to William Houser in Southern Harmony, 1850 ed.

AUTHOR: Price, John

DATE: 1805

NOTES: in William Walker's Southern Harmony, 1835.


351 TUNE: Hosanna
METRE: 8,8,8,8,8,8.

DOREMI: MFSSSDTLLL RDTTSLTSDDD

FIRSTLINE: He's gone the spotless soul is gone

ALT. NAME: New Hosanna

COMPOSER: H. S. Rees

DATE: 1860 (s)

NOTES: in Joseph Funk's Harmonia Sacra, 10th ed., 1860; attrib. to H. S. Rees in Elder H. C. Cayce's The Good Old Songs.

AUTHOR: Wesley, Charles

DATE: 1759

NOTES: Wesley (1707-1788); in his Funeral Hymns, 1759.


352a TUNE: Remember Calvary
METRE: 7,6,7,6,7,7,7,6.

DOREMI: DSSSLLS DTDMRD

FIRSTLINE: Lamb of God whose bleeding love

ALT. NAME: Endor

COMPOSER: Marsh, Simeon Butler

DATE: 1860 (s)

NOTES: Marsh (1798-1876); in Joseph Funk's Harmonia Sacra, 10th ed., 1860.

AUTHOR: Wesley, Charles

DATE: 1745

NOTES: Wesley (1707-1788); in the Wesley's Hymns on the Lord's Supper, 1745.


352b TUNE: Sabbath School Hymn
METRE: 8,7,8,7.

DOREMI: DRMFSDDTLTDS SMFSLDTLSMR

FIRSTLINE: Father now the day is passing

ALT. NAME:

COMPOSER:

DATE: 1860 (s)

NOTES: in Joseph Funk's Harmonia Sacra, 10th ed., 1860.

AUTHOR:

DATE: 1860 (s)

NOTES: in Joseph Funk's Harmonia Sacra, 10th ed., 1860.


353 TUNE: I Have Set Watchmen...
METRE: Various

DOREMI: SSSSSSLLL RTDSS

FIRSTLINE: I have set watchmen upon thy walls

ALT. NAME:

COMPOSER:

DATE: 1867 (s)

NOTES: in Joseph Funk's Harmonia Sacra, 12th ed., 1867; full tune name: "I have set Watchmen upon thy Walls".

AUTHOR:

DATE: 1867 (s)

NOTES: in Joseph Funk's Harmonia Sacra, 12th ed., 1867.


354 TUNE: Evening Hymn
METRE: 10,10,10,10.

DOREMI: MMFS FMRM MMRD RDTD

FIRSTLINE: Abide with me fast falls the eventide

ALT. NAME: Troyte #1

COMPOSER: Troyt, Arther Henry Dyke

DATE: 1867 (s)

NOTES: Troyt (1811-1857); in Joseph Funk's Harmonia Sacra, 12th ed., 1867.

AUTHOR: Lyte, Henry Francis

DATE: 1847

NOTES: Lyte (1793-1847); in leaflet, 1847.


355 TUNE: The Rose Of Sharon
METRE: Various

DOREMI: SDRDRMDTDRDTLTS DSSSSSMDMSFMSMD

FIRSTLINE: I am the Rose of Sharon

ALT. NAME:

COMPOSER: Billings, William

DATE: 1778

NOTES: Billings (1746-1800); in his Singing Master's Assistant, 1778.

AUTHOR:

DATE: 1778 (s)

NOTES: in Billings' Singing Master's Assistant, 1778.


359 TUNE: Blessed Infancy
METRE: C.M. 8,6,8,6.

DOREMI: DMDSMFMRD SMDTLSF#S

FIRSTLINE: Thy life I read my dearest Lord

ALT. NAME:

COMPOSER:

DATE: 1835 (s)

NOTES: in Joseph Funk's A Compilation of Genuine Church Music, 2nd ed., 1835.

AUTHOR: Stennett, Samuel

DATE: 1787 (s)

NOTES: Stennett (c.1727-1795); in John Rippon's Selection of Hymns, 1787.


360 TUNE: Hymn Chant
METRE: 7,3,7,3,7,3,6.

DOREMI: MSRFM FMRDR

FIRSTLINE: Is this the way my Father

ALT. NAME:

COMPOSER:

DATE: 1876 (s)

NOTES: in Joseph Funk's Harmonia Sacra, 15th ed., 1876.

AUTHOR:

DATE: 1876 (s)

NOTES: in Joseph Funk's Harmonia Sacra, 15th ed., 1876.


361a TUNE: Egypt
METRE: S.M. 6,6,8,6.

DOREMI: LDMRDTL DMSDRM

FIRSTLINE: And must this body die

ALT. NAME:

COMPOSER: Madan

DATE: 1813 (s)

NOTES: in Wyeth's Repository of Sacred Music, Part Second by John Wyeth (1770-1858), 1813.

AUTHOR: Watts, Isaac

DATE: 1707

NOTES: Watts (1674-1748); in his Hymns and Spiritual Songs, 1707.


361b TUNE: Mount Ephraim
METRE: S.M. 6,6,8,6.

DOREMI: DDDRRM SLSFMR

FIRSTLINE: Your harps ye trembling saints

ALT. NAME:

COMPOSER:

DATE: 1847 (s)

NOTES: in Joseph Funk's A Compilation of Genuine Church Music, 4th ed., 1847.

AUTHOR: Toplady, Augustus Montague

DATE: 1772

NOTES: Toplady (1740-1778).


362 TUNE: Farewell Anthem
METRE: Various

DOREMI: MLDDTTDMFMRDTT DDTLML

FIRSTLINE: My friends I am going a long and tedious journey

ALT. NAME:

COMPOSER: French, Jacob

DATE: 1789

NOTES: French (1754-?); in The Psalmodists Companion, 1793

AUTHOR:

DATE: 1793 (s)

NOTES: in The Psalmodists Companion, 1793


365a TUNE: Orrington
METRE: S.M. 6,6,8,6.

DOREMI: LDDTTL S#LLDDT

FIRSTLINE: When gloomy doubts and fears

ALT. NAME:

COMPOSER: Zelter, Carl Friedrick

DATE: 1850 (s)

NOTES: Zelter (1758-1832); arr. by Lowell Mason (1792-1872) in his The New Carmina Sacra, 1850.

AUTHOR: Steele, Anne

DATE:

NOTES: Steele (1716-1778).


365b TUNE: Depth of Mercy
METRE: 7,7,7,7.

DOREMI: LTDTDLDRM MMRMFMRDTL

FIRSTLINE: Depth of mercy can there be

ALT. NAME: Fairfax

COMPOSER:

DATE: 1831 (s)

NOTES: in Joshua Leavitt's (1794-1873) The Christian Lyre, vol. 1, 1831.

AUTHOR: Wesley, Charles

DATE: 1740

NOTES: Wesley (1707-1788); in his Hymns and Sacred Poems, 1742.


366 TUNE: Carlisle
METRE: 8,7,8,7.

DOREMI: DRMMMSFM FMRDFMR

FIRSTLINE: Glorious things of thee are spoken

ALT. NAME:

COMPOSER:

DATE: 1832 (s)

NOTES: in Joseph Funk's A Compilation of Genuine Church Music, 1832.

AUTHOR: Newton, John

DATE: 1779

NOTES: Newton (1725-1807); in his and William Cowper's Olney Hymns, 1779.


367a TUNE: Earnest Call
METRE: 7,7,7,7.

DOREMI: LTDRDTLS#L DRMMRDTD

FIRSTLINE: When thy mortal life is fled

ALT. NAME:

COMPOSER:

DATE: 1842 (s)

NOTES: in Joseph Funk's A Compilation of Genuine Church Music, 3rd ed., 1842.

AUTHOR: Smith, Samuel Francis

DATE: 1832 (s)

NOTES: Smith (1808-1895); in Winchell's Additional Hymns, 1832.


367b TUNE: Sincerity
METRE: 7,7,7,7.

DOREMI: LLMMRDT DMLS#LSFM

FIRSTLINE: Jesus' precious name excels

ALT. NAME:

COMPOSER:

DATE: 1831 (s)

NOTES: in Joshua Leavitt's (1794-1873) The Christian Lyre, vol. 1, 1831.

AUTHOR:

DATE: 1823 (s)

NOTES: in Jesse Mercer's (1769-1841) The Cluster of Spiritual Songs, 1823.


368 TUNE: Plymouth Dock
METRE: 8,8,8,8,8,8.

DOREMI: DSFMRMFSDRMFS SLSLTDMSFMRD

FIRSTLINE: Jesus thy boundless love to me

ALT. NAME: Warsaw

COMPOSER:

DATE: 1813 (s)

NOTES: in Wyeth's Repository of Sacred Music, Part Second by John Wyeth (1770-1858), 1813.

AUTHOR: Gerhardt, Paul

DATE: 1653

NOTES: Gerhardt (1607-1676); tr. by John Wesley (1703-1791), 1739.


369 TUNE: Romaine
METRE: 7,6,7,6,7,6,7,6.

DOREMI: SDDSMFM MMRRDDTD

FIRSTLINE: From Greenland's icy mountains

ALT. NAME:

COMPOSER:

DATE: 1831 (s)

NOTES: in Joshua Leavitt's (1794-1873) The Christian Lyre, vol. 1, 1831.

AUTHOR: Heber, Reginald

DATE: 1819

NOTES: Heber (1783-1826).


370a TUNE: Sweet Repose
METRE: 7,8,7,8,7,7.

DOREMI: SMLTDDTLT LTDTLSFMRD

FIRSTLINE: Jesus lives my trust secure

ALT. NAME:

COMPOSER:

DATE: 1816 (s)

NOTES: in Joseph Funk's Choral-Musik, 1816.

AUTHOR:

DATE: 1851 (s)

NOTES: in Joseph Funk's Harmonia Sacra, 5th ed., 1851, from Paul Henkel's Church Hymn Book, 3rd ed., 1850.


370b TUNE: Truro
METRE: L.M. 8,8,8,8.

DOREMI: DMFSSLTD SDSFMRDFMR

FIRSTLINE: Great God let all our tuneful pow'rs

ALT. NAME:

COMPOSER:

DATE: 1789 (s)

NOTES: in Thomas Williams' Psalmodia Evangelica: A Collection of Psalms and Hymns in Three Parts for Public Worship, pt. 2, 1789; Mason attributes this to Charles Burney, (1727-1814), 1769.

AUTHOR: Hegenbotham, Ottiwell

DATE: 1794

NOTES: Hegenbotham (1744-1768); in his Hymns, 1794.


371 TUNE: Germany
METRE: 8,7,8,7,7,7,8,7.

DOREMI: DRMRMDTRLS DRMFSMDRD

FIRSTLINE: Did Jehovah but design me

ALT. NAME:

COMPOSER:

DATE: 1816 (s)

NOTES: in Joseph Funk's Choral-Music, 1816.

AUTHOR:

DATE: 1851 (s)

NOTES: in Joseph Funk's Harmonia Sacra, 5th ed., 1851, from Paul Henkel's Church Hymn Book, 3rd ed., 1850.


372a TUNE: Glorious Triumph
METRE: 12,11,12,8.

DOREMI: DDMSDTDMRDRS SRMFMDSSDMS

FIRSTLINE: The Prince of salvation in triumph

ALT. NAME:

COMPOSER:

DATE: 1842 (s)

NOTES: in Joseph Funk's A Compilation of Genuine Church Music, 3rd ed., 1842.

AUTHOR: Smith, Samuel Francis

DATE: 1832-3

NOTES: Smith (1808-1869); in Hasting and Mason's Spiritual Songs for Social Worship, 1832-3.


372b TUNE: Conflict
METRE: 8,8,8,8,8,8,8,8.

DOREMI: DTLMMDTLDLT MDRMMRDTL

FIRSTLINE: When Jesus my Shepherd is near

ALT. NAME:

COMPOSER:

DATE: 1847 (s)

NOTES: in Joseph Funk's A Compilation of Genuine Church Music, 4th ed., 1847.

AUTHOR:

DATE: 1828 (s)

NOTES: in Andrew Broaddus' The Dover Selection of Spiritual Songs, 1828, #93.


373 TUNE: Adoration
METRE: 11,8,11,8.

DOREMI: DMSDDTDRMSFM MRRRMRF#S

FIRSTLINE: The Lord is great ye hosts of heav'n

ALT. NAME:

COMPOSER:

DATE: 1842 (s)

NOTES: in Joseph Funk's A Compilation of Genuine Church Music, 3rd ed., 1842.

AUTHOR:

DATE:

NOTES: in Church Psalmody, #731.


374 TUNE: Denmark
METRE: L.M. 8,8,8,8.

DOREMI: DDDDDRMRRR MMMMMFSSFMRD

FIRSTLINE: Before Jehovah's awful throne

ALT. NAME:

COMPOSER: Madan, Martin

DATE: 1779 (s)

NOTES: Madan (1725 or 6-1790); in Andrew Law's (1748-1821) Select Harmony, New Haven, 1779.

AUTHOR: Watts, Isaac

DATE: 1719

NOTES: Watts (1674-1748); alt by John Wesley (1703-1791) in his Psalms and Hymns, 1736-7.


376 TUNE: Gethsemane
METRE: 8,8,6,8,8.

DOREMI: DRMMMDRMMM LS#LTS#LTD

FIRSTLINE: Beyond where Cedron's waters flow

ALT. NAME:

COMPOSER:

DATE: 1851 (s)

NOTES: in Joseph Funk's Harmonia Sacra, 5th ed., 1851.

AUTHOR: Smith, Samuel Francis

DATE: 1832

NOTES: Smith (1808-1869); in Bacon's Appendix, 1833.


377 TUNE: Divine Adoration
METRE: L.M. 8,8,8,8.

DOREMI: LMMRDMRDTL TDDTLTDRM

FIRSTLINE: God is a name my soul adores

ALT. NAME:

COMPOSER:

DATE: 1847 (s)

NOTES: in Joseph Funk's A Compilation of Genuine Church Music, 4th ed., 1847.

AUTHOR: Watts, Isaac

DATE: 1706

NOTES: Watts (1674-1748); in his Horae Lyricae, 1706.


378 TUNE: Penitent Mourner
METRE: C.M. 8,6,8,6.

DOREMI: MDTLTDRM TDRMDT

FIRSTLINE: Hear gracious God my humble moan

ALT. NAME: Solitude New

COMPOSER: West, Elisha

DATE:

NOTES: West (1756-after 1808); from Pleasure Tunes My Tongue, recording by One Accord, St. Louis.

AUTHOR: Steele, Anne

DATE: 1760

NOTES: Steele (1716-1778); in her Poems on Subjects Chiefly Devotional, 1760.


379 TUNE: Land of Rest
METRE: C.M. 8,6,8,6.

DOREMI: MLLLTLSFM MSLLLS#LT

FIRSTLINE: O land of rest for thee I sigh

ALT. NAME: Leander

COMPOSER: Folk Hymn

DATE: 1818 (s)

NOTES: in Alexander Johnson's Tennessee Harmony, 1818; attrib. to Austin in William Walker's Southern Harmony, 1835.

AUTHOR: Mills, Elizabeth

DATE: 1837 (s)

NOTES: Mills, Elizabeth (1805-1829); in Wakefield's The Christian Harp, 1837.


380a TUNE: Radnor
METRE: L.M. 8,8,8,8.

DOREMI: LLS#LTDRM MRDTLRDT

FIRSTLINE: Come weary souls with sins distrest

ALT. NAME:

COMPOSER:

DATE: 1851 (s)

NOTES: in Joseph Funk's Harmonia Sacra, 5th ed., 1851.

AUTHOR: Steele, Anne

DATE: 1760

NOTES: Steele (1716-1778); in her Poems on Subjects Chiefly Devotional, 1760.


380b TUNE: Tallis' Evening Hymn
METRE: L.M. 8,8,8,8.

DOREMI: SDDDDRRMFM RDFFMMRRD

FIRSTLINE: Glory to thee my God this night

ALT. NAME: Tallis Canon

COMPOSER: Tallis, Thomas

DATE: c. 1567

NOTES: Tallis (1505-1595).

AUTHOR: Ken, Thomas

DATE: 1695 (s)

NOTES: Ken (1637-c. 1710); in Harmonia Sacra, 1695.


381 TUNE: Infinite Delight
METRE: C.M. 8,6,8,6.

DOREMI: DSSSFMLSFMR RMSLFS

FIRSTLINE: Lord, 'tis an infinite delight

ALT. NAME: Lobt Gott Ihr Christen

COMPOSER: Herman, Nicolaus

DATE: 1554

NOTES: Herman (c.1485-1561).

AUTHOR: Watts, Isaac

DATE: 1706

NOTES: Watts (1674-1748); in his Horae Lyricae, 1706-9.


382a TUNE: Mount Ephraim
METRE: S.M. 6,6,8,6.

DOREMI: DMRDSFMRDD DTLSRDTLSS

FIRSTLINE: Your harps ye trembling saints

ALT. NAME:

COMPOSER: Milgrove, Benjamin

DATE: d. 1810

NOTES: Milgrove (1731-1810).

AUTHOR: Toplady, Augustus Montagne

DATE: 1772

NOTES: Toplady (1740-1778).


382b TUNE: St. Bride's
METRE: S.M. 6,6,8,6.

DOREMI: LMLDTL DSDMRD

FIRSTLINE: Bless'd comforter divine whose rays

ALT. NAME: St. Bride

COMPOSER: Howard, Samuel

DATE: 1762

NOTES: Howard (1710-1782).

AUTHOR: Sigourney, Lydia (nee Huntley)

DATE: 1824 (s)

NOTES: in Asahel Nettleton's (1783-1844) Village Hymns for Social Worship...A Supplement to the Psalms and Hymns of Dr. Watts, 1824.


383a TUNE: Burstall
METRE: C.M. 8,6,8,6.

DOREMI: LDLFMRMLSLTDTL MLSFMRSFM

FIRSTLINE: Oh for a closer walk with God

ALT. NAME:

COMPOSER:

DATE: 1832 (s)

NOTES: in Joseph Funk's A Compilation of Genuine Church Music, 1832.

AUTHOR: Cowper, William

DATE: 1772 (s)

NOTES: in Conyer's Collection of Psalms and Hymns, 1772.


383b TUNE: Milan
METRE: C.M. 8,6,8,6.

DOREMI: DMRDLSFM MFSDTLS

FIRSTLINE: Awake awake the sacred song

ALT. NAME:

COMPOSER:

DATE: 1832 (s)

NOTES: in Joseph Funk's A Compilation of Genuine Church Music, 1832.

AUTHOR: Steele, Anne

DATE: 1760

NOTES: Steele (1716-1778); in her Poems on Subjects Chiefly Devotional, 1760.


384a TUNE: Triumph
METRE: L.M. 8,8,8,8.

DOREMI: SDRMRDSLDFRDTD

FIRSTLINE: Lord what a heaven of saving grace

ALT. NAME:

COMPOSER:

DATE: 1832 (s)

NOTES: in Joseph Funk's A Compilation of Genuine Church Music, 1832.

AUTHOR: Watts, Isaac

DATE: 1707

NOTES: Watts (1674-1748); in his Hymns and Spiritual Songs, 1707.


384b TUNE: Rapture
METRE: 8,7,8,7.

DOREMI: MFSMRDSLTDTLSMD

FIRSTLINE: Love divine all loves excelling

ALT. NAME:

COMPOSER:

DATE: 1832 (s)

NOTES: in Joseph Funk's A Compilation of Genuine Church Music, 1832.

AUTHOR: Wesley, Charles

DATE: 1747

NOTES: Wesley (1707-1788); in his Hymns for Those that Seek, 1747.


385 TUNE: Bath
METRE: L.M. 8,8,8,8.

DOREMI: DRMRDDTD DMFSMFMR

FIRSTLINE: Nature with open volume stands

ALT. NAME:

COMPOSER:

DATE: c. 1760 (s)

NOTES: in Caleb Ashworth's A Collection of Tunes, London, c.1760.

AUTHOR: Watts, Isaac

DATE: 1707

NOTES: Watts (1674-1748); in his Hymns and Spiritual Songs, 1707.


386a TUNE: Haddam
METRE: S.M. 6,6,8,6.

DOREMI: MMRDRMRDTL MLSFMRM

FIRSTLINE: When overwhelm'd with grief

ALT. NAME:

COMPOSER:

DATE: 1832 (s)

NOTES: in Joseph Funk's A Compilation of Genuine Church Music, 1832.

AUTHOR: Watts, Isaac

DATE: 1719

NOTES: Watts (1674-1748); in his Psalms of David, 1719.


386b TUNE: Farmington
METRE: L.M. 8,8,8,8.

DOREMI: DDRMSFMR MFMRDTDR

FIRSTLINE: And is the gospel peace and love

ALT. NAME:

COMPOSER:

DATE: 1832 (s)

NOTES: in Joseph Funk's A Compilation of Genuine Church Music, 1832.

AUTHOR: Steele, Anne

DATE: 1760

NOTES: Steele (1716-1778); in her Poems on Subjects Chiefly Devotional, 1760.


387 TUNE: Portsmouth
METRE: 6,6,6,6,8,8.

DOREMI: SMSDSDRDRM DFMRDR

FIRSTLINE: Blow ye the trumpets blow

ALT. NAME:

COMPOSER:

DATE: 1832 (s)

NOTES: in Joseph Funk's A Compilation of Genuine Church Music, 1832.

AUTHOR: Wesley, Charles

DATE: 1750

NOTES: Wesley (1707-1788); in his Hymns for the New Year's Day, 1750.


388a TUNE: Broomsgrove
METRE: C.M. 8,6,8,6.

DOREMI: DDSLSLTDFMRDTD DRMDTLS

FIRSTLINE: My Saviour my Almighty friend

ALT. NAME:

COMPOSER:

DATE: 1789 (s)

NOTES: in Thomas Williams' Psalmodia Evangelica: A Collection of Psalms and Hymns in Three Parts for Public Worship, pt. 2, 1789.

AUTHOR: Watts, Isaac

DATE: 1719

NOTES: Watts (1674-1748); in his Psalms of David, 1719.


388b TUNE: Orramoor
METRE: L.M. 8,8,8,8.

DOREMI: SDSLRDTD SMRDTLSDTLS

FIRSTLINE: My God permit me not to be

ALT. NAME:

COMPOSER:

DATE: 1832 (s)

NOTES: in Joseph Funk's A Compilation of Genuine Church Music, 1832.

AUTHOR: Watts, Isaac

DATE: 1709

NOTES: Watts (1674-1748); in his Hymns and Spiritual Songs, 1709.


389 TUNE: Limehouse
METRE: L.M. 8,8,8,8.

DOREMI: LMLLSFMRDTL LTDRMLDTLS#L

FIRSTLINE: Oh Thou that hear'st when sinners cry

ALT. NAME:

COMPOSER:

DATE: 1832 (s)

NOTES: in Joseph Funk's A Compilation of Genuine Church Music, 1832.

AUTHOR: Watts, Isaac

DATE: 1719

NOTES: Watts (1674-1748); in his Psalms of David, 1719.


390a TUNE: Kershaw
METRE: 8,7,8,7,4,7.

DOREMI: LLTDRMRDRDT DTLSLTDTL

FIRSTLINE: Come ye sinners poor and needy

ALT. NAME:

COMPOSER:

DATE: 1831 (s)

NOTES: in Joshua Leavitt's (1794-1873) The Christian Lyre, vol. 2, 1831.

AUTHOR: Hart, John

DATE: 1759

NOTES: in Hart's Hymns Composed on Various Subjects, 1759; altered.


390b TUNE: Broadmead
METRE: 8,8,8,8,8,8.

DOREMI: MRRMSDRMFMS RRRMFSLSMRD

FIRSTLINE: Thou hidden love of God whose height

ALT. NAME:

COMPOSER:

DATE: 1832 (s)

NOTES: in Joseph Funk's A Compilation of Genuine Church Music, 1832.

AUTHOR: Tersteegen, Gerhard

DATE: 1729

NOTES: Tersteegen (1697-1769); tr. by John Wesley (1707-1791), 1738.


391 TUNE: Virginia
METRE: C.M. 8,6,8,6.

DOREMI: LMMLSFRSFM MMSFRMS#L

FIRSTLINE: Lord in the morning thou shalt hear

ALT. NAME:

COMPOSER: Brunson

DATE: 1810 (s)

NOTES: in Wyeth's Repository of Sacred Music, by John Wyeth (1770-1858), 1810.

AUTHOR: Watts, Isaac

DATE: 1719

NOTES: Watts (1674-1748); in his Psalms of David, 1719.


392a TUNE: Stafford
METRE: S.M. 6,6,8,6.

DOREMI: SDRMRDFMRD SMRMFSFMR

FIRSTLINE: Raise your triumphant songs

ALT. NAME:

COMPOSER: Read, Daniel

DATE: 1782 (s)

NOTES: Read (1757-1836); in The Chorister's Companion, by Simeon Jocelyn and Amos Doolittle, 1782 .

AUTHOR: Watts, Isaac

DATE: 1707

NOTES: Watts (1674-1748); in his Hymns and Spiritual Songs, 1707.


392b TUNE: Conversion
METRE: 11,11,11,11.

DOREMI: MLLSLMDFFMRM MLLDTLSMDRDLLL

FIRSTLINE: Thy mercy my God is the theme

ALT. NAME:

COMPOSER:

DATE: 1831 (s)

NOTES: in Joshua Leavitt's (1794-1873) The Christian Lyre, vol. 2, 1831.

AUTHOR: Stocker, John

DATE: 1776

NOTES: in Gospel Magazine, 1776.


393 TUNE: Frankfort
METRE: 7,7,7,7.

DOREMI: MFMRDTML DDRRSLSFM

FIRSTLINE: Lord I cannot let thee go

ALT. NAME:

COMPOSER:

DATE: 1816 (s)

NOTES: in Joseph Funk's Choral-Music, 1816.

AUTHOR: Newton, John

DATE: 1779

NOTES: Newton (1725-1807); in his and William Cowper's Olney Hymns, 1779.


394a TUNE: Suffolk
METRE: L.M. 8,8,8,8.

DOREMI: LMLSFMRMLTDRM MFMRMRDRDTL

FIRSTLINE: Where is my God does he retire

ALT. NAME:

COMPOSER: William Billings

DATE: 1770 (s)

NOTES: Billings (1748-1800), in his The New-England Psalm Singer, 1770.

AUTHOR: Steele, Anne

DATE: 1760

NOTES: Steele (1716-1778); in her Poems on Subjects Chiefly Devotional, 1760.


394b TUNE: Matthias
METRE: S.M. 6,6,8,6.

DOREMI: SLDTLSFM DRTSDTLS

FIRSTLINE: Almighty Maker God how wondrous

ALT. NAME:

COMPOSER:

DATE: 1832 (s)

NOTES: in Joseph Funk's A Compilation of Genuine Church Music, 1832.

AUTHOR: Watts, Isaac

DATE: 1706

NOTES: Watts (1674-1748); in his Horae Lyricae, 1706.


395 TUNE: Brussels
METRE: L.M. 8,8,8,8.

DOREMI: DMFRSSFMR SLTSDTLLS

FIRSTLINE: When shall thy lovely face be seen

ALT. NAME: Waldeck

COMPOSER:

DATE: 1816 (s)

NOTES: in Joseph Funk's Choral-Music, 1816.

AUTHOR: Watts, Isaac

DATE: 1706

NOTES: Watts (1674-1748); in his Horae Lyricae, 1706.


396a TUNE: Invocation
METRE: 7,6,7,7,6.

DOREMI: SSSSDSFM DDRMFMRR

FIRSTLINE: Draw nigh to us Jehovah

ALT. NAME: Mt. Vernon

COMPOSER:

DATE: 1831 (s)

NOTES: in Joshua Leavitt's (1794-1873) The Christian Lyre, vol. 2, 1831.

AUTHOR:

DATE: 1831 (s)

NOTES: in Joshua Leavitt's (1794-1873) The Christian Lyre, vol. 2, 1831.


396b TUNE: Anxiety
METRE: L.M. 8,8,8,8.

DOREMI: SDMRMFMRDTD MRTDRDTS#LTDTL

FIRSTLINE: Often I seek my Lord by night

ALT. NAME:

COMPOSER:

DATE: 1832 (s)

NOTES: in Joseph Funk's A Compilation of Genuine Church Music, 1832.

AUTHOR: Watts, Isaac

DATE: 1707

NOTES: Watts (1674-1748); in his Hymns and Spiritual Songs, 1707.


397 TUNE: Kent
METRE: L.M. 8,8,8,8.

DOREMI: SFMRDRDLSFM MRSF#LLTDTLS

FIRSTLINE: Come gracious Spirit heav'nly Dove

ALT. NAME:

COMPOSER:

DATE: 1832 (s)

NOTES: in Joseph Funk's A Compilation of Genuine Church Music, 1832.

AUTHOR: Browne, Simon

DATE: 1720

NOTES: Browne (1680-1732); Hymns and Spiritual Songs, 1720.


398 TUNE: Bermondsey
METRE: 6,6,4,6,6,6,4.

DOREMI: DMSDRD RLRTLS DRTD

FIRSTLINE: Glory to God on high

ALT. NAME:

COMPOSER: Milgrove, Benjamin

DATE: 1832 (s)

NOTES: Milgrove (1731-1810); in Joseph Funk's A Compilation of Genuine Church Music, 1832.

AUTHOR: Allen, James

DATE: 1761

NOTES: Allen (1734-1804); alt. in John Rippon's Selection of Hymns, 1787.


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